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WORKS 4401 – 4420 of 7842 IMAGES ONLY

Dean Bowen (1957–)

The red factory.

(1988)

etching

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate; hand-coloured | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in colour, from two copper plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

F. Sidney Walker (1888–1972)

The Red Gum.

Artist: Ragless, Max. | Title: The red gum | Date: 1933 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

Max Ragless (1901–1981)

The red gum

(1933)

drypoint

Max Ragless (1901–1981)

The Red Gum. dry point.

Artist: Slager, Philip. | Title: The Red House Farm, Windsor in New South Wales. | Date: 1810 (about) | Technique: engraving, printed in black ink, from one copper plate; hand-coloured

Philip Slager (1755–1815)

The Red House Farm, Windsor in New South Wales.

(1810 (about))

engraving

Pamela Griffith (1943–)

The Red Kangaroo.

(1994)

hardground-etching and aquatint

Artist: Traill, Jessie. | Title: The red light, Harbour Bridge, June 1931. | Date: 1932 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate; additional hand-colouring

Jessie Traill (1881–1967)

The red light, Harbour Bridge, June 1931.

(1932)

aquatint and etching

Artist: Preston, Margaret. | Title: The red road to Mulgoa. | Date: 1944 | Technique: woodcut, printed in colour, from one masonite block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

The red road to Mulgoa. | Red road to Mulgoa

(1944)

woodcut

Artist: Cummings, Elizabeth. | Title: The red table. | Date: 2001 | Technique: etching and aquatint, printed in colour, from five plates

Elizabeth Cummings (1934–)

The red table.

(2001)

etching and aquatint

Helen Ogilvie (1902–1993)

The Red Vase.

colour print

Pamela Griffith (1943–)

The red-backed Kingfisher in woodlands

(1993)

hardground-etching and aquatint

Fred Campbell (1851–1930)

The reef.

(1920s)

Pamela Griffith (1943–)

The reef.

(1996)

hardground-etching and aquatint

Pamela Griffith (1943–)

The reef II.

(1997)

hardground-etching and aquatint

Artist: Long, Sydney. | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The reflected mill

(1919)

line-etching and aquatint

George Finey (1895–1987)

The Refugees.