Browse: T

WORKS 5861 – 5880 of 7844 IMAGES ONLY
Artist: Charsley, Fanny Anne. | Title: Thelymitra ixioides, thelymitra aristata, burchardia umbellata, stypandra cæspitosa and stypandra umbellata. | Date: 1867 | Technique: lithograph, printed in black ink, from one stone; handcoloured

Fanny Anne Charsley (1828–1915)

Thelymitra ixioides, thelymitra aristata, burchardia umbellata, stypandra cæspitosa and stypandra umbellata.

(1867)

lithograph

Van Wieringen (1943–)

Them and us.

(1979)

screenprint

Then ensued the great passing of ordinary events.

(1987)

etching and aquatint

Eva Sandor (1924–)

Then it rained in the desert of my heart, And I went on my way unlonely yet alone.

(1953)

wood-engraving

Artist: BOYD, Arthur | Title: Then slip your mouth aside just as he is sure of it. | Date: 1970 | Technique: etching and aquatint, printed in black ink, from one plate

Arthur Boyd (1920–1999)

"Then slip your mouth aside just as he is sure of it".

(1970)

etching and aquatint

Title: Then the soul... | Date: 1881 | Technique: wood-engraving, printed in black ink, from one block

Then the soul...

(1881)

wood-engraving

Artist: Tritton-Young, Maxienne. | Title: Then there was Freud | Date: 1986 | Technique: lithograph, printed in black ink, from one stone

Maxienne Tritton-Young (1948–)

Then there was Freud

(1986)

lithograph

Artist: HALL, Fiona | Title: Theobroma cacao - Chocolate tree (Brazilian currency) | Date: 2000 - 2002 | Technique: gouache | Copyright: © Fiona Hall

Fiona Hall (1953–)

Theobroma cacao - Chocolate tree (Brazilian currency)

(2000 - 2002)

gouache

David Walker (1978–)

Theodora II.

Artist: Doherty, Brian. | Title: Therapies ball. | Date: (c1979-81) | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Brian Doherty. Licensed by VISCOPY, Australia

Brian Doherty (1956–)

Therapies ball.

((c1979-81))

screenprint

Title: There and back | Technique: offset-lithograph, printed in colour, from multiple plates

There and back

offset-lithograph

Title: There and back | Technique: offset-lithograph, printed in colour, from multiple plates

There and back

offset-lithograph

Artist: UNKNOWN | Title: There are no childless people. End the oppression of women as mothers. | Date: 1980 | Technique: screenprint, printed in colour, from six stencils

UNKNOWN

There are no childless people. End the oppression of women as mothers.

(1980)

screenprint

Title: There he lies and sleeps...: | Date: 1881 | Technique: wood-engraving, printed in black ink, from one block

There he lies and sleeps...:

(1881)

wood-engraving

Artist: Deix, Gunther. | Title: There is a figure in every stick. | Date: 1989 | Technique: etching, printed in colour inks, from one plate

Gunther Deix (1945–)

There is a figure in every stick.

(1989)

etching

Artist: MEYER, Bill | Title: There is a time | Date: 1971 | Technique: screenprint, printed in six colours, from multiple stencils (including hand cut, direct and photo ortho stencils) | Copyright: © Bill Meyer

Bill Meyer (1942–)

There is a time | Moratorium

(1971)

screenprint

Artist: MADDOCK, Bea | Title: There is no abiding city | Date: 1964 | Technique: woodcut, printed in black ink by hand-burnishing, from two pine blocks

Bea Maddock (1934–2016)

There is no abiding city

(1964)

woodcut

John Wolseley (1938–)

There is no desert but was once a name - Jabes.

(1997, May - July)

lithograph

John Wolseley (1938–)

There is no desert but was once a name - Jabes.

(1997, May - July)

lithograph

Artist: Wolseley, John. | Title: There is no desert but was once a name - Jabes. | Date: 1997, May - July | Technique: lithograph, printed in colour, from five stones [or plates] | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

There is no desert but was once a name - Jabes.

(1997, May - July)

lithograph