Browse: T

WORKS 1641 – 1660 of 7750 IMAGES ONLY

Fred Campbell (1851–1930)

The cool stores.

Artist: Rawling, Charles W. | Title: The cooling tower | Date: 1925 | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

Charles W. Rawling (1901–1996)

The cooling tower

(1925)

etching and foul biting

Sydney Ure Smith (1887–1949)

The cooperage.

Sydney Ure Smith (1887–1949)

The cooperage.

(1918)

Artist: Bowen, Dean. | Title: The copper mine | Date: 1989 | Technique: lithograph, printed in colour, from multiple stones

Dean Bowen (1957–)

The copper mine

(1989)

lithograph

Artist: Mansell, Byram. | Title: The coral grotto, Barrier Reef | Date: 1942 | Technique: monotype, printed in colour

Byram Mansell (1894–1977)

The coral grotto, Barrier Reef

(1942)

monotype

Artist: LINDSAY, Lionel | Title: The Cordeliers' Gate, Loches, France | Date: 1931 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Cordeliers' Gate, Loches, France | The Porte des Cordeliers

(1931)

etching

Artist: Cornish, Muriel. | Title: The corner of the street. | Date: 1936 | Technique: linocut, printed in black ink, from one block

Muriel Cornish (1893–1945)

The corner of the street.

(1936)

linocut

John Shirlow (1869–1936)

The corner shop.

(1919)

Elaine E. Coghlan (1897–1989)

The corner, Bridge & Macquarie Streets, Sydney.

(c.1935)

charcoal

Title: The coronation of Daisy, Harry at the evil | Date: 1989 | Technique: linocut, printed in black ink, from one block

The coronation of Daisy, Harry at the evil

(1989)

linocut

Artist: Casey, Karen. | Title: The Coroners Hotel | Date: 1988 | Technique: offset lithograph, printed in colour, from process colour plates plus black

Karen Casey (1956–2021)

The Coroners Hotel

(1988)

offset lithograph

Gladys Owen (1889–1960)

The corral, Segovia.

wood engraving

Artist: Owen, Gladys. | Title: The corral, Segovia, Spain | Date: 1929 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The corral, Segovia, Spain

(1929)

wood-engraving

Title: The cost | Date: 2007 | Technique: hardground etching, aquatint and burnishing, printed in colour, from a single copper plate

The cost

(2007)

hardground etching

R.A. Taylor (1880–)

The costermongers dog. First dog in the slips at 9oc. sharp.

(1890s)

lithograph

Artist: RIACH, Trevor | Title: The cottage | Date: 1988 | Technique: aquatint, printed in black ink, from one plate

Trevor Riach (1958–)

The cottage

(1988)

aquatint

Artist: Coleman, Constance. | Title: The cottage. | Date: (1937) | Technique: aquatint, printed in brown ink with wiped highlights, from one plate

Constance Coleman (1903–1990)

The cottage.

((1937))

aquatint

Artist: RIACH, Trevor | Title: The cottage | Technique: etching and aquatint, printed in black ink, from one plate

Trevor Riach (1958–)

The cottage

etching and aquatint

E. Parsons

The cottage in the bush.