Cocoanut Palms, Magnetic Island, North Queensland.

James Crisp (1879–1962)

Cocoanut Palms, Magnetic Island, North Queensland.

EXHIBITION HISTORY 1 – 5 of 5 exhibitions

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Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Venues

Blaxland Galleries. [1]. (18 November 1929 – 30 November 1929)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

Crisp, James. (1879–1962)

Playmates. 1½ gns (unframed) | drypoint

Barker, David. (1888–1946)

1. Martin Place. Kindly lent by F. larkins, Esq. | drypoint

2. Circular Quay. 3 gns (unframed) | drypoint

Artist: Barker, David. | Title: Bridge Street. | Date: (1930) | Technique: drypoint, printed in black ink, from one plate

3. Bridge Street. 3 gns (unframed) | drypoint

4. The Mill, Sussex. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

5. Stone Tower, Fort Macquarie. 1½ gns (unframed) | etching

6. Carthona, Double Bay. 1½ gns (unframed) | etching

7. Old bridge, William St., Double Bay. 1½ gns (unframed) | etching

8. Double Bay Beach. 1½ gns (unframed) | etching

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

10. Farm corner. 1½ gns. (unframed) | etching

11. A bit of the Barron River, N.Q. 2 gns (unframed) | drypoint

12. A Favourite spot. [drawing for]. 5 gns (framed) | colour drawing

13. Mt. Cootha, Brisbane. 1½ gns (unframed) | etching

14. The conference. 1½ gns (unframed) | etching

15. Brisbane, Queensland. 1 gn (unframed) | etching

16. Cocoanut Palms, Magnetic Island, North Queensland. 3 gns (unframed) | etching

17. The Old Mine, Harden. 1½ gns (unframed) | etching

18. Nearing home. 1½ gns (unframed) | etching

19. Hauling timber, Jamberoo to Nowra. 1½ gns (unframed) | etching

20. Cattai Creek. 1½ gns (unframed) | etching

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

21. The teamster. 2 gns. (unframed) | etching

22. Kuranda Railway Station, N.Q. [pencil]. 3 gns (framed) | pencil

Dwyer, Ella. (1887–1979)

23. Misty morning sandgrain. 2 gns. (unframed) | sandgrain

24. Old Home of 'Commodore' Blue, Berry's Bay. 2 gns (unframed) | etching

25. Old houses, Campbell Street. 1½ gns (unframed) | etching

26. On an Old Highway, Tasmania. 1 gns (unframed) | etching

Farmer, Helen. (1888–1970)

27. Nelligen. 1½ gns (unframed) | etching

28. Church Point, Pittwater. 2½ gns (unframed) | etching

29. Huskisson. 1 gn (unframed) | etching

30. Riddles Wharf, Pittwater. 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

31. His ain fireside. 4 gns (unframed) | etching

32. Conservatorium of Music, Sydney. 2 gns (unframed) | etching

33. Clock Tower, Central Station, Sydney. 3 gns (unframed) | etching

34. Fort Street School, Sydney. 2 gns (unframed) | etching

35. Cowan, N.S.W. 2 gns. (unframed) | etching

36. Dickens' Old Curiosity Shop, London. 3 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

37. The Drovers. 3 gns (unframed) | etching

38. The bush philosopher. 2½ gns (unframed) | etching

39. The Mountain Road, Brush Creek, N.S.W. 3 gns (unframed) | etching

40. Venice. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

41. Caudebec, Normandy. 3 gns (unframed) | etching

42. Omar, the Tent Maker. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: The bush madonna. | Date: 1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

43. The bush madonna. 1 gn (unframed) | etching

44. The bark hut. 2 gns (unframed) | etching

45. The Digger. 1½ gns (unframed) | etching

46. Old drover. 1 gn (unframed) | etching

47. The Conservation of Music, Sydney. 2 gns (unframed) | etching

48. Three Kookaburras. 2 gns (unframed) | etching

Gallop, Herbert. (1890–1958)

49. The picnic, Cattai Creek. 2 gns (unframed) | etching

50. Kangaroo Valley. 1 gn (unframed) | etching

51. Shore Pines. 2 gns (unframed) | etching

52. The farm on the Fish River. 1½ gns (unframed) | etching

53. North Ryde Farms. 1½ gns (unframed) | etching

54. Over the Hill. 1 gn (unframed) | etching

55. The southerly blows. 3 gns (unframed) | etching

56. Boatsheds, Pittwater. 2 gns (unframed) | etching

57. Wharfside, Pittwater. 5 gns (unframed) | etching

58. From the Hills. 2 gns (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

59. The Barn, Magill 2½ gns (unframed) | etching

60. Summertime. 2½ gns (unframed) | etching

61. The Sheltered Glade. 1½ gns (unframed) | etching

62. The Dry Creek. 2½ gns (unframed) | etching

Artist: Glover, Allan. | Title: Dawn | Date: 1929 | Technique: aquatint, printed in warm black ink, from one plate

63. Dawn 1 gn (unframed) | mezzotint

64. At Oaklands. 1 gn (unframed) | etching

65. The two gums. 1 gn (unframed) | etching

66. In the Power House. 2 gns (unframed) | aquatint

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

67. Parker's cottage, Moonta Mines 2 gns (unframed) | etching

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

68. Towards Treuer's and Karkarilla Moonta Mines 1½ gns (unframed) | etching

Godson, John Barclay. (1882–1957)

69. A Peep of the Homeland. 3 gns (unframed) | etching

70. A Yorkshire Village. 3 gns (unframed) | etching

71. Old court house, Berrima. 3 gns (unframed) | etching

72. Botanic Steps. 1 gn (unframed) | etching

73. Entrance to the Old Town. 3 gns (unframed) | etching

74. A Yorkshire Stream. 1½ gns (unframed) | etching

75. Jetty, Etaples. 2 gns (unframed) | etching

76. The Shambles, York. 3 gns (unframed) | etching

Goodhart, J.C. (1873–1952)

89. The Poppet Head. 3 gns (unframed) | etching

GOODCHILD, John (1898–1980)

90. A bush shipyard. 3 gns (unframed) | etching

91. Prosperity. 3 gns (unframed) | etching

92. Desert Gums. 2 gns (unframed) | softground etching

Hilder, Bim. (1909–1990)

93. Windy Day. 1 gn (unframed) | aquatint

94. The sentinel. 1 gn (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Hawkesbury landscape 6 gns (unframed) | aquatint

