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WORKS 5041 – 5060 of 7750 IMAGES ONLY

Richard Tipping (1949–)

The Sydney Morning Herald vol.1.

(1967-88)

screenprint

Richard Tipping (1949–)

The Sydney Morning Herald Vol.II Word Works 1967-1991.

(1991)

letterpress

Artist: TIPPING, Richard | Title: The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising. | Date: 1992 | Technique: screenprints, printed in colour

Richard Tipping (1949–)

The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising.

(1992)

screenprints

Richard Tipping (1949–)

The Sydney Morning Volume IV by Richard Tipping. word works 1993-94, comprising 14 prints in an edition of between 80 and 92 examples. Numbers 1 to 60 of each print boxed in sets with frontispiece and end-notes.

(1994)

screenprints

Artist: GRIFFITH, Pamela | Title: The Sydney Opera House | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Sydney Opera House

(1988)

hardground-etching and aquatint

Artist: Shirlow, John. | Title: The Sydney set of six etchings | Date: (1917-18) | Technique: etchings, printed in brown/black ink, each from one copper plate

John Shirlow (1869–1936)

The Sydney set of six etchings

((1917-18))

etchings

Roy Dalgarno (1910–2001)

The Symbols.

(1964)

lithograph

John Shirlow (1869–1936)

The Synagogue.

Artist: Thorpe, Hall. | Title: The Synagogue | Date: 1897 | Technique: etching, printed in brown ink, from one plate

Hall Thorpe (1874–1947)

The Synagogue

(1897)

etching

C.W. Williams (1930–)

The T. and G. Building.

Artist: BALDESSIN, George | Title: The table. | Date: 1974 | Technique: etching and aquatint, printed in colour ink, from one shaped plate

George Baldessin (1939–1978)

The table.

(1974)

etching and aquatint

Artist: Green, Mike. | Title: The table. | Date: 1986 | Technique: screenprint, printed in colour, from 20 stencils

Mike Green (1941–)

The table.

(1986)

screenprint

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. | Date: 1825 | Technique: etching, and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land.

(1825)

etching

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land | Date: 01 August 1824 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land

(01 August 1824)

lithograph

Luigi Kasimir (1881–1962)

The Tal, Munich.

Will Dyson (1880–1938)

The Talkies-Science: 'Alas poor posterity, can you ever forgive me - I've gone and made the bad actor eternal'.

Artist: Proctor, Thea. | Title: The tame bird | Date: 1916 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The tame bird

(1916)

lithograph

Praxis Poster Workshop. (1982–)

The Tamil Association of W.A. proudly presents Padmashri Sanjukla Panigrahi

screenprint

Artist: Mahoney, Will. | Title: The Tandem act | Date: 1931 | Technique: drypoint, printed in black ink, from one plate

Will Mahoney (1905–1989)

The Tandem act

(1931)

drypoint

Artist: Russell,, Deborah. | Title: The tank | Date: 1988 | Technique: lithograph, printed in blue ink, from one plate

Deborah Russell, (1951–)

The tank

(1988)

lithograph