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WORKS 4361 – 4380 of 7770 IMAGES ONLY
Artist: Slager, Philip. | Title: The Red House Farm, Windsor in New South Wales. | Date: 1810 (about) | Technique: engraving, printed in black ink, from one copper plate; hand-coloured

Philip Slager (1755–1815)

The Red House Farm, Windsor in New South Wales.

(1810 (about))

engraving

Pamela Griffith (1943–)

The Red Kangaroo.

(1994)

hardground-etching and aquatint

Artist: Traill, Jessie. | Title: The red light, Harbour Bridge, June 1931. | Date: 1932 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate; additional hand-colouring

Jessie Traill (1881–1967)

The red light, Harbour Bridge, June 1931.

(1932)

aquatint and etching

Artist: Preston, Margaret. | Title: The red road to Mulgoa. | Date: 1944 | Technique: woodcut, printed in colour, from one masonite block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

The red road to Mulgoa. | Red road to Mulgoa

(1944)

woodcut

Artist: Cummings, Elizabeth. | Title: The red table. | Date: 2001 | Technique: etching and aquatint, printed in colour, from five plates

Elizabeth Cummings (1934–)

The red table.

(2001)

etching and aquatint

Helen Ogilvie (1902–1993)

The Red Vase.

colour print

Pamela Griffith (1943–)

The red-backed Kingfisher in woodlands

(1993)

hardground-etching and aquatint

Fred Campbell (1851–1930)

The reef.

(1920s)

Pamela Griffith (1943–)

The reef.

(1996)

hardground-etching and aquatint

Pamela Griffith (1943–)

The reef II.

(1997)

hardground-etching and aquatint

Artist: Long, Sydney. | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The reflected mill

(1919)

line-etching and aquatint

George Finey (1895–1987)

The Refugees.

Eveline Syme (1888–1961)

The Regatta.

(1932)

linocut

Victor Cobb (1876–1945)

The Registrar's Offce (University of Melbourne).

(1921)

etching

Arthur Streeton (1867–1943)

The Rehearsal - Original.

Richard Larter (1929–2014)

The rejected suite

(1993)

Robin Hill (1932–)

The Relationship.

F. Ernest Jackson (1872–1945)

The Release.

Artist: Counihan, Noel. | Title: The relieving priest. | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Noel Counihan (1913–1986)

The relieving priest.

(1981)

lithograph

Michael Kempson (1961–)

The religious revival.

(1982)

etching and aquatint