96. The lake. 4 gns (unframed) | aquatint

97. Landscape, Newport. 4 gns (unframed) | line etching

98. Boyd's Boatshed, Narrabeen. 4 gns (unframed) | line etching

99. Narrabeen Landscape. 3 gns. (unframed) | line etching

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

100. Tascot 3 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

101. Windmill Street, Old Sydney [1] 3 gns (unframed) | line etching

102. Feeding time. 3 gns (unframed) | line etching

103. Demolition, Waterloo Bridge, London. 4 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

104. Old houses, Chiddingstone 3 gns (unframed) | line etching

105. Old mill, Petertary. 3 gns (unframed) | line etching

Marsden, May. (1876–1968)

106. The moorings, Berry's Bay. 2 gns (unframed) | etching

107. Coaling Cranes, Ball's Head. 2 gns (unframed) | etching

108. Prymont Bridge. 3 gns (unframed) | etching

109. The Mopoke. 1 gn (unframed) | etching

110. Blue Mountains, Leura. 2 gns (unframed) | etching

111. The boat pool, Newcastle, N.S.W. 2½ gns (unframed) | etching

112. The Harbour, Newcastle, N.S.W. 3½ gns (unframed) | etching

113. On the Golf Links, Mossvale. 1 gn (unframed) | etching

Morgan, Squire. (1886–1974)

114. Afternoon light. 2 gns (unframed) | etching

115. Roadside shanties. 3 gns (unframed) | etching

116. Scots Church. 3 gns (unframed) | etching

117. Avoca Lagoon. 3 gns (unframed) | etching

Artist: Morgan, Squire. | Title: Approaching Canberra | Date: c.1927 | Technique: etching

118. Approaching Canberra 1 gn (unframed) | etching

119. Mt. Ainsley, Canberra. 1 gn (unframed) | etching

120. Pioneer's Home. 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

121. The Old School House Canberra. 1½ gns (unframed) | etching

122. Kaye's Barn (Klensendorlffe's), Canberra. 1½ gns (unframed) | etching

123. Bookplate. etching

124. Experiment Cottage, Parramatta. 1 gn (unframed) | etching

125. St. John's, Parramatta. 2 gns (unframed) | etching

126. Holy Thorn, Glastonbury. 1½ gns (unframed) | etching

127. Stonetubs, Vaucluse. 1½ gns (unframed) | etching

128. Horsley II. 2 gns (unframed) | etching

Parkes, Adrienne. (1910–1943)

129. Spanish Dancer. 1½ gns (unframed) | etching

130. Ballet Dancer. 1½ gns (unframed) | etching

131. The old model. 3 gns (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

132. Joseph's Coat. 1 2 gns (unframed) | etching

133. Joseph's Coat. 2 gns (unframed) | drypoint

Pratt, Douglas. (1900–1972)

134. Boats, Double Bay. 2 gns (unframed) | etching

135. Dredging, Cook's River. 2 gns (unframed) | etching

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

136. The Sunlit Forge 1½ gns (unframed) | etching

137. The Track to the Sheds. 2 gns (unframed) | etching

138. Botany Bay. 2 gns (unframed) | etching

139. Lakeside. 1 gns (unframed) | etching

140. Pyrmont Bridge. 1 gns (unframed) | etching

141. Early Home, Tempe. 1½ gns (unframed) | etching

142. Far From the Madding Crowd. 2 gns (unframed) | etching

143. Boats, Double Bay pencil study. 2 gns (framed) | pencil study

144. The Track to the Sheds [pencil study]. 2 gns (framed) | pencil study

145. Sketch, Fairy Meadow pencil study. 2 gns (framed) | pencil study

Reid, D.G. (1862–1933)

146. The Sunken Road. 3 gns (unframed) | etching

147. A Fisherman's Fortune. 3 gns (unframed) | etching

148. Ancestral Trees. 3 gns (unframed) | etching

149. The Fruit Boat. 2 gns (unframed) | etching

150. Bridge on the Orange Road. 2 gns (unframed) | etching

151. In the Afterglow. 2 gns (unframed) | etching

152. The Grove. 2 gns (unframed) | etching

153. The Doll's House. 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

154. Rue de l'Petit Fort Dinan, Brittany. 2 gns (unframed) | etching

155. The river bank morning. 1½ gns (unframed) | etching

156. The timber ship, Swansea, Lake Macquarie. 1½ gns (unframed) | etching

157. The river bend. 1½ gns. (unframed) | etching

158. Top of the Hill. £1 5 0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

159. The Harbour Bridge. 2 gns (unframed) | etching

160. The Old Shed. 2 gns (unframed) | etching

SHIRLOW, John (1869–1936)

161. The casualty list. 5 gns (unframed) | etching

162. State Parliament House, Melbourne. 2 gns (unframed) | etching

Artist: SHIRLOW, John | Title: Kelly's Stairs. | Date: c.1929 | Technique: etching, printed in black ink, from one copper plate

163. Kelly's Stairs. 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

164. Malelucas. 4 gns (unframed) | etching

165. First Night, Turret Theatre. 5 gns (unframed) | colour aquatint

166. St. Etienne, Toulouse. 5 gns (unframed) | colour etching

167. Drawing of Bridge, the Creeper Crane. 10 gns (framed) | chalk

Warner, Alfred Edward. (1879–1968)

168. Old House, Rocks District. 1 gn (unframed) | etching

169. Tweed River Flats. 2 gns (unframed) | etching

Walker, F. Sidney. (1888–1972)

170. The Bridge, South Abutment, May 1929. 1½ gns (unframed) | etching

171. The Nepean, Penrith. 2 gns (unframed) | etching

172. Pastoral. 2 gns (unframed) | etching

173. Down in Riverina. 1½ gns (unframed) | etching

174. Harbour Entrance. 1½ gns (unframed) | etching

175. The Home Paddock. 1½ gns (unframed) | etching

176. The timbered ridge. 1 gn. (unframed) | etching

177. Lagoon. 1 gn (unframed) | etching

178. Quiet Water. 1 gn (unframed) | etching

179. The road to Tilba Tilba. 1 gn (unframed) | etching

180. Even Tide. 1 gn (unframed) | etching

181. The creek. 2 gns (unframed) | pencil

Wood, A.J. (1929–)

182. The Pelican. 1 gn (unframed) | drypoint

183. 'Morrie'. 2 gns (unframed) | etching

184. Sheela. 1 gn (unframed) | etching

185. Portrait softground. 1 gn (unframed) | softground

Australian Painter-Etchers Society. Annual Exhibition 1932.

