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WORKS 4761 – 4780 of 7759 IMAGES ONLY

Eric Scott (1892–1978)

The shrine.

(1926)

etching

Artist: Atkinson, Helen. | Title: The shrine of desire. Melville & Mullen, Melbourne, 1906. | Date: (1906) | Technique: stencil, printed in colour, from multiple stencils

Helen Atkinson (1874–1951)

The shrine of desire. Melville & Mullen, Melbourne, 1906.

((1906))

stencil

Artist: Leyshon White, Cyril. | Title: The Shrine of Remembrance, Victoria | Date: 1935 | Technique: screenprint, printed in colour, from seven stencils

Cyril Leyshon White (1894–1962)

The Shrine of Remembrance, Victoria

(1935)

screenprint

Artist: Smith, John Rubens. | Title: The sick berth | Date: 1818, after | Technique: etching and aquatint, printed in black ink, from one copper plate; hand- tinted in watercolour

John Rubens Smith (1775–1849)

The sick berth

(1818, after)

etching and aquatint

Artist: Strachan, David. | Title: The Sick Girl | Date: 1950 | Technique: etching and aquatint

David Strachan (1919–1970)

The Sick Girl

(1950)

etching and aquatint

David Strachan (1919–1970)

The sick girl.

(1951)

etched copper plate

Artist: Strachan, David. | Title: The sick girl | Date: 1950 | Technique: etching, printed in black ink, from one plate

David Strachan (1919–1970)

The sick girl

(1950)

etching

Allan Glover (1900–1984)

The Side Entrance.

etching

Lionel Lindsay (1874–1961)

The Siding.

Artist: LINDSAY, Lionel | Title: The siding | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The siding

(1923)

wood-engraving

Artist: AMOR, Rick | Title: The sighting. | Date: 1991 | Technique: mezzotint, printed in black ink, from one copper plate

Rick Amor (1948–)

The sighting.

(1991)

mezzotint

Artist: Traill, Jessie. | Title: The signal-box. | Date: 1910 | Technique: etching, drypoint and foul biting, printed in warm brown ink with plate-tone, from one plate

Jessie Traill (1881–1967)

The signal-box.

(1910)

etching

Artist: Bock, Thomas. | Title: The signals made at Mulgrave Battery on the approach of vessels to the Derwent. | Date: 1831 | Technique: engraving, printed in black ink, from one plate; hand coloured

Thomas Bock (1790–1855)

The signals made at Mulgrave Battery on the approach of vessels to the Derwent.

(1831)

engraving

Graham Hopwood (1933–)

The Silent Pool.

Alfred Edward Warner (1879–1968)

The Silo.

etching

John Wolseley (1938–)

The Simpson Desert survey.

(1992-93)

lithographs

Artist: Clifton, Nancy. | Title: The singer. | Date: 1981 | Technique: linocut, printed in black ink, from one block

Nancy Clifton (1907–1989)

The singer.

(1981)

linocut

Artist: Dickerson, Robert. | Title: The single bed. | Date: 1970 | Technique: etching and aquatint, printed in black ink, from one zinc plate

Robert Dickerson (1924–2015)

The single bed.

(1970)

etching and aquatint

Artist: HANRAHAN, Barbara | Title: The sisters | Date: 1961 | Technique: drypoint, aquatint, printed in black ink, from one plate

Barbara Hanrahan (1939–1991)

The sisters

(1961)

drypoint

Vic O'Connor (1918–2010)

The sisters - Butte-Chammant, Paris.

(1980)

linocut