Browse: W

WORKS 401 – 420 of 1141 IMAGES ONLY
Artist: Nicholas, William. | Title: Whalebone, winner of the St. Ledger stakes at Homebush May 1847 | Date: 1847 | Technique: lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

Whalebone, winner of the St. Ledger stakes at Homebush May 1847

(1847)

lithograph

Artist: Winstanley, Edward W. | Title: Whalebone. The winner of the St Leger Stakes at Homebush, May 1847. | Date: 1847 | Technique: lithograph, printed in black ink, from one stone

Edward W. Winstanley (1820–1849)

Whalebone. The winner of the St Leger Stakes at Homebush, May 1847.

(1847)

lithograph

Artist: LINDSAY, Lionel | Title: Whaler's Arms, Maori Lane, the Rocks | Date: 1912 | Technique: mezzotint and etching, printed in blue/black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Whaler's Arms, Maori Lane, the Rocks | Malcas Arms, Maori Lane, the Rocks

(1912)

mezzotint and etching

Artist: Jones, Henry Gilbert. | Title: Wharf and Yarra from Batman's Hill. | Date: 1841-45 | Technique: etching, printed in black ink, from one copper plate

Henry Gilbert Jones (1804–1888)

Wharf and Yarra from Batman's Hill.

(1841-45)

etching

Artist: Baldwinson, Arthur. | Title: (Wharf with timber and workmen). | Date: 1931 | Technique: etching and aquatint, printed in dark brown ink with plate-tone, from one zinc plate

Arthur Baldwinson (1908–1969)

(Wharf with timber and workmen).

(1931)

etching and aquatint

Artist: Jones, Henry Gilbert. | Title: Wharf, Melbourne. | Date: 1841-45 | Technique: etching, printed in black ink, from one copper/plate

Henry Gilbert Jones (1804–1888)

Wharf, Melbourne.

(1841-45)

etching

Artist: Headlam, Kristin. | Title: What a wonderful piece of luck. | Date: 1998 | Technique: etching, printed in black ink, from one plate | Copyright: © Kristin Headlam, Licensed by VISCOPY, Australia

Kristin Headlam (1953–)

What a wonderful piece of luck.

(1998)

etching

Artist: Burns, Tim. | Title: What about crosswalks in Mildura. | Date: 1976 | Technique: photocopy, printed in colour

Tim Burns (1947–)

What about crosswalks in Mildura.

(1976)

photocopy

Artist: Artist unknown. | Title: What bomb is that? | Technique: screenprint, printed in colour, from multiple stencils

Artist unknown.

What bomb is that?

screenprint

Artist: Allen, Davida | Title: What colour is pink? | Date: 1991, July - September | Technique: lithograph, printed in colour, from four stones

Davida Allen (1951–2014)

What colour is pink?

(1991, July - September)

lithograph

Artist: McDiarmid, David. | Title: (What gays do in the privacy of their own homes is their business ... Big business) | Date: (1979) | Technique: offset-lithograph, printed in black ink

David Mcdiarmid (1952–1995)

(What gays do in the privacy of their own homes is their business ... Big business)

((1979))

offset-lithograph

Artist: KEAN, John | Title: What happened to our native forests. (Poster for Environment Protest Street Exhibition and Street Theatre, Morwell, Victoria | Date: (1976) | Technique: linocut, printed in black ink, from one block

John Kean (1871)

What happened to our native forests. (Poster for Environment Protest Street Exhibition and Street Theatre, Morwell, Victoria

((1976))

linocut

Artist: Heyes, Ken. | Title: '...what I found myself enjoying was not merely these colours but a whole instant of my life on whose summit they rested'. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

'...what I found myself enjoying was not merely these colours but a whole instant of my life on whose summit they rested'.

(1984)

photocopy

Title: What I was doing while you lucky pricks were at TINA | Date: 2010

What I was doing while you lucky pricks were at TINA

(2010)

Artist: UNKNOWN | Title: What is it? | Date: 1992, January | Technique: screenprint, printed in red and black ink, from two stencils

UNKNOWN

What is it?

(1992, January)

screenprint

Artist: Allen, Davida | Title: What is reality here? What is fantasy? | Date: 1991, July - September | Technique: etching, softground and aquatint printed in colour, from three plates

Davida Allen (1951–2014)

What is reality here? What is fantasy?

(1991, July - September)

etching

Title: What it was like to work in a nursing home | Date: 2010

What it was like to work in a nursing home

(2010)

Artist: Queensland Film and Drama Centre. | Title: What now Mr Mao, dance?. | Date: 1979 | Technique: screenprint, printed in colour, from five stencils | Copyright: © Michael Callaghan

Queensland Film and Drama Centre. (1978–1988)

What now Mr Mao, dance?.

(1979)

screenprint

Artist: Lincoln, Kevin. | Title: What price arbitration | Date: 1965 | Technique: linocut, printed in colour, from two blocks (black and grey) | Copyright: © Kevin Lincoln. Licensed by VISCOPY, Australia

Kevin Lincoln (1941–)

What price arbitration

(1965)

linocut

Artist: Lanceley, Colin. | Title: What the thunder said | Date: 1975-76 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

What the thunder said

(1975-76)

screenprint