Venues

Macleod Gallery (1 December 1932 – 17 December 1932)
Bulletin Buildings, 252 George St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. 1½ gns (unframed)

A Favorite Spot. 2 gns (unframed)

The intruder [1]. 1½ gns (unframed)

Follow the Leader. 1½ gns (unframed)

The Pigeon Cole. 1½ gns (unframed)

Boxall, d'Auvergne (1895–1944)

1. St. Peter's College, Adelaide. Not For Sale

2. Avignon [pencil drawing]. Not For Sale

3. St. Mark's, Venice. [pencil drawing]. Not For Sale

4. Silver Street, London. 3 gns (unframed)

Crisp, James. (1879–1962)

10. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns (unframed)

11. Young kookaburras [pencil drawing]. 2 gns (unframed) | pencil drawing

12. The conference. 1½ gns (unframed)

13. Magpies [pencil drawing]. 5 gns (unframed) | pencil drawing

Davies, L. Roy. (1897–1979)

14. Hawkesbury River. 1 gn (unframed)

15. Green and gold. 1 gn (unframed)

16. The Apothecary. Not For Sale

17. Mangrove Creek. 1 gn (unframed)

Artist: Davies, L. Roy. | Title: Forest lovers. | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

18. Forest lovers. 1 gn (unframed)

19. Burragorang. 1 gn (unframed)

20. The broken fence. 1 gn (unframed)

Dundas, Douglas. (1900–1981)

21. Ponte Vecchio, Florence. Not For Sale | dry point

Dwyer, Ella. (1887–1979)

22. A bend in the creek. 2 gns (unframed)

23. Pastoral, near Windsor. 2 gns (unframed)

24. Moonrise sandgrain. 1 gns (unframed)

25. Bookplate -.

Farmer, Helen. (1888–1970)

33. From Bradley's Head. 1½ gns (unframed)

Gallop, Herbert. (1890–1958)

37. South Coast Pastures. 2 gns (unframed)

38. Cattai Creek, Windsor. 2 gns (unframed)

39. The country road. 4 gns (unframed)

40. Old cottage, Ryde. 1 gn (unframed)

41. The Lake. 1½ gns (unframed)

42. Macquarie Shore. 1 gn (unframed)

43. The South Wind. 2 gns (unframed)

44. Mount Kiera, South Coast. 2 gns (unframed)

Godson, John Barclay. (1882–1957)

45. Self-Portrait.

46. Hilda. 5 gns (unframed)

47. Study for etching. 15 gns (unframed) | pencil drawing

48. Study for etching [pencil drawing].

49. After the ballet. 3 gns (unframed)

50. Engraved Bookplate.

51. Engraved Bookplate.

GOODCHILD, John (1898–1980)

52. Solitude. 3 gns (unframed)

53. Morning light and Ti-tree. 3 gns (unframed)

54. Otway Ranges. 4 gns (unframed)

55. Landscape, Otway Ranges. 5 gns (unframed)

56. Australian Summer Landscape. 4 gns (unframed)

57. Sydney Harbour Bridge. 5 gns (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

58. Banks of Arno 1½ gns (unframed)

59. Gums in sunlight. 2 gns (unframed)

60. The Rows, Chester pencil drawing. 7 gns (unframed)

61. Hastings [pencil drawing]. 7 gns (unframed) | pencil drawing.

62. Tied Up pencil drawing. 5 gns (unframed)

63. Banks and Ti-tree. 7 gns (unframed) | pencil drawing

Hilder, Bim. (1909–1990)

Artist: Hilder, Bim. | Title: The moderne pyramid. | Date: c.1930 | Technique: etching and aquatint, printed in black ink, from one plate

64. The moderne pyramid. 1 gn (unframed)

65. The Shallow Lake. 1 gn (unframed)

Morgan, Squire. (1886–1974)

70. Booral (The Roue of Koala Park). 1 gn (unframed)

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

71. The bush mother. 1 gn (unframed)

72. Moonrise. 2 gns (unframed)

O'Reilly, Brian. (1930–)

73. Captain Murray. 3 gns (unframed)

74. Portrait. 3 gns (unframed)

O'SHEA, Molly (1890–)

75. St. Matthew's, Windsor. 1 gn (unframed)

76. Trinity Church, Miller's Point. 1 gn (unframed)

77. Lennox Bridge, Parramatta. 1½ gns (unframed)

78. Boat building, Brookvale. 1 gn (unframed)

79. King's School Chapel, Parramatta. 2 gns (unframed)

80. King's School, Canterbury. 1 gn (unframed)

81. Old houses, Lower Fort Street. 1 gn (unframed)

82. The Bridge, September. 1½ gns (unframed)

Pratt, Douglas. (1900–1972)

83. Paddocks on the Plains. 3 gns (unframed)

Artist: Pratt, Douglas. | Title: Lennox Bridge, Parramatta | Date: 1932 | Technique: etching, printed in brown ink, from one plate

84. Lennox Bridge, Parramatta 2 gns (unframed)

85. The roadside pool. 1½ gns (unframed)

86. Queen's club. 2 gns (unframed)

87. The Cathedral, Armidale. 2 gns (unframed)

88. Ginahgulla. Not For Sale

89. Sydney Harbour Bridge, February. 2 gns (unframed)

90. Country Road, Baulkham Hills pencil drawing. 6 gns (unframed)

91. Avoca Lagoon [pencil drawing]. 7 gns (unframed)

92. Double Bay and Darling Point pencil drawing. 5 gns (unframed)

Reid, D.G. (1862–1933)

93. The White Mill. 1 gn (unframed)

94. Cloud Shadows. 2 gns (unframed)

Sheldon, Vincent. (1895–1945)

100. Haystack. 1½ gns (unframed)

101. The retreat, Glen Innes. 1½ gns (unframed)

102. Ploughing. 1½ gns (unframed)

103. Low Tide, Hamilton. 1½ gns (unframed)

104. Trout Stream, Glen Innes. 1½ gns (unframed)

105. Feeding time. 2 gns (unframed)

106. The old barn, Grafton Road. 1½ gns (unframed)

ST JOHN, Ellis (1874–1949)

107. Entrance, Sydney University. 1½ gns (unframed)

108. Argyle. 1 gn (unframed)

109. The Thames from Chelsea Bridge. 2 gns (unframed)

Tidswell, Quinton. (1910–1940)

110. Trees and Farm Sheds. 1 gn (unframed)

111. Bank of N.S.W., Windsor. 1 gn (unframed)

112. Demolitions. 1 gn (unframed)

113. Old buildings, George Street, Windsor. 2 gns. (unframed)

Warner, Ralph Malcolm. (1902–1966)

114. West Wind. 1 gn (unframed)

115. Evening mists, Lord Howe Island. 1 gn (unframed)

116. Lord Howe Island. 1½ gns (unframed)

117. Winter, Kosciusko. 2 gns (unframed)

118. The Birth of a Ship. 2 gns (unframed)

119. The still stream 1½ gns (unframed)

Walker, F. Sidney. (1888–1972)

120. Morning surf, Collaroy. 2 gns (unframed) | sandgrain

121. The Windjammer. 1½ gns (unframed)

122. Morning light, Sydney Harbour. 1½ gns (unframed)

123. The Murrumbidgee. 1 gn (unframed)

124. Billabong. 1 gn (unframed)

SHIRLOW, John (1869–1936)

125. Laneway, St Paul's Cathedral, Melbourne. 2 gns (unframed)

126. Prince's Bridge. 3½ gns (unframed)

127. Parliament House, Melbourne. 3 gns. (unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

128. The 'Black Horse' Richmond NSW. 5 gns (unframed)

Nathan, R.H. Jerrold. (1889–1979)

147. Jeannette. £2.02.0 (unframed)

148. Study of a head. £1.01.0 (unframed)

Catalogue [of the] Second Annual Exhibition. Painter Etchers' and Graphic Art Society of Australia. Formerly the Australian Painter-Etchers' Society.

