Browse: T

WORKS 1721 – 1740 of 7842 IMAGES ONLY

Henri Van Raalte (1881–1929)

The crescent moon.

(c.1928)

aquatint

Sarah Stone (1762–1844)

The crested goatsucker.

(29 December 1789 (imprint))

Artist: Coveny, Christopher. | Title: The cricket match at Muggleton. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The cricket match at Muggleton.

(1882)

etching

Artist: Strachan, David. | Title: The criminal | Technique: etching and aquatint

David Strachan (1919–1970)

The criminal

etching and aquatint

David Strachan (1919–1970)

The criminal.

(1951)

David Strachan (1919–1970)

The Criminal

(1951)

etching

David Strachan (1919–1970)

The Criminal

(1951)

etching

David Strachan (1919–1970)

The Criminal

(1951)

etching

David Strachan (1919–1970)

The criminal, vignette #1.

(1951)

David Strachan (1919–1970)

The criminal, vignette #2.

(1951)

George Finey (1895–1987)

The Crimson Path.

Lewis Baumer (1870–1963)

The Crinoline.

Artist: AMOR, Rick | Title: The critic / Giles Auty. | Date: 1987 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The critic / Giles Auty.

(1987)

woodcut

Artist: Gleeson, William. | Title: The cross cut saw | Date: 1965 | Technique: etching, printed in black ink, from one plate | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The cross cut saw

(1965)

etching

William Gleeson (1927–1999)

The Cross Cut Saw, Victorian Alps.

Reginald Green (1884–1971)

The Cross, Chichester.

etching

Henri Van Raalte (1881–1929)

The Crosscut.

(c.1920)

Herbert Gallop (1890–1958)

The Crossing.

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The crossing | Spanish river scene

(1923)

etching

Vincent Brown (1901–2001)

The crossing, Labrador.

(1930)

etching