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WORKS 4881 – 4900 of 7773 IMAGES ONLY
Artist: Atkinson, Marea. | Title: The spectator series. | Date: 1988 | Technique: etching, printed in black ink, from one plate

Marea Atkinson (1952–)

The spectator series.

(1988)

etching

Artist: Nicholas, William. | Title: The speculator (Benjamin Boyd) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The speculator (Benjamin Boyd)

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The speculator (Benjamin Boyd) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The speculator (Benjamin Boyd)

(1847)

pen-lithograph

Artist: Bowen, Dean. | Title: The spike | Date: 1988 | Technique: lithograph, printed in black ink, from one stone

Dean Bowen (1957–)

The spike

(1988)

lithograph

Ellis St John (1874–1949)

The Spire.

etching

William Pestell (1930–)

The Spires -.

Cyril Dillon (1883–1974)

The Spires of St. Paul's, Melbourne.

(1933)

etching

Artist: Hayward Pooaraar, Bevan. | Title: The Spirit Catchers | Date: 1988 | Technique: linocut, printed in black ink, from one block

Bevan Hayward Pooaraar (1939–2004)

The Spirit Catchers

(1988)

linocut

Title: The spirit catchers | Date: 1980 | Technique: linocut and caustic etching, printed in black ink, from one block

The spirit catchers

(1980)

linocut and caustic etching

Artist: Waller, Christian. | Title: The Spirit of Light | Date: 1932 | Technique: linocut, printed in black ink, from one block

Christian Waller (1894–1954)

The Spirit of Light

(1932)

linocut

Artist: WORSTEAD, Paul | Title: The spirit of the drought | Date: 1991 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The spirit of the drought

(1991)

screenprint

Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: aquatint and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

aquatint and drypoint

Thomas Friedensen (1879–1931)

The Spit, Middle Harbour.

David Barker (1888–1946)

The Spit, Sydney.

Artist: GOODCHILD, John | Title: The Spit, Sydney | Date: 1922 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

The Spit, Sydney

(1922)

etching

Artist: MACKINOLTY, Chips | Title: The sports | Date: (1977) | Technique: screenprint, printed in colour, from multiple stencils

Chips Mackinolty (1954–)

The sports

((1977))

screenprint

Artist: WORSTEAD, Paul | Title: The Sports (Indian and Chook). | Date: 1978 | Technique: screenprint, printed in colour, from five stencils, | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Sports (Indian and Chook).

(1978)

screenprint

Artist: WORSTEAD, Paul | Title: The Sports Sondra | Date: 1981 | Technique: offset-lithograph, printed in colour, from two plates | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Sports Sondra

(1981)

offset-lithograph

Artist: Nicholas, William. | Title: The sportsman (John Rose Holden). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The sportsman (John Rose Holden).

(1847)

pen-lithograph