Venues

Blaxland Galleries. [1]. (8 October 1935 – 19 October 1935)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

Abbott, Guenda. (1906–2005)

Cairngorms. £2.10.0

Richmond. £1.01.0

Newlyn. £1.10.0

Longstaff, John. (1862–1941)

Sketch (pencil) - Lent by Mr H. Herbert. Not For Sale

Brangwyn, Frank. (1867–1956)

2. Drawing [1]. Not For Sale | Lent by Sir John Longstaff

3. Drawing [2]. Not For Sale | Lent by Sir John Longstaff.

Abbott, Harold. (1906–1986)

4. Andrew of Carlaminda. Kindly lent. Not for sale. | pen

5. W.A. Lang, Esq. Kindly lent. Not for sale. | pencil

Baker, Normand H. (1908–1955)

9. Head of a woman. £6.06.0 | sepia

10. The Work Shed wash. £15.15.0

11. Nude [drawing sepia]. £12.12.0 | Drawing sepia

Bustard, William. (1894–1973)

12. Byron Bay Sandhills. £1.01.0

13. Old St. Stephens. £2.02.0 | etching and aquatint

14. Sybil (Pencil Drawing). £3.03.0

15. The Pioneer (Pencil Drawing). £3.03.0

Byrne, Harold. (1899–1966)

16. Moon and Watteau. £2.02.0

17. Hommage a Rembrandt (Dry Point). £3.03.0

18. The Pilgrim (Dry Point). £3.03.0

19. Great Synagogue. £3.03.0

20. Book-Plates. Not For Sale

Coglan, Elaine E. (1897–1989)

21. Fred E. Crook, Esq. (Charcoal). Not For Sale

22. The corner, Bridge & Macquarie Streets, Sydney. £2.02.0

Cooper, Ashley. (1889–1970)

23. Old Gloucester Street [pencil]. £3.03.0 | pencil

24. Old mill, Campbelltown [pencil]. £3.03.0 | pencil

25. 'St. Luke's,' Liverpool pencil. £3.03.0

26. Flower Study [pencil]. £3.03.0 | pencil

Crisp, James. (1879–1962)

27. Maori Wahines, Rotorua (Body Colour, Black. £5.05.0

28. 'Late for Dinner'. £1.01.0

29. An old gateway, Fernhill, Mulgoa. £1.11.6

30. The teamster. £2.02.0

31. St. Mark's pencil drawing. £2.02.0

32. Corner Old Stables, Vaucluse House. £1.11.6

33. Cocoanut Palms, Magnetic Island, North Queensland. £2.02.0

Curtis, Robert Emerson. (1898–1996)

34. Riverfront, Newcastle pencil. £7.07.0

35. Painting Ship pencil. £4.04.0

36. Propeller Repairs pencil. £10.10.0

37. Last of old Argyle Cut. £3.03.0 | pencil

Davies, L. Roy. (1897–1979)

38. Illustration. £1.01.0

39. Illustration. £1.01.0

40. Refuge Bay. £1.01.0

41. Manly Vale. [pencil]. £5.05.0 | pencil

42. Head of navigation [drawing]. £2.02.0

DOWMAN, W.J. (by 1935)

43. Gypsy Camp drawing. £3.03.0

44. Even Pastures drawing. £3.03.0

Dwyer, Ella. (1887–1979)

45. Tree Fern at Sunset. £1.11.6 | sandgrain [aquatint]

46. Moonbeams. £1.11.6

Emanuel, Cedric. (1906–1995)

47. Halvorsen's [pen and wash]. £5.05.0 | pen and wash

48. Queen's Square [pen and wash]. £8.08.0 | pen and wash

49. Study for etching. £7.07.0 | pen drawing

50. Still Life [pencil]. £3.03.0 | pencil

51. Richmond Landscape. £2.02.0

52. Capel's boatshed, Ruschutter's Bay. £2.02.0

53. Point Piper [pencil.]. £5.05.0 | pencil

54. Dwellings, Nth. Sydney pen drawing. £4.04.0

Garling, Lilias. (1909–)

55. In the Albaicin, Granada pencil. £3.03.0

56. Avoca, N.S.W. [charcoal]. £3.03.0

Gillespie, David. (1930–)

57. The Horse Guards. £2.02.9

58. Morcate. £1.11.6

59. Fishing boats, Hobart. £1.11.6

GOODCHILD, John (1898–1980)

60. Road Menders, Gippsland. £2.02.0

Hirst, G.W.L. (1868–1965)

61. Argyle Cut [pencil drawing]. £4.04.0 | pencil drawing

62. A Wentworth House Relic [drawing]. £4.04.0 | pencil drawing

63. The Titan. £4.04.0

64. The Convent, Rose Bay. £4.04.0 | pencil drawing

65. Old cottage, Gladesville [pencil drawing]. £3.03.0 | pencil drawing

66. South Head, Port Jackson pencil drawing. £3.03.0

67. Tarban Creek, Gladesville pencil drawing. £2.02.0

68. The Coal Mine, Balmain. £2.02.0 | pencil drawing.

69. Needing Repair [pencil drawing]. £3.03.0

70. Laid Up pencil drawing. £3.03.0

Hunter, William. (1899–1963)

71. Homeward. £2.02.0

72. Lord of the mists. £2.12.6

73. Trees. £1.01.0

74. Victoria Docks. £2.15.0

75. Ruins in William Street. £2.02.0

76. Helen Moore. £2.02.0

77. Shadowed stream. £3.03.0

78. Moon Radiance - Hampton. £4.04.0

79. Williamstown. £3.03.0

80. After Rain, Fishermen's Bend. £3.03.0

LINDSAY, Norman (1879–1969)

81. Figure study [drawing]. £5.05.0

82. Figure study [drawing]. £5.05.0

83. Figure study [drawing]. £5.05.0

LONG, Sydney (1871–1955)

