Browse: W

WORKS 2141 – 2160 of 2280 IMAGES ONLY
Title: Worraddey chef a l'île Bruny | Date: 1841- 1855 | Technique: lithograph, printed in black ink, from one stone [or plate]

Worraddey chef a l'île Bruny

(1841- 1855)

lithograph

Title: Worraddey, chef a l'Ile Bruny [and] Trouggarnanna | Date: 1841-55 | Technique: lithograph, printed in black ink, from one stone

Worraddey, chef a l'Ile Bruny [and] Trouggarnanna

(1841-55)

lithograph

Jules Sébastien César Dumont-D'Urville (1790–1842)

(Worraddey, Trouggarnanna).

(1842-47)

lithograph

Artist: RED HAND PRINT | Title: Worrum worrum | Date: 1997, July | Technique: screenprint, printed in colour, from multiple stencils

RED HAND PRINT (1997–2000)

Worrum worrum

(1997, July)

screenprint

Artist: Dunlop, Brian. | Title: Worrying | Date: 1985 | Technique: lithograph, printed in red oxide ink, from one stone

Brian Dunlop (1938–2009)

Worrying

(1985)

lithograph

Jessie Traill (1881–1967)

Worship in the cathedral, Ypres.

(Melbourne, Victoria, Australia)

etching

Artist: Grant, Nancy. | Title: Worths Circus | Date: c.1935 | Technique: linocut, printed in colour, from water-based inks

Nancy Grant (1911–1998)

Worths Circus

(c.1935)

linocut

Artist: Grant, Nancy. | Title: Worths Circus | Date: c.1935 | Technique: linocut, printed in colour, from water-based inks

Nancy Grant (1911–1998)

Worths Circus

(c.1935)

linocut

Artist: Grant, Nancy. | Title: Worths Circus, Melbourne | Date: c.1935 | Technique: linocut, printed in colour, from water-based inks

Nancy Grant (1911–1998)

Worths Circus, Melbourne

(c.1935)

linocut

Title: Worths pictures | Date: 1995-96 | Technique: linocut, printed in black ink, from one block

Worths pictures

(1995-96)

linocut

Martin Sharp (1942–2013)

Wot!

(1969)

screenprint

Title: Wota melon [watermelon] | Date: 2009 | Technique: screenprint, printed in colour, from six stencils

Wota melon [watermelon]

(2009)

screenprint

Artist: Clutterbuck, Bob. | Title: Would they still smile if their jobs were threatened by technological change??. | Date: 1984 | Technique: screenprint, printed in colour, from multiple stencils

Bob Clutterbuck (1951–)

Would they still smile if their jobs were threatened by technological change??.

(1984)

screenprint

Artist: Clutterbuck, Bob. | Title: Would they still smile if their jobs were threatened by technological change??. | Date: 1985 | Technique: photo-lithograph

Bob Clutterbuck (1951–)

Would they still smile if their jobs were threatened by technological change??.

(1985)

photo-lithograph

Artist: UNKNOWN | Title: Would you buy a used university from this man? | Date: (1970s) | Technique: offset-lithograph, printed in black ink

UNKNOWN

Would you buy a used university from this man?

((1970s))

offset-lithograph

Artist: UNKNOWN | Title: Would you support legal abortion | Date: (1973) | Technique: offset-lithograph, printed in black ink, from one plate

UNKNOWN

Would you support legal abortion

((1973))

offset-lithograph

Artist: Mombassa, Reg. | Title: Wounded monster | Date: 2002 | Technique: etching and aquatint, printed in black ink, from one plate

Reg Mombassa (1951–)

Wounded monster

(2002)

etching and aquatint

Artist: Duterrau, Benjamin. | Title: Woureddy, a wild native of Brune Island. | Date: 1835 | Technique: etching, printed in black ink, from one plate

Benjamin Duterrau (1767–1851)

Woureddy, a wild native of Brune Island.

(1835)

etching

Artist: MADDOCK, Bea | Title: Woven forms | Date: 1959 | Technique: drypoint and etching, printed in black ink, from one copper plate

Bea Maddock (1934–2016)

Woven forms

(1959)

drypoint and etching

Artist: White, Nigel. | Title: Wow cow | Date: 1991 | Technique: drypoint, printed in sepia ink, from one plate

Nigel White (1958–)

Wow cow

(1991)

drypoint