Browse: V

WORKS 381 – 400 of 635 IMAGES ONLY
Artist: Lycett, Joseph. | Title: View of the Female Orphan School, near Parramatta, New South Wales. | Date: 1824 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Female Orphan School, near Parramatta, New South Wales.

(1824)

etching and aquatint

Artist: Whiteley, Brett. | Title: View of the garden | Date: 1977 | Technique: lithograph, printed in black ink, from one stone | Copyright: This work appears on the screen courtesy of the estate of Brett Whiteley

Brett Whiteley (1939–1992)

View of the garden

(1977)

lithograph

Artist: Lycett, Joseph. | Title: View of the Governor's Retreat, New Norfolk, Van Diemen's Land. | Date: 1825 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Governor's Retreat, New Norfolk, Van Diemen's Land.

(1825)

etching and aquatint

Artist: Sainson, Louis de. | Title: View of the Heads - Port Jackson. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Louis de Sainson (1801–1887)

View of the Heads - Port Jackson.

(1833)

lithograph

Artist: Lycett, Joseph. | Title: View of the Heads, at the Entrance to Port Jackson, New South Wales. | Date: 1824 | Technique: aquatint, etching, roulette, hand-coloured

Joseph Lycett (1775–1828)

View of the Heads, at the Entrance to Port Jackson, New South Wales.

(1824)

aquatint

Artist: Lycett, Joseph. | Title: View of the Heads, at the Entrance to Port Jackson, New South Wales | Date: 1824 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand- coloured

Joseph Lycett (1775–1828)

View of the Heads, at the Entrance to Port Jackson, New South Wales

(1824)

etching and aquatint

Lawrence Daws (1927–)

View of the Himalayas from the Glasshouse Mountains.

(1978)

aquatint

Lawrence Daws (1927–)

View of the Himalayas from the Glasshouse Mountains.

(1978)

aquatint

Lawrence Daws (1927–)

View of the Himalayas from the Glasshouse Mountains.

(1977 - 1978)

etchings

Charles Henty Kettle (1820–1862)

View of the Lower Harbour of Otago, from Port Chalmers (1840), from the original picture by C.H. Kettle. Size, 17 x 30 in. Mounted, and framed in oak, with gilt slip. Rare.

H. Nash (1850s-60s)

View of the Opening of Princes Bridge, Melbourne on Friday 15th November, 1850. To commemorate thearrival of seperation.

(1850)

lithograph

Title: View of the seat of Ultimo, near Sydney, in New South Wales. | Date: 1813 | Technique: engraving, printed in black ink, from one copper plate

View of the seat of Ultimo, near Sydney, in New South Wales.

(1813)

engraving

Title: View of the seat of Woolloomoola, near Sydney, in New South Wales. | Date: 1813 | Technique: engraving, printed in black ink, from one copper plate

View of the seat of Woolloomoola, near Sydney, in New South Wales. | Woolloomoolla House, near Sydney

(1813)

engraving

Edward Dayes (1763–1804)

View of the Settlement on Sydney Cove, Port Jackson 20th August 1788.

(1772)

engraving

Artist: Lycett, Joseph. | Title: View of the South End of Schouten's Island, Van Diemen's Land. | Date: 1825 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the South End of Schouten's Island, Van Diemen's Land.

(1825)

etching and aquatint

Title: View of the Swan River, Western Australia (grass trees, black swans, and kangaroos). | Date: 1880s | Technique: engraving, printed in black ink, from one plate; hand-coloured at a later date

View of the Swan River, Western Australia (grass trees, black swans, and kangaroos).

(1880s)

engraving

John Eyre (1771–1812)

View of the town and cove of Sydney New South Wales, in Sepr. 1806, as seen from the west.

(1840)

lithograph

Artist: Webber, John. | Title: View of Ulietea | Date: 1788 | Technique: etching and aquatint, printed in black ink, from one plate; hand-coloured

John Webber (1751–1793)

View of Ulietea

(1788)

etching and aquatint

F.W. Niven [Ballarat Engraving and Printing Office]. (1865–1888)

View of Wangaratta, Victoria.

lithograph

F.C. Terry (1825–1869)

View of West Maitland from the Hunter. | Australian Keepsake 1855

(1855)

engraving