84. The boatshed. £4.04.0

85. Dee Why. £3.03.0

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. The riverside Not For Sale

Artist: LONG, Sydney | Title: The land of the lavender | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The land of the lavender £3.03.0

88. Street Scene study for [drawing]. £5.05.0

89. The Insecure Landing. Not For Sale

90. The Edge of the Lagoon. Not For Sale

91. The Wayside Inn. £3.03.0

92. Landscape, Mitcham charcoal and wash. £8.08.0

93. Working Proof for the Demolition of Waterloo Bridge etching Not for Sale (Kindly lent by Mr Gifford).

McDonald, Sheila. (1902–1971)

94. Giant Gums of Jerry's Plains pen, ink. £6.06.0

95. St. Paul's, Cobbity [pen and ink]. £4.04.0 | pen and ink

96. Moonlight [pen & ink]. £5.05.0 | pen, ink

97. The Rocks, Sydney. £1.11.6

Mahoney, Will. (1905–1989)

98. The pitch. £2.02.0

99. Joeys. £1.01.0

100. Sepia Drawing. £3.03.0

Miller, Syd. (1901–1983)

101. Bandicoots. £3.03.0

102. Dingo. £3.03.0

103. 'Tim' - Mrs R.H. Bettington's Cavin Terrier. £3.03.0

104. 'Topy' - Mrs Pat Levy's Scottish Terrier Puppy. £4.04.0

105. 'Snoopy' - Mrs John Fairfax's Australian Terrier Puppy chalk and wash. £4.04.0

106. 'Sandy' - Dr H. Throsby's Scottish Terrier chalk and wash. £4.04.0

107. 'Tony' - Mrs Dinger Bode's Cocker Spaniel. £3.03.0

Morgan, Squire. (1886–1974)

108. Morning sunlight. £3.03.0

109. Willows. £3.03.0

110. Landscape near Scone. £3.03.0

111. Kangaroo Valley sketch. £1.11.6

Nicholls, Muriel. (1935–)

112. Illustration for a Fairy Story pencil. £2.02.0

O'SHEA, Molly (1890–)

113. Captain Cook's Cottage, Melbourne pencil. £2.12.6

114. King's School, Parramatta. [pencil]. £2.02.0 | pencil

115. 'Steel'. £2.02.0

Parsons, Alice Mary. (1863–1939)

116. Tree Study sepia wash. £1.01.0

117. A Sandy Track. £1.01.0

118. Tent at Wamberal. £1.01.0

Pratt, Douglas. (1900–1972)

119. St. Phillips. £2.02.0

RICHARDS, B.

119. Hauling timber [drawing]. £6.06.0

Pratt, Douglas. (1900–1972)

120. The roadside sentinel. £2.02.0

121. A bend in the Macquarie. £1.01.0

122. Tranquil Pastures. £1.11.6

123. Victims of the Southerlies. £2.02.0

124. The Sunlit Forge £1.11.6

125. An Australian Monarch pencil drawing. £15.15.0

126. From Ultimo to the Glebe pencil drawing. £5.05.0

PRESTON, Margaret (1875–1963)

127. Native Pear (Aus.). £1.05.0

128. Football. £1.05.0

Artist: PRESTON, Margaret | Title: Polo | Date: 1935 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

129. Polo £1.05.0

130. Mottlecah - W.A. £1.05.0

Ragless, Max. (1901–1981)

131. River Trees. £3.03.0

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

132. The fallen branch £3.03.0

133. Normanville Landscape. £3.03.0

134. Gums on Willochra Creek. £2.02.0

135. In the Jamieson Valley, Katoomba. £2.02.0

136. An old wooden bridge. £2.02.0

137. Skeleton Trees. £1.11.6

Rees, Lloyd. (1895–1988)

138. The three spires. £15.15.0 | pen

139. The River Entrance [pen]. £10.10.0

140. Distant View of a City [pen]. £8.08.0

Reid, Stuart. (1935–)

141. Ducks in a garden [lead pencil]. £5.05.0 | lead pencil

142. 'Old Tabby' lead pencil. £3.03.0

143. Cattle study [lead pencil]. £3.03.0

144. Morning light. £3.03.0 | lead pencil.

145. The truant [lead pencil]. £2.02.0

RICHARDS, B.

147. Phillip Street, 1935 pencil. £4.04.0

ROBERTSON, Bruce (1872–1943)

148. Bush sunset. £3.03.0

149. Monarch of the Bush. £3.03.0

150. Near Kendall, N.S.W. £2.02.0

151. Mellaluca, Belmont Lagoon, Lake Macquarie. £1.17.6

152. Australian Bush Track. £1.17.6

153. Blue Mountain crossing. £1.05.0

154. Morning Calm, Lake Macquarie. £1.05.0

155. Evening, Lake Macquarie. £1.01.0

156. Bend of the Road, Church Point, Pittwater.

157. Bridge, Oxford Falls. £1.01.0

SALVANA, John (1873–1956)

158. Brickworks drawing. £4.04.0

159. Hauling timber [drawing]. £6.06.0

Shaw, Gayfield. (1885–1961)

160. St. Phillips. etching

161. White wall. etching

162. Jamieson House. etching

Sheldon, Pearl. (1877–)

163. Witney. £2.02.0

Sheldon, Vincent. (1895–1945)

164. Interior, St. John's Cathedral, Brisbane. £2.02.0

165. Pageant's End. £2.12.6

166. Side Shows. £2.02.0

167. The landing jetty. £1.11.6 | first State, only proof.

Townshend, G.K. (1888–1969)

168. Illustration wash. £4.04.0

169. Landscape near Wollongong wash and white. £5.05.0

170. Stone-Cutters wash and white. £5.05.0

Walker, F. Sidney. (1888–1972)

171. Riverina pastoral [wash drawing]. £4.04.0

172. Coast at Collaroy. £2.12.6 | sandgrain

173. Newport, New South Wales. £2.02.0 | Sandgrain [etching]

174. Poplars at Tumut, N.S.W. £1.11.6

175. Woodford pencil. £3.03.0

176. The timbered ridge. [sketch for]. £2.02.0 | pencil

177. Billabong. £1.01.0

178. The Bridge, South Abutment, May 1929. £1.11.6

Whitney, William Montague. (1880–1946)

179. Burragorang Valley. £1.01.0

180. The cottage on the hill, Burragorang. £1.01.0

181. Camden landscape. £1.01.0

182. Nocturne charcoal. £3.03.0

183. Old shed, Emu Plains pencil. £2.02.0

Gallop, Herbert. (1890–1958)

184. The Old Farm sepia. £3.03.0

185. Noonan Flat, Hunter River sepia. £3.03.0

186. Ti trees [drawing]. £5.05.0

187. The Market Garden sepia. £3.03.0

Johnstone, Frank E. (1903–)

188. 'Westham', Bathurst line. £1.11.6

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

189. Brixham trawlers £3.13.6

Herbert, Harold. (1891–1945)

190. Cypresses, Ronda. £4.04.0

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

191. Lime kiln cottage £3.13.6

Montgomery, Anne. (1908–1991)

192. Tree composition [charcoal]. £5.05.0 | charcoal

193. Shadows. £1.15.0

194. Ti-tree Pattern. £1.05.0

195. Evening.

OGILVIE, Helen (1902–1993)

196. The Black Roosters.

197. 'Emperor'.

