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WORKS 921 – 940 of 7826 IMAGES ONLY
Artist: Lanceley, Colin. | Title: The barber of Seville | Date: 1997, January | Technique: lithograph, printed in colour, from four stones

Colin Lanceley (1938–2015)

The barber of Seville

(1997, January)

lithograph

The bare hills

(1964)

relief print

Geoff Barwell (1926–1963)

(The baritone).

((1955))

linocut

Thomas Friedensen (1879–1931)

The bark hut.

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

George Soper (1870–1942)

The barn.

etching

Fred Britton (1889–1931)

The barn.

etching

Eirene Mort (1879–1977)

The barn.

Sydney Ure Smith (1887–1949)

The barn.

John Goodchild (1898–1980)

The barn.

Hans Heysen (1877–1968)

The barn.

etching

Allan Jordan (1898–1982)

The barn.

D.G. Reid (1862–1933)

The barn.

etching

John Goodchild (1898–1980)

The barn.

(Adelaide, South Australia, Australi)

Victor Cobb (1876–1945)

The barn.

(by 1920)

etching

Sydney Ure Smith (1887–1949)

The barn.

(1919)

etching

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The barn.

(1919)

drypoint

Artist: FULLWOOD, A.H. | Title: The barn. | Date: 1904 | Technique: monotype, printed in colour, from one plate

A.H. Fullwood (1863–1930)

The barn.

(1904)

monotype