Browse: T

WORKS 4161 – 4180 of 7759 IMAGES ONLY

Murray Griffin (1903–1992)

The Post Office.

(c.1934)

linocut

Sydney Ure Smith (1887–1949)

The Post Office, from Wynyard Street.

Artist: Ham Brothers. | Title: The post office, Melbourne. | Date: 1851 | Technique: engraving, printed in black ink, from one copper plate

Ham Brothers. (1850–1851)

The post office, Melbourne.

(1851)

engraving

Herbert Rose (1890–1937)

The Post Office, Sydney.

etching

Dorrit Black (1891–1951)

The Pot Plant.

Artist: Black, Dorrit. | Title: The pot plant. | Date: 1933 | Technique: linocut, printed in colour, from six blocks (crimson, brown ochre, cobalt blue viridian, light brown-grey)

Dorrit Black (1891–1951)

The pot plant.

(1933)

linocut

Dorrit Black (1891–1951)

The Pot-plant.

Lionel Lindsay (1874–1961)

The Potter's Shop.

Eirene Mort (1879–1977)

The pottery.

(1920)

etching

Artist: Harris, Pamela. | Title: The powder room | Date: 1984 | Technique: photo-screenprint, printed in colour, from multiple screens

Pamela Harris (1946–1992)

The powder room

(1984)

photo-screenprint

Artist: Lane, Leonie. | Title: The Power Gallery Lecture '80: Kenneth Coutts-Smith, 'The state of the avant-garde'. | Date: 1980 | Technique: screenprint, printed in colour, from two stencils | Copyright: © Leonie Lane

Leonie Lane (1955–)

The Power Gallery Lecture '80: Kenneth Coutts-Smith, 'The state of the avant-garde'.

(1980)

screenprint

Artist: HANRAHAN, Barbara | Title: The power of example | Date: 1979 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The power of example

(1979)

etching

Christine Mccarthy (1952–)

The power of example

(1994)

linocut

Artist: VARIOUS | Title: The Power Survey of Contemporary Art 1972. National Gallery of Victoria, February 3ed to March 19th, 1972. | Date: 1972 | Technique: screenprint

VARIOUS

The Power Survey of Contemporary Art 1972. National Gallery of Victoria, February 3ed to March 19th, 1972.

(1972)

screenprint

Title: The Powerhouse youth theatre | Date: 1991 | Technique: screenprint, printed in colour, from nine stencils

The Powerhouse youth theatre

(1991)

screenprint

Edgar Ritchard (1908–1984)

The Pram.

Steve Cox (1958–)

The Pre-Raphaelite

(2005)

lithograph printed in colour

Title: The preacher | Date: 2001 | Technique: hardground etching, sugar-lift and aquatint, printed in colour, from two copper plates; inked a-la-poupee

The preacher

(2001)

hardground etching

W. John Hosking (1930–)

The preacher in the pulpit.

The predator

(2007)

etching and hand-colour