198. Sketch chalk. £1.01.0

TRAILL, Jessie (1881–1967)

199. The Port Ragusa chalk. £5.05.0

200. Memorial, Zeebrugge chalk. £3.03.0

201. Between Showers, Carcassone [pencil]. £2.02.0

Bruce, Janna. (1909–)

202. Australian Aboriginal chalk drawing. £2.02.0

203. Fijian Girl crayon drawing. £2.02.0

Cardamatis, Wolfgang. (1917–2010)

204. Design for Book-Plate [Pen]. £2.02.0 | pen

205. Design for Book-Plate [Pen]. Not For Sale | pen

Davies, Olive. (1935–)

206. Decoration pen and ink.

UNGAR, Thora (1911–2005)

207. Animal studies [1] [pencil]. £2.02.0 | pencil

208. Animal studies [2] [pencil]. £2.02.0 | pencil

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Baker, Normand H. (1908–1955)

Pencil Study. 6 gns

Nude [drawing]. 5 gns | Drawing.

Self Portrait. 6 gns

Hirst, G.W.L. (1868–1965)

A harbour boat shed. 3 gns

Pratt, Douglas. (1900–1972)

Quiraing -.

Artist: Pratt, Douglas. | Title: Gums of the sunny south | Date: 1937 | Technique: etching, printed in black ink, from one plate

Gums of the sunny south 6 gns

Walker, F. Sidney. (1888–1972)

Bush track in Riverina. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

1. Foggy Night. 1 gns

2. Kalnes. 2 gns

Pratt, Douglas. (1900–1972)

10. Lyndhurst Gardens -.

11. Mt. Bimlow, Burragorang. 20 gns

12. St. Mary's, Sydney.

13. 'Laluma', Woollahra -.

Emanuel, Cedric. (1906–1995)

14. Hobart. 5 gns

PLATT, Austin (1912–2003)

15. Book Plate (kindly lent).

Russom, Reginald. (1877–1952)

16. Prospectors. 1½ gns

17. The Pack Horse. 1½ gns

18. Taking Out the Kinks. 1½ gns

Baker, Alan Douglas (1914–1987)

19. Pencil Study of Nude. 7 gns

20. Head Study. 6 gns

Farmer, Helen. (1888–1970)

21. The broken gate. 1½ gns

22. The River Oak. 2 gns

PLATT, Austin (1912–2003)

23. Olive. 1½ gns

24. Congregational Church, Burwood. 5 gns

Gallop, Herbert. (1890–1958)

25. The old cottage, Meadowbank. 7 gns

Ingleton, Geoffrey. (1908–1998)

26. Storm driven. 3 gns

Hirst, G.W.L. (1868–1965)

27. An old land mark. 3 gns

28. From A Window In Balmain. 3 gns

29. White Horse Point. 3 gns

30. Drifting to Her Moorings. 3 gns

31. Evening. 3 gns

32. Morning Mist. 5 gns

PLATT, Austin (1912–2003)

33. 'Hutchins', Hobart. 1½ gns

34. Royal Exchange, Sydney 2 gns

ROBERTSON, Bruce (1872–1943)

35. A bend of the Williams River. 1½ gns

35a. Trees, Balmoral. 1 gn

36. Sydney from Harbour. 1½ gns

37. Old Jamieson Street, Sydney. 1½ gns

38. Palm Beach, Pittwater. 1½ gns

39. Williams River, Glenoak. 1½ gns

Emanuel, Cedric. (1906–1995)

40. Balmain Waterfront. 12 gns

41. Kilmore. 7 gns

42. Hobart. 15 gns

Baker, Alan Douglas (1914–1987)

43. Joe Holloway. 13 gns

44. A Sulky child. 12 gns

Ingleton, Geoffrey. (1908–1998)

45. Sea ruffians - The mutiny of the Bounty on the morning of 28th April, 1789. The ship seized by Fletcher Christian and his associates from Captain Bligh. 3 gns

46. Sea rivalry - Flinders' Investigator meets Baudin's Le Geographe in Encounter Bay, 7th April, 1802. 3 gns

Emanuel, Cedric. (1906–1995)

47. Timber Mills, South Coast. 2 gns

Hirst, G.W.L. (1868–1965)

48. Northbridge Hills. 3 gns

Langker, Erik. (1898–1982)

49. A river monarch. 10 gns

50. The river bank, Windsor. 4 gns

51. Sunlight Thru the Trees. 6 gns

52. Spring. 3 gns

Crisp, James. (1879–1962)

53. Chums. 5 gns

54. The Wood heap, Megalong Valley. 3 gns

Dattilo-Rubbo, Anthony. (1870–1955)

55. Drawing (in chalk and charcoal). 8 gns

Crisp, James. (1879–1962)

56. St. Mark's. 1 gn

Walker, F. Sidney. (1888–1972)

56a. Billabong in Riverina. 1 gn

Gallop, Herbert. (1890–1958)

57. Springtime. 8 gns

Walker, F. Sidney. (1888–1972)

58. Morning at Collaroy. 2 gns

Reid, Stuart. (1935–)

59. Tumbledown Avenue, Windsor. 8 gns

Hosking, W. John. (1930–)

60. A Pattern of Shadows. 3 gns

O'SHEA, Molly (1890–)

61. Boats at Berry's Bay. 1½ gns

62. Daisies. 1 gn

Hosking, W. John. (1930–)

63. The old stable. 3 gns

64. On the North Coast. 3 gns

65. Fig Trees. 3 gns

66. Newcastle Headlands. 4 gns

Coglan, Elaine E. (1897–1989)

67. The Girl. 2 gns

68. Pencil Portrait. 2 gns

69. A Digger. 5 gns

RICHARDS, B.

