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WORKS 4681 – 4700 of 7770 IMAGES ONLY
Artist: Hodgkinson, Frank. | Title: The seed | Date: 1978 | Technique: lithograph, printed in colour, from four plates

Frank Hodgkinson (1919–2001)

The seed

(1978)

lithograph

A.H. Fullwood (1863–1930)

The Seine at St. cloud.

Artist: Creative Arts Centre | Title: The seized collections of the Papua New Guinea Museum. | Date: 15 September 1975 (exhibition opened) | Technique: screenprint, printed in colour, from multiple screens

Creative Arts Centre (1972–)

The seized collections of the Papua New Guinea Museum.

(15 September 1975 (exhibition opened))

screenprint

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The selector

(1923)

etching

Artist: Ashton, Julian. | Title: The selector at work. | Date: 1882 | Technique: wood-engraving, printed in colour, from multiple blocks

Julian Ashton (1851–1942)

The selector at work.

(1882)

wood-engraving

Artist: Gittoes, George. | Title: The self and oblivion. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The self and oblivion.

(1971)

etching

Artist: Rayner, Henry. | Title: The sensitive plant | Date: 1938 | Technique: etching, printed in black ink, from one plate

Henry Rayner (1902–1957)

The sensitive plant

(1938)

etching

Arthur Phillips

The sentinel.

John Mather (1848–1916)

The sentinel.

Gayfield Shaw (1885–1961)

The sentinel.

Eirene Mort (1879–1977)

The sentinel.

(1917)

Bim Hilder (1909–1990)

The sentinel.

etching

T.R. Amies (1883–1973)

The sentinel.

(1930s?)

etching

James Crisp (1879–1962)

The sentinel.

Tay Kok Wee (1940–)

The Sentinel.

etching

Henri Van Raalte (1881–1929)

The sentinel (Torrens Gorge).

(c.1925)

Artist: Carter, Maurie. | Title: The sentry. | Date: 1954 | Technique: linocut, printed in black ink, from one block

Maurie Carter (1920–1968)

The sentry.

(1954)

linocut

Sydney Ure Smith (1887–1949)

The sequestered farm.

Title: The settlement at Macquarie Harbour. | Date: 1830 | Technique: etching, printed in black ink, from one plate

The settlement at Macquarie Harbour.

(1830)

etching

Title: The settlement at Macquarie Harbour. | Date: 1831 | Technique: etching, printed in black ink, from one plate

The settlement at Macquarie Harbour.

(1831)

etching