Browse: T

WORKS 1021 – 1040 of 7750 IMAGES ONLY

A.H. Fullwood (1863–1930)

The Belgian Set.

Thomas Friedensen (1879–1931)

The Belgian windmill.

A.H. Fullwood (1863–1930)

The Bell Inn at Stilton. | The Bell, Stilton.

A.S. Hartrick (1864–1950)

The Bellringers.

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The belly of Capitalism is never full | Date: 1978 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Raymond John Young

EARTHWORKS POSTER COLLECTIVE (1972–1979)

The belly of Capitalism is never full

(1978)

screenprint

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1974 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1974)

etching

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1961 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1961)

drypoint

The benches in the park.

etching

John Barclay Godson (1882–1957)

The Bend of the Road.

etching

John Barclay Godson (1882–1957)

The Bend of the Road.

etching

John Barclay Godson (1882–1957)

The Bend of the Road original sketch.

etching

John Barclay Godson (1882–1957)

The Bend of the Road, Pittwater -.

John Barclay Godson (1882–1957)

The bend of the road, Pittwater

(1923)

drypoint

John Barclay Godson (1882–1957)

The Bend of the Road, Pittwater (first prize).

Gayfield Shaw (1885–1961)

The bent tree, Tuggerah Lake.

Title: The bent tree, Tuggerah Lake | Date: c.1925 | Technique: etching, printed in black ink, from one plate

The bent tree, Tuggerah Lake

(c.1925)

etching

John Barclay Godson (1882–1957)

The Berrima at Williamstowne.

etching

Artist: WORSTEAD, Paul | Title: The best lack all conviction | Date: 1989 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The best lack all conviction

(1989)

screenprint

Artist: Upward, Peter. | Title: The bewitched Devi Kunti angrily orders her son Sadewa sacrificed | Date: 1974 | Technique: screenprint, printed in colour, from 13 stencils

Peter Upward (1932–1983)

The bewitched Devi Kunti angrily orders her son Sadewa sacrificed

(1974)

screenprint

Artist: Coburn, John. | Title: The Biennale of Sydney Opera House, November 23, 1973 | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

John Coburn (1925–2006)

The Biennale of Sydney Opera House, November 23, 1973

(1973)

screenprint