69a. Sunshine and shadow. 2½ gns

69b. In An Old Garden, Ryde. 3 gns

Dwyer, Ella. (1887–1979)

70. Shady depths. 2 gns

71. Mornlight Sunlight. 1 gn

Watkins, J.S. (1866–1942)

72. Pencil Drawing. 25 gns

73. Head of an old man.

74. Study of head.

75. Semi Nude. 30 gns

Farleigh, John. (1900–1965)

76. Capture of the Irishman. 3½ gns

77. Black girl and the artist. 4 gns

78. Milk Thistle. 3½ gns

79. The Boy David. 3½ gns

Ingleton, Geoffrey. (1908–1998)

80. Zeehan, Shooting the Sun. 3 gns

81. Botany Bay 'Welcome' - The Endeavour coming to anchor 29th April, 1770. Capt. Cook had nothing but praise for the stauch little cat-built bark Endeavour. 3 gns

Chambers, Alfred. (1930–)

82. The Windswept Coast. 3 gns

83. The Early Moon. 2 gns

Thorpe, Lesbia. (1919–2009)

85. Head Study. 3 gns

86. Candles. 5 gns

87. The Invalid. 5 gns

COWDROY, Vic (1908–)

88. Portrait sandgrain. 7 gns

Parsons, Alice Mary. (1863–1939)

88. Swamp Oaks. 1½ gns

89. Rain Clouds. 1½ gns

Gallop, Herbert. (1890–1958)

90. Old Manildra. 2 gns

91. Pike's Farm, Manildra. 3 gns

92. Ti-trees. 10 gns

93. Along Victoria Road, Dundas. 6 gns

94. Mandadgery Creek. 3 gns

COWDROY, Vic (1908–)

95. King's Cross (Design for Mural). 6 gns

96. Study in Chalk. 2½ gns

97. A Study in Chalk. 2½ gns

Parsons, Alice Mary. (1863–1939)

98. Winter Trees in Parramatta Park. 1½ gns

99. Nocturne. 1 gn

Coglan, Elaine E. (1897–1989)

100. The model. 3 gns

Dwyer, Ella. (1887–1979)

101. Bookplates -.

Farleigh, John. (1900–1965)

102. The black girl and King Richard. 2½ gns

103. The Black girl. 4 gns

104. Hemlock. 4 gns

105. Birch Trees. 2½ gns

Ingleton, Geoffrey. (1908–1998)

106. Dawn and aweigh - The Supply leaving Botany Bay for Port Jackson, 25th January, 1788, with Captain Phillip aboard. 3 gns

107. Seekers - Dampier's Roebuck, in Shark Bay, 11th Aug., 1699. The first British Warship to arrive in Australian waters. 3 gns

Chambers, Alfred. (1930–)

108. The Edge of the Dunes. 2 gns

109. A Southerly Off the Coast. 5 gns

ROBERTSON, Bruce (1872–1943)

110. Merewether Lagoon, Newcastle. 2 gns

111. Rue de L'Cordelias, Dinan, France. 2 gns

112. The coming storm. 3 gns

113. Old Argyle Cut, Sydney. 2 gns

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

114. Rue de l'Cordonnerie, Dinan, France 10 gns

115. Waterloo Bridge, London. 2 gns

116. A Monarch of the Bush. 3 gns

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

117. Roadside trees 1½ gns

118. Arrival of the Australian Fleet. 4½ gns

McDonald, Sheila. (1902–1971)

119. Coral Trees in Winter. 3 gns

120. The lagoon, Lord Howe Island. 1½ gns

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

121. Bulletin Place, Sydney 1½ gns

122. Where the River Bends. 1½ gns

123. St. Paul's Cobbitty. 4 gns

124. Moonlight. 5 gns

125. Doorway, Old Government House, Parramatta. 2½ gns

126. Tumut Poplars. 5 gns

LINDSAY, Norman (1879–1969)

127. Title not known.

128. [No information provided].

129. Title not known.

Pratt, Douglas. (1900–1972)

130. Main Entrance, Sydney University.

131. The roadside pool.

132. The Sunlit Forge

133. Summer Shade -.

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

134. Gums on Monaro

LONG, Sydney (1871–1955)

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Morgan, Squire. (1886–1974)

146. Misty moonrise. 3 gns

147. The glade. 2 gns

148. Old Scots' Church. 3 gns

149. Old bullock dray. 3 gns

150. Roadside shanties. 3 gns

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

151. The lagoon, Dee Why 3 gns

152. Hawkesbury corn barn. 3 gns

153. Windswept Trees, Avoca. 1 gn

Walker, F. Sidney. (1888–1972)

154. The University, Sydney. 1 gn

155. Sydney. 1½ gns

156. The River, Tweed. 1½ gns

157. Newport. 2 gns

158. The timbered ridge. 3 gns.

159. Woodford. 3 gns

Hirst, G.W.L. (1868–1965)

160. Eventide. 4 gns

161. On the Parramatta River. 3 gns

162. St. Mary's Basilica, Sydney. 5 gns

163. The Convent, Rose Bay. 4 gns

164. Ball's Head. 3 gns

165. The Coal Mine. 3 gns

O'SHEA, Molly (1890–)

166. Reconstructing the Argyle. 1½ gns

Ingleton, Geoffrey. (1908–1998)

167. Safely moored in Sydney Cove. 3 gns

168. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 3 gns

169. Raked fore and aft. 3 gns

Peterson, Stuart. (1900–1976)

170. Cleaning Kumaras. 20 gns

171. Hauling the canoe log. 20 gns

172. Taranaki, The Mountain god. 15 gns

173. Papaka and Pupu. 30 gns

174. The Whanganui Taniwha. 10 gns

Crisp, James. (1879–1962)

175. Fishing boats, San Francisco Bay. 1½ gns

176. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns

177. Porch, St. Michael's Rose Bay. 2 gns

178. The old mill, Auckland, N.Z. 1½ gns

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

179. The gander. 1 gn.

Brodziak, Phyllis Ruby. (1916–1967)

180. The Stabbur, Norway. 3 gns

181. Iceland: 'The Midnight Sun'. 3 gns

O'SHEA, Molly (1890–)

182. Lennox Bridge, Parramatta. 1½ gns

Russom, Reginald. (1877–1952)

183. Cobb and Co. 2 gns

184. The Mail Goes Through. 2 gns

Emanuel, Cedric. (1906–1995)

185. A Rushcutter's Bay boatshed. 5 gns

186. Boatsheds, Mosman. 2 gns

187. Capel's boatshed, Ruschutter's Bay. 3 gns

188. Farm, Richmond. 2 gns

189. Old stable, Windsor, NSW. 1½ gns

190. Halvorsens. 5 gns

191. Idle Jinkers. 4 gns

Baker, Normand H. (1908–1955)

192. Bruce. 5 gns

193. Alan. 12 gns

Dwyer, Ella. (1887–1979)

194. Four O'Clocks sandgrain. 2 gns

195. Old Homes, Campbell Street. 1½ gns

196. Misty morning sandgrain. 2 gns | sandgrain

197. Gathering Storms, Mount Cook, N.Z. 1½ gns

198. Flamingoes, Taronga Park. 2 gns

199. Tree Fern at Sunset. 1½ gns

199a. Moonbeams. 1½ gns

ST JOHN, Ellis (1874–1949)

