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WORKS 5021 – 5040 of 7773 IMAGES ONLY
Artist: UNKNOWN | Title: The Sun-Herald: Food Riot. | Date: c.1979 | Technique: screenprint, printed in colour, from four stencils

UNKNOWN

The Sun-Herald: Food Riot.

(c.1979)

screenprint

Artist: Kelly, John. | Title: The sun-lovers | Date: 2002 | Technique: etching, printed in black ink, from one plate | Copyright: © John Kelly. Licensed by VISCOPY, Australia.

John Kelly (1965–)

The sun-lovers

(2002)

etching

Lionel Lindsay (1874–1961)

The sundowner.

Artist: LINDSAY, Lionel | Title: The Sundowner | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Sundowner

(1921)

aquatint and burnishing

Artist: Davey, William J. | Title: The sundowner | Date: 1930s | Technique: wood-engraving, printed in brown and yellow ink, from two blocks

William J. Davey (1935–)

The sundowner | While the billy boils

(1930s)

wood-engraving

Raymond Mcgrath (1903–1977)

The sunflower.

(1924)

wood-engraving

D.G. Reid (1862–1933)

The Sunken Road.

etching

Sydney Ure Smith (1887–1949)

The sunlit barn.

F. Sidney Walker (1888–1972)

The Sunlit Bay.

Thomas Friedensen (1879–1931)

The Sunlit Canal, Venice.

Herbert Gallop (1890–1958)

The Sunlit Farmyard.

etching

Artist: Pratt, Douglas. | Title: The sunlit forge. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Douglas Pratt (1900–1972)

The sunlit forge.

(c.1929)

etching

William J. Swan (1930–)

The Sunlit Gum.

Fred Britton (1889–1931)

The sunlit homestead.

(1925-26)

Artist: Coburn, John. | Title: The sunlit plains | Date: 2003 | Technique: aquatint, printed in colour, from multiple plates

John Coburn (1925–2006)

The sunlit plains

(2003)

aquatint

Fred Campbell (1851–1930)

The Sunlit Sea.

Cedric Emanuel (1906–1995)

The Sunny Porch.

Artist: Bennett, Gordon. | Title: The superimposed footprint (after Margaret Preston) | Date: 1997, September | Technique: lithograph, printed in colour, from five photo-lithographic plates | Copyright: © Gordon Bennett, Licensed by VISCOPY, Australia

Gordon Bennett (1955–2014)

The superimposed footprint (after Margaret Preston)

(1997, September)

lithograph

Artist: GRIFFITH, Pamela | Title: The Supreme Court, Sydney | Date: 1982 | Technique: hardground-etching, aquatint and burnishing, printed in warm black ink, from one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Supreme Court, Sydney

(1982)

hardground-etching

Victor Cobb (1876–1945)

The Supreme Courts, Melbourne.

(1934)

etching