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WORKS 921 – 940 of 7750 IMAGES ONLY

Fred Britton (1889–1931)

The barn.

etching

Eirene Mort (1879–1977)

The barn.

Artist: FULLWOOD, A.H. | Title: The barn. | Date: 1904 | Technique: monotype, printed in colour, from one plate

A.H. Fullwood (1863–1930)

The barn.

(1904)

monotype

John Eldershaw (1892–1973)

The barn.

(c.1934)

lithograph

Sydney Ure Smith (1887–1949)

The barn.

John Goodchild (1898–1980)

The barn.

Hans Heysen (1877–1968)

The barn.

etching

Allan Jordan (1898–1982)

The barn.

D.G. Reid (1862–1933)

The barn.

etching

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The barn.

(1919)

drypoint

John Goodchild (1898–1980)

The barn.

(Adelaide, South Australia, Australi)

Victor Cobb (1876–1945)

The barn.

(by 1920)

etching

Sydney Ure Smith (1887–1949)

The barn.

(1919)

etching

Sydney Ure Smith (1887–1949)

The barn, Evening.

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Allan Glover (1900–1984)

The Barn, Magill

(1929)

etching

Sydney Ure Smith (1887–1949)

The barn, Windsor.

Sydney Ure Smith (1887–1949)

The barn, Winnstay.

Title: The Barracks. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

The Barracks.

(1833)

lithograph

Artist: GRIFFITH, Pamela | Title: The Barracks under restoration | Date: 1981 | Technique: hard ground, aquatint, photo-transfer from Kodalith on one zinc | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Barracks under restoration

(1981)

hard ground

Artist: PROIOS, Stergios | Title: The barrier is not language: Ford Broadmeadows 1973 | Date: (1985) | Technique: screenprint, printed in colour, from multiple stencils

Stergios Proios

The barrier is not language: Ford Broadmeadows 1973

((1985))

screenprint