200. Roadmaker's Camp, N.S.W. 2 gns

201. Milson's Point, rom Old Railway yard. 2 gns

202. Sydney Harbour Bridge. 2 gns

203. The Thames from Chelsea Bridge. 2 gns

204. St. James' Doorway, Sydney. 2 gns

205. Milson's Point, Sydney. 1½ gns

206. Dawes Point, Sydney. 1½ gns

Russom, Reginald. (1877–1952)

207. Henry Lawson. 75 gns

OSBORNE, Malcolm (1880–1963)

208. Chinon Castle. 6 gns

209. Dordrecht. 8 gns

210. City Walls, Avignon. 6 gns

211. His Honor, Judge Parry. 8 gns

Fletcher, Hanslip. (1874–1955)

212. St. George's Chapel, Windsor. 15 gns

Gaskell, Percival. (1868–1934)

213. High tide. 8 gns

214. The Lake. 4 gns

215. The Black Island. 8 gns

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

216. Nude Study. 7 gns

Airy, Anna. (1882–1964)

217. Portrait of a boy. 5 gns

Hardie, Martin. (1875–1952)

218. The farm on the hilltop. 3 gns

219. The Market Place. 5 gns

220. Sunset at Slaughter. 3 gns

SHORT, Frank (1857–1945)

221. In Port Volundam. 7 gns

222. April Day in Kent. 8 gns | etching

Duff, J.R.K. (1862–1938)

223. False Fire. 3 gns

An Exhibition of the Works of Members of the Painter-Etchers and Graphic Arts Society of Australia.

Venues

Australian Art Gallery, The (29 November 1938 – 1938)
97 Rundle St., Adelaide, South Australia, Australia

Works

Baker, Alan Douglas (1914–1987)

The Miner. 8 gns

'Tom'. 10 gns

The model. 5 gns

Baker, Normand H. (1908–1955)

The model. 5 gns

Brodziak, Phyllis Ruby. (1916–1967)

Iceland: 'The Midnight Sun'. 2 gns

Industry. 2 gns

Norway. 2 gns

St. Ives. 2 gns

Coglan, Elaine E. (1897–1989)

Model. 5 gns

10. Tree Study --.

11. Head Study. 5 gns

12. The Old Tree, Middle Harbour, N.S.W. 4 gns

Crisp, James. (1879–1962)

13. The gander. 1 gn

14. The old gateway. 1½ gns

15. Cocoanut Palms, Magnetic Island, North Queensland. 1½ gns

16. The Pigeon Cole. 1 gn

Dwyer, Ella. (1887–1979)

17. Flamingoes. 2 gns

18. Morning sunlight. 1 gn

19. Misty morning sandgrain. 2 gns

Emanuel, Cedric. (1906–1995)

20. Capel's boatshed, Ruschutter's Bay. 2 gns

21. Halvorsens. 2 gns

22. Farmyard, Richmond. 2½ gns

23. Queen's Square, Sydney. 4 gns

24. On the slips. 2 gns

25. Blue's Point, Sydney. 2½ gns

26. Old stable, Windsor, NSW. 2 gns

27. Hobart. 5 gns

Farmer, Helen. (1888–1970)

28. A river oak.

29. Farmyard Buildings, Yass.

30. The broken gate. 1½ gns

GOODCHILD, John (1898–1980)

31. Cloisters, Lincoln Cathedral. 8 gns

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

32. The port, London 2½ gns

33. Evening anchorage. 2½ gns

34. Martin Place, Sydney. 3 gns

35. Sydney Harbour Bridge. 5 gns

36. Trafalgar Square, London. 3½ gns

37. Road and trees. 2½ gns

38. St. Paul's Lane, Melbourne. 2 gns

39. The Blooming Mill, B.H.P., Newcastle. 12 gns

40. Plate Mill, B.H.P., Newcastle. 20 gns

Hosking, W. John. (1930–)

41. A corner of the farm. 6 gns

42. Tharwa Road, Canberra. 5 gns

Ingleton, Geoffrey. (1908–1998)

43. H.M.S. Sirius - storm driven. 3 gns

44. H.M.S. Investigator in Encountery Bay. 3 gns

45. Zeehan, Shooting the Sun. 3 gns

46. Raked fore and aft. 1½ gns

LONG, Sydney (1871–1955)

47. Petertavy Village, Devon. 2½ gns

48. A Surrey mill. 2 gns

49. The little boat shed. 2 gns

Artist: LONG, Sydney | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The reflected mill 3 gns

51. Old Sydney, Miller's Point. 3 gns

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Fishing boats, Lisbon 4 gns

Artist: LONG, Sydney | Title: St. Stephen's, Camperdown | Date: 1928, after | Technique: line-etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

53. St. Stephen's, Camperdown 4 gns

54.

The blacksmith's shop

4 gns

55. The lake, Avoca 4 gns

56. Floodlighted. Sydney Town Hall. 4 gns

Morgan, Squire. (1886–1974)

57. Roadside shanties. 3 gns

58. Landscape near Scone. 3 gns

59. The sliprails. 3 gns

60. Scots Church. 3 gns

61. The Old Bullock Dray. 3 gns

62. Misty moonrise. 3 gns

63. The glade. 2 gns

64. Kangaroo Valley sketch. 1 gns

65. A Windsor Farm. 1 gns

66. A Hawkesbury Corn Barn. 3 gns

Reid, Stuart. (1935–)

67. On the sands, Collaroy. 8 gns

Sheldon, Pearl. (1877–)

68. Christ Church, Oxford. 4 gns

69. St. Alban's. 2 gns

70. Cloisters, Churst Church, Oxford. 2 gns

THURLOW, Ernest (1920s )

71. Tom Hegerty's Shack, Crookwell, N.S.W. 6 gns

TRAILL, Jessie (1881–1967)

74. Old Rouen. £1.10.0

75. The Wondering Shipley. £2.10.0

Walker, F. Sidney. (1888–1972)

76. Evening Shadows. 1 gn

77. Afterglow. 1 gn

78. The Populars, Tumut. 1½ gns

79. The University, Sydney. 1 gn

80. Billabong. 1 gn

81. The bush track. 1 gn

82. Newport, New South Wales. 2 gns

83. Morning at Collaroy. 2 gns

Whinnen, George. (1891–1950)

84. Roadside gums, Mount Crawford. 2½ gns

85. Morning haze. 1 gn

86. Stradbroke Farm. ½ gn

87. Roadside, Kangarilla. 1 gn

88. White gums, Woodside. 1 gn