Browse: T

WORKS 1621 – 1640 of 7759 IMAGES ONLY

James Crisp (1879–1962)

The conference.

Artist: Lasisi, David. | Title: The confused one | Date: 1976 | Technique: screenprint, printed in brown ink, from one screen

David Lasisi (1955–)

The confused one

(1976)

screenprint

Artist: Lasisi, David. | Title: The confused one | Date: 1976 | Technique: screenprint, printed in red ink, from one stencil

David Lasisi (1955–)

The confused one

(1976)

screenprint

Title: The Congregational Church, Pitt Street Sydney. | Date: 1848 | Technique: engraving, printed in black ink, from one plate; hand-coloured

The Congregational Church, Pitt Street Sydney.

(1848)

engraving

Artist: GRIFFITH, Pamela | Title: The conical helix of the Murex | Date: 1986 | Technique: hard ground, aquatint, sugarlift, burnishing, printed from two zinc plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The conical helix of the Murex

(1986)

hard ground

Yoshijiro Urushibara (1888–1953)

'The Conies'.

Thomas Friedensen (1879–1931)

The Conservation of Music, Sydney.

etching

James Crisp (1879–1962)

The conspirators.

(1925)

Artist: Allen, Joyce. | Title: The conspirators. | Date: 1963 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The conspirators.

(1963)

linocut

Artist: Jack, Kenneth. | Title: The constable and his family, Gulgong | Date: 1953 | Technique: lithograph, printed in colour, from three zinc plates | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

The constable and his family, Gulgong

(1953)

lithograph

Artist: LINDSAY, Lionel | Title: The Constable's Chapel, Burgos | Date: 1944 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Constable's Chapel, Burgos

(1944)

etching

Artist: ARNOLD, Raymond | Title: The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart. | Date: 1984 | Technique: screenprint, printed in colour, from three stencils

Raymond Arnold (1950–)

The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart.

(1984)

screenprint

Artist: Gittoes, George. | Title: The consultation. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The consultation.

(1971)

etching

Artist: Payne, Patsy. | Title: The contents of my world | Date: 1992 | Technique: wood-engraving, printed in black ink, from one block

Patsy Payne (1955–)

The contents of my world

(1992)

wood-engraving

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

G.W.L. Hirst (1868–1965)

The Convent, Rose Bay.

pencil drawing

G.W.L. Hirst (1868–1965)

The Convent, Rose Bay.

Geoffrey Ingleton (1908–1998)

The convict ship Surrey.

(1930s)

etching

Jessie Mackintosh (1893–1957)

The cook.

(1935 (exhibited))

linocut