Browse: V

WORKS 181 – 200 of 399 IMAGES ONLY
Title: View from the south side of King George's Sound. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate; hand-coloured at a later date

View from the south side of King George's Sound.

(1814)

engraving

Title: View from the Sydney Hotel | Date: 1826 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

View from the Sydney Hotel

(1826)

lithograph

Artist: Lycett, Joseph. | Title: View from the top of Mount Nelson with Hobart Town in the distance, V.D.L. | Date: 1825 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View from the top of Mount Nelson with Hobart Town in the distance, V.D.L.

(1825)

etching and aquatint

Artist: Kennedy, Peter C. | Title: View from Westgate | Technique: linocut, printed in colour, from multiple blocks

Peter C. Kennedy (1945–)

View from Westgate

linocut

Artist: Farmer, John. | Title: View from Yarra Park. | Date: c.1956 | Technique: etching, printed in brown ink with plate-tone, from one plate

John Farmer (1897–1989)

View from Yarra Park.

(c.1956)

etching

Artist: Ham Brothers. | Title: View from Youang Hill, North Pyrenees, Victoria. | Date: 1851 | Technique: engraving, printed in black ink, from one copper plate

Ham Brothers. (1850–1851)

View from Youang Hill, North Pyrenees, Victoria.

(1851)

engraving

Title: View in Argyle Bay | Date: 1885 | Technique: lithograph, printed in colour, from multiple stones

View in Argyle Bay

(1885)

lithograph

Artist: Lycett, Joseph. | Title: View in Bathurst Plains near Queen Charlotte's Valley. | Date: 1824 | Technique: lithograph, printed in black ink, from one stone; Hand-coloured

Joseph Lycett (1775–1828)

View in Bathurst Plains near Queen Charlotte's Valley.

(1824)

lithograph

Artist: Martens, Conrad. | Title: View in Double Bay, Port Jackson. | Date: 1850 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Conrad Martens (1801–1878)

View in Double Bay, Port Jackson.

(1850)

lithograph

Artist: Martens, Conrad. | Title: View in Double Bay, Port Jackson. | Date: 1850-59 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Conrad Martens (1801–1878)

View in Double Bay, Port Jackson.

(1850-59)

lithograph

Artist: PROUT, John Skinner | Title: View in George Street, Sydney. | Date: 1842 | Technique: lithograph, printed in colour, from two stones (black and brown tint stone)

John Skinner Prout (1805–1876)

View in George Street, Sydney. | View in George Street, Sydney, looking North [in list of plates]

(1842)

lithograph

Artist: PROUT, John Skinner | Title: View in George Street, Sydney, looking North | Date: 1842 | Technique: lithograph, printed in black ink, from stone with hand-colouring

John Skinner Prout (1805–1876)

View in George Street, Sydney, looking North | View in George Street, Sydney, looking North [in list of plates]

(1842)

lithograph

Title: View in the Island of Pines | Date: 1777 | Technique: engraving, printed in black ink, from one copper plate

View in the Island of Pines

(1777)

engraving

Artist: Cogne, Francois. | Title: View near the swamp 1859. | Date: c.1859 | Technique: lithograph, printed in colour, from two stones (black image, cream tint-stone)

Francois Cogne (1829–1883)

View near the swamp 1859.

(c.1859)

lithograph

Artist: SELLBACH, Udo | Title: (View of a city street) | Date: 1950 | Technique: lithograph, printed in black ink, from one stone [or plate]

Udo Sellbach (1927–2006)

(View of a city street)

(1950)

lithograph

Artist: Lycett, Joseph. | Title: View of Captain Piper's Naval Villa, at Eliza Point near Sydney, New South Wales. | Date: 1825 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Captain Piper's Naval Villa, at Eliza Point near Sydney, New South Wales.

(1825)

etching and aquatint

Artist: EWINS, Rod | Title: View of Droughty Pt from Sandy Bay. | Date: 1969 | Technique: screenprint, etching and router-cut woodcut

Rod Ewins (1940–)

View of Droughty Pt from Sandy Bay.

(1969)

screenprint

Artist: Bell, Greg. | Title: View of East End. | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Greg Bell (1960–)

View of East End.

(1985)

screenprint

Title: View of Geelong toward great, great grandmother Stinton's garden | Date: 2007 | Technique: linocuts, printed in black ink, each from one block

View of Geelong toward great, great grandmother Stinton's garden

(2007)

linocuts

Title: View of Geelong toward great, great grandmother Stinton's garden - Panel 1 | Date: 2007 | Technique: linocut, printed in black ink, from one block

View of Geelong toward great, great grandmother Stinton's garden - Panel 1

(2007)

linocut