Browse: T

WORKS 5101 – 5120 of 7750 IMAGES ONLY
Artist: Bell, George.. | Title: (The Thames). | Date: c.1912 | Technique: etching, printed in black ink with plate-tone, from one plate

George.. Bell (1878–1966)

(The Thames).

(c.1912)

etching

John Eldershaw (1892–1973)

The Thames.

Frank Short (1857–1945)

The Thames at Twickenham.

(by 1925)

Ellis St John (1874–1949)

The Thames from Chelsea Bridge.

Artist: Long, Sydney. | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Thames from Waterloo Bridge

((1919))

line-etching

Artist: Owen, Gladys. | Title: The thatched barns | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The thatched barns

(1932 (exhibited))

wood-engraving

Allan Glover (1900–1984)

The Thatched Stable.

Artist: Stejskal, Josef Lada. | Title: The Theatre of the Death presents The Winter's Tale... Stables Theatre, Kings Cross. | Date: 1981 | Technique: offset-lithograph, printed in black ink, from one plate

Josef Lada Stejskal (1945–)

The Theatre of the Death presents The Winter's Tale... Stables Theatre, Kings Cross.

(1981)

offset-lithograph

Artist: Campbell, Denise. | Title: The theatre of the world. | Date: 1988 | Technique: woodcut, printed in black ink, from one block

Denise Campbell (1952–)

The theatre of the world.

(1988)

woodcut

Title: The theological basis of colonial genocide | Date: 2008 | Technique: linocut, printed in black ink, from one block

The theological basis of colonial genocide

(2008)

linocut

Artist: Heyes, Ken. | Title: The thicker moustache and the pudgy folded hand with thumb tucked under cover his mouth. The look is opaque, or just more inward: he could be thinking - or listening. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

The thicker moustache and the pudgy folded hand with thumb tucked under cover his mouth. The look is opaque, or just more inward: he could be thinking - or listening.

(1984)

photocopy

Artist: Zoates, Toby. | Title: The Thief of Sydney an animated film by Toby Zoates. | Date: 1984 | Technique: screenprint, printed in colour, from six stencils

Toby Zoates (1949–)

The Thief of Sydney an animated film by Toby Zoates.

(1984)

screenprint

Title: The thinker | Date: c.1985 | Technique: off-set lithograph

The thinker

(c.1985)

off-set lithograph

Artist: Mann, Gillian. | Title: The thinkers | Date: 1990 | Technique: woodcut, printed in black ink, from three blocks

Gillian Mann (1939–2007)

The thinkers

(1990)

woodcut

John Edward (1929–)

The third day.

(1975)

screenprint

Sydney Ure Smith (1887–1949)

The three barns.

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The three barns.

(1921)

etching

Artist: LINDSAY, Lionel | Title: The three beggars of Guadalupe | Date: 1926 | Technique: etching, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The three beggars of Guadalupe

(1926)

etching

Artist: LINDSAY, Lionel | Title: The three cocks | Date: 1942 | Technique: line-engraving, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The three cocks

(1942)

line-engraving

Artist: Taylor, John H. | Title: The three fishes | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The three fishes

linocut