Browse: T

WORKS 1921 – 1940 of 7759 IMAGES ONLY
Artist: AMOR, Rick | Title: The dog. | Date: 1989 | Technique: monotype, printed in black ink, from one plate

Rick Amor (1948–)

The dog.

(1989)

monotype

Artist: McBurnie, Ron. | Title: The dog as a philosopher | Date: 1987 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Ron McBurnie

Ron Mcburnie (1957–)

The dog as a philosopher

(1987)

softground-etching

Artist: HANRAHAN, Barbara | Title: The dog will come when he is called | Date: 1962 | Technique: linocut, printed in colour, from four blocks

Barbara Hanrahan (1939–1991)

The dog will come when he is called

(1962)

linocut

Artist: HANRAHAN, Barbara | Title: The dog will come when he is called | Date: 1962 | Technique: linocut, printed in black ink, from two blocks

Barbara Hanrahan (1939–1991)

The dog will come when he is called

(1962)

linocut

Artist: HANRAHAN, Barbara | Title: The dog, the cat | Date: 1962 | Technique: linocut, printed in black ink, from two blocks, hand-coloured

Barbara Hanrahan (1939–1991)

The dog, the cat

(1962)

linocut

Artist: EWINS, Rod | Title: The Doll (The Residence V). | Date: 1983, December | Technique: photo-etching and aquatint, printed in black ink, from one plate

Rod Ewins (1940–)

The Doll (The Residence V).

(1983, December)

photo-etching and aquatint

D.G. Reid (1862–1933)

The Doll's House.

etching

Artist: Carmichael, John. | Title: The Dombey family | Date: 1847 | Technique: etching, printed in black ink, from one plate

John Carmichael (1811–1857)

The Dombey family

(1847)

etching

James Flett (1906–1986)

The Dominican.

Artist: Lanceley, Colin. | Title: The Don, the Virgin and the Penitents | Date: 1972 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

The Don, the Virgin and the Penitents

(1972)

screenprint

Artist: LINDSAY, Lionel | Title: The donkey | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The donkey | A donkey

(1922)

wood-engraving

The donkey has a hat on

(1971)

etching

Artist: LINDSAY, Lionel | Title: The donkey market, Estremadura | Date: 1934 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The donkey market, Estremadura

(1934)

etching

Vincent Sheldon (1895–1945)

The Doorway.

Artist: Gittoes, George. | Title: The doorway. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The doorway.

(1971)

etching

Lionel Lindsay (1874–1961)

The Doric Porch.

etching

Lionel Lindsay (1874–1961)

The Doric Porch.

Lionel Lindsay (1874–1961)

The Doric Porch.

Artist: LINDSAY, Lionel | Title: The Doric porch, La Trobe Street, Melbourne | Date: 1923 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Doric porch, La Trobe Street, Melbourne

(1923)

etching

Deborah Walker (1954–)

The Double Bass.