Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: U

WORKS 41 – 60 of 358 IMAGES ONLY

Sort By:

Results per page:

Artist: Rooney, Elizabeth. | Title: Under Pines, Old Berrima | Technique: softground-etching and sugar lift aquatint printed intaglio and relief in colour, from one zinc plate

Artist: Traill, Jessie. | Title: Under the bridge. | Date: 1912 | Technique: etching, printed in warm black ink with plate-tone and wiped highlights, from one plate

Artist: AMOR, Rick | Title: Under the bridge. | Date: 1998 | Technique: etching, printed in black ink, from one plate

Artist: Patterson, Ambrose. | Title: Under the ikan tree, Mouna Hotel | Date: c.1925 | Technique: woodblock, printed in black ink, from one block

Artist: Guan Wei. | Title: Under the Southern Cross | Date: 1999 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Artist: Eldershaw, John. | Title: Under the Tower Bridge, Thames, London. | Date: (1929) | Technique: lithograph, printed in black ink, from one stone

Artist: Groblicka, Lidia. | Title: Under the trees | Date: 1972 | Technique: woodcut, printed in black ink, from one block

Title: Under the willows. | Date: 1870 | Technique: wood engraving, printed in colour, from multiple blocks

Artist: Klein, Deborah. | Title: Underwater face | Date: 1996, 28 September | Technique: linocut, printed in black ink, from one block

Artist: Hayley-Lever, Richard. | Title: Underway | Date: 1930s | Technique: etching, printed in black ink, from one plate

Artist: REDBACK GRAPHIX | Title: Undoing history - making a just future. | Date: 1988 | Technique: screenprint, printed in colour inks, from three stencils

Artist: Faulks, Philip. | Title: Undone | Date: 1989 | Technique: lithograph, printed in black ink, from one stone

Artist: MEYER, Bill | Title: Une Charogne | Date: 1970 | Technique: screenprint, printed in seven colours, from one open block out screen, five hand cut stencils and two photo ortho screens | Copyright: © Bill Meyer

Artist: MEYER, Bill | Title: Une Charogne II | Date: 1970 | Technique: screenprint, printed in colour, from seven stencils | Copyright: © Bill Meyer

Title: Une femme de la terre de Van- Demen | Date: 1829 | Technique: etching and engraving, printed in black ink, from one plate

Artist: Moore, Mary. | Title: Une Fermeture Eclair Difficile | Date: 1977 | Technique: aquatint and etching printed in brown ink, from one plate, hand-coloured in red | Copyright: © Mary Moore

Artist: Moore, Mary. | Title: Une Fermeture Eclair Difficile [Difficult zip to pull]. | Date: 1977 | Technique: aquatint and etching, printed in black ink, from one plate; hand-coloured | Copyright: © Mary Moore

Artist: Ford, Paul. | Title: Unemployment - a creative alternative. | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Artist: Ford, Paul. | Title: Unemployment - A creative alternative. Careers 81. | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Artist: Ford, Paul. | Title: Unemployment explosive. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login