Browse: W

WORKS 1221 – 1240 of 2280 IMAGES ONLY
Artist: Salkauskas, Henry. | Title: Why?. | Date: 1950 | Technique: linocut, printed in black ink, from one block | Copyright: © Eva Kubbos

Henry Salkauskas (1925–1979)

Why?.

(1950)

linocut

Artist: Doyle, Adrian. | Title: Why do you feel so bad? | Date: 2003 | Technique: stencil, printed in brown ink, from one stencil

Adrian Doyle (2003–)

Why do you feel so bad?

(2003)

stencil

Artist: UNKNOWN | Title: Why eat fish | Date: 1979 | Technique: screenprint, printed in colour, from four stencils

UNKNOWN

Why eat fish

(1979)

screenprint

Artist: Doyle, Adrian. | Title: Why is it you do what it is that you do? | Date: 2003 | Technique: stencil, printed in blue ink, from one stencil

Adrian Doyle (2003–)

Why is it you do what it is that you do?

(2003)

stencil

Artist: STANTON, John | Title: Why pay to be killed | Technique: screenprint, printed in colour, from multiple stencils

John Stanton

Why pay to be killed

screenprint

Title: Why People go to Traffic Accidents | Date: 1987

Why People go to Traffic Accidents

(1987)

Norman Lindsay (1879–1969)

Why we must win the war

Artist: Gibb, Viva Jillian. | Title: Why? Man's monstrous crime vivisection | Technique: woodcut, printed in black ink, from one block

Viva Jillian Gibb (1945–2017)

Why? Man's monstrous crime vivisection

woodcut

Artist: Boag, Yvonne. | Title: Whyalla | Date: c.1982 | Technique: lithograph, printed in black ink, from one stone [or plate] | Copyright: © Yvonne Boag

Yvonne Boag (1954–)

Whyalla

(c.1982)

lithograph

Artist: Courier, Jack. | Title: Whyalla. | Technique: lithograph, printed in black ink, from one stone [or plate]

Jack Courier (1915–2007)

Whyalla.

lithograph

Ruth Faerber (1922–)

Wide Angle Vision

(1970)

lithograph

Title: Wide arsed mole [issue] 4 | Date: 1999 | Technique: photocopy, printed in black ink, from collaged artwork

Wide arsed mole [issue] 4

(1999)

photocopy

Frank Benson (1862–1951)

Widgeon Rising.

Philip Gudthaykudthay (1925–)

Widitj | Python

(1998, July)

screenprint

Artist: Thompson, Maureen. | Title: Widow in sorry time | Date: 2002 | Technique: linocut, printed in black ink, from one block

Maureen Thompson (1936–)

Widow in sorry time

(2002)

linocut

Artist: Manydjarri, Wilson. | Title: Wife burning Ngalindi at Dan Dam alan gunham una | Date: 1971 | Technique: linocut, printed in red-brown ink, from one block

Wilson Manydjarri (1948–)

Wife burning Ngalindi at Dan Dam alan gunham una

(1971)

linocut

Artist: Fernyhough, William. | Title: Wife of Cullabaa. Broken Bay Tribe. | Date: 1836 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Fernyhough (1809–1849)

Wife of Cullabaa. Broken Bay Tribe. | Punch. Wife of Cullabaa. Broken Bay Tribe.

(1836)

pen-lithograph

Cecil King Wungi (1952–1984)

[Wigman and faces].

(c.1981)

screenprint

Artist: Namok, Rosella. | Title: Wiimumu paampaanya mayi | Date: 1997, August | Technique: screenprint, printed in grey and red ochre ink, from two stencils

Rosella Namok (1979–)

Wiimumu paampaanya mayi

(1997, August)

screenprint

Artist: Olsen, John. | Title: Wild camels | Date: 1976 | Technique: aquatint, printed in black ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Wild camels

(1976)

aquatint