Browse: T

WORKS 1541 – 1560 of 7759 IMAGES ONLY
Artist: Angas, George French. | Title: The city of Adelaide from the Torrens near the reed beds. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

The city of Adelaide from the Torrens near the reed beds.

(1846-47)

lithograph

Artist: PROUT, John Skinner | Title: The city of Sydney, N.S.W. from behind Lavender's Bay, North Shore. | Date: 1844 | Technique: lithograph, printed in colour, from two stones; additional hand-colouring

John Skinner Prout (1805–1876)

The city of Sydney, N.S.W. from behind Lavender's Bay, North Shore. | Panorama of Sydney, from the Government Paddock, Parramatta

(1844)

lithograph

Artist: Nicholas, William. | Title: The city rate collector (John Rowley). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The city rate collector (John Rowley).

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The city rate collector (John Rowley) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The city rate collector (John Rowley)

(1847)

pen-lithograph

Artist: Syme, Eveline | Title: The city skyline | Date: about 1928 | Technique: linocut, printed in colour inks, from five blocks (pink yellow, light blue, cobalt green, burnt Sienna, black)

Eveline Syme (1888–1961)

The city skyline

(about 1928)

linocut

Artist: Gill, S.T. | Title: The city terminus of the M. & H.B railway company. | Date: 1855-56 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The city terminus of the M. & H.B railway company.

(1855-56)

lithograph

Mabel Pye (1894–1982)

The city window.

linocut

Title: The claim disputed. | Date: c. 1889 | Technique: lithograph, printed in colour, from two stones (black and buff); additional hand-colouring

The claim disputed.

(c. 1889)

lithograph

Artist: Gill, S.T. | Title: The claim disputed. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The claim disputed.

(1852)

lithograph

Artist: Grieve, Robert. | Title: (The clarinet player) | Date: 1958 | Technique: lithograph, printed in blue/black ink, from one stone

Robert Grieve (1924–2006)

(The clarinet player)

(1958)

lithograph

Artist: Ashton, Julian. | Title: The class room. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

Julian Ashton (1851–1942)

The class room.

(1893)

etching

Pamela Griffith (1943–)

The classroom.

(1994)

hardground-etching and aquatint

The clearing, Balingup.

wood-engraving

Artist: Dickerson, Robert. | Title: The client | Date: 1990 | Technique: lithograph, printed in black ink, from one stone [or plate]

Robert Dickerson (1924–2015)

The client

(1990)

lithograph

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint

Henri Van Raalte (1881–1929)

The cliff [1].

(c.1927)

aquatint

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The clipped wing | Depression | Melancholy | The broken wing

(1931)

wood-engraving

Norman Lindsay (1879–1969)

The cloak.

(1929)

drypoint and etching

Artist: Conder, Charles. | Title: The cloak. | Date: c.1906 | Technique: etching, printed in black ink with plate-tone, from one plate

Charles Conder (1868–1909)

The cloak.

(c.1906)

etching

William Lee Hankey (1869–1952)

The clock tower.