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WORKS 5741 – 5760 of 7829 IMAGES ONLY
Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

John Goodchild (1898–1980)

The work of day | Rundle Street, Adelaide

(1924)

softground etching

Artist: McGrath, Eileen. | Title: The work of Eileen McGrath. | Date: 1931 | Technique: letterpress

Eileen Mcgrath (1907–2004)

The work of Eileen McGrath.

(1931)

letterpress

Artist: Shiels, Julie. | Title: The work of many hands. | Date: 1991 | Technique: screenprint and photo-screenprint, printed in colour, from two stencils

Julie Shiels (1954–)

The work of many hands.

(1991)

screenprint and photo-screenprint

Normand H. Baker (1908–1955)

The Work Shed wash.

Artist: Tarry, Jon. | Title: The worker. | Date: 1988 | Technique: etching, printed in black ink, from one plate

Jon Tarry (1958–)

The worker.

(1988)

etching

C.H. Percival (1891–1940)

The Workers.

etching

Artist: Groblicka, Lidia. | Title: The workers | Date: 1957 | Technique: woodcut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

The workers

(1957)

woodcut

Artist: Cullen, Gregor. | Title: The workplace is no place for racism. | Date: 1985 | Technique: screenprint, printed in colour, from six stencils

Gregor Cullen (1954–)

The workplace is no place for racism.

(1985)

screenprint

Artist: WILLIAMS, Fred | Title: The workrooms | Date: 1954-66 | Technique: etching, aquatint, rough biting, engraving, drypoint, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The workrooms

(1954-66)

etching

Artist: Spowers, Ethel. | Title: The works, Yallourn. | Date: 1933 | Technique: linocut, printed in colour, from seven blocks

Ethel Spowers (1890–1947)

The works, Yallourn.

(1933)

linocut

Artist: Spowers, Ethel. | Title: The works, Yallourn | Date: 1933 | Technique: linocut, printed in colour, from seven blocks

Ethel Spowers (1890–1947)

The works, Yallourn

(1933)

linocut

Allen Lewis (1873–1957)

The Workshop.

etching

Artist: Curtis, Robert Emerson. | Title: The workshops, Milsons Point 1928. | Date: 1932 | Technique: lithograph, printed in black ink, from one plate

Robert Emerson Curtis (1898–1996)

The workshops, Milsons Point 1928.

(1932)

lithograph

Artist: Armstrong, Bruce. | Title: The world. | Date: 1988 | Technique: softground etching, printed in black ink, from one plate

Bruce Armstrong (1957–2024)

The world.

(1988)

softground etching

Praxis Poster Workshop. (1982–)

The world at home

screenprint

Artist: Tytherleigh, David. | Title: The world may never change | Date: 1999, 6 October | Technique: linocut, printed in black ink, from one block

David Tytherleigh (1957–)

The world may never change

(1999, 6 October)

linocut

Artist: Ththerleigh, David. | Title: The world may never change | Date: 1999 | Technique: linocut, printed in black ink, from one block

David Ththerleigh

The world may never change

(1999)

linocut

Artist: AMOR, Rick | Title: The world of men. | Date: 1993 | Technique: woodcut, printed in colour, from two blocks

Rick Amor (1948–)

The world of men.

(1993)

woodcut

Artist: BALDESSIN, George | Title: The world of tinsel. | Date: 1966 (dated) | Technique: etching and aquatint, printed in colour inks, from multiple plates

George Baldessin (1939–1978)

The world of tinsel.

(1966 (dated))

etching and aquatint

Artist: Collins, Albert. | Title: The world's loveliest harbour, Sydney, Australia. | Date: 1930 | Technique: lithograph, printed in colour, from multiple stones

Albert Collins (1883–1951)

The world's loveliest harbour, Sydney, Australia.

(1930)

lithograph