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WORKS 5521 – 5540 of 7750 IMAGES ONLY

the white p.

Lionel Lindsay (1874–1961)

The White Peacock.

Artist: LINDSAY, Lionel | Title: The white Peacock | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The white Peacock

(1924)

wood-engraving

Artist: Webb, A.B. | Title: The white sail | Date: 1925 | Technique: woodcut, printed in colour in the Japanese manner, from multiple blocks

A.B. Webb (1887–1944)

The white sail

(1925)

woodcut

A.B. Webb (1887–1944)

The White Sail.

Rupert Bunny (1864–1947)

The White Sofa.

Artist: BUNNY, Rupert | Title: (The white sofa). | Date: c.1898 | Technique: monotype, printed in colour, from one zinc plate

Rupert Bunny (1864–1947)

(The white sofa).

(c.1898)

monotype

Artist: LINDSAY, Lionel | Title: The white stork | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The white stork | The crane | The white crane

(1925)

wood-engraving

Ben Quilty (1973–)

The white ute

(2004)

etching and aquatint

Artist: Quilty, Ben. | Title: The white ute [A]. | Date: 2004 | Technique: etching and aquatint, printed in black ink, from two plates

Ben Quilty (1973–)

The white ute [A].

(2004)

etching and aquatint

Artist: Quilty, Ben. | Title: The white ute [B]. | Date: 2004 | Technique: etching and aquatint, printed in black ink, from two plates

Ben Quilty (1973–)

The white ute [B].

(2004)

etching and aquatint

Gayfield Shaw (1885–1961)

The White Way.

Gayfield Shaw (1885–1961)

The White Way: a memento of our tour.

(1925)

etching

Artist: Megalo International Screenprinting Collective. | Title: The whitewash of the year, Bitumen River Gallery | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Megalo International Screenprinting Collective. (1980–)

The whitewash of the year, Bitumen River Gallery

(1981)

screenprint

Artist: Honybun, Elizabeth. | Title: The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound. | Date: (1978) | Technique: offset-lithograph on rubber stamps

Elizabeth Honybun (1953–1984)

The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound.

((1978))

offset-lithograph on rubber stamps

Artist: Lasisi, David. | Title: The whore | Date: 1976 | Technique: screenprint, printed in brown ink, from one stencil

David Lasisi (1955–)

The whore

(1976)

screenprint

Artist: Lasisi, David. | Title: The whore | Date: not dated | Technique: screenprint, printed in purple ink, from one stencil

David Lasisi (1955–)

The whore

(not dated)

screenprint

Artist: Fisher, John | Title: The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp. | Date: 1978

John Fisher (1921–)

The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp.

(1978)

Martin Stainforth (1866–1957)

The Widower wood engraving. after Sir Luke Fildes, R.A.

Jacqueline Hick (1919–2004)

The widows.

(1944)

etching and aquatint