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WORKS 4041 – 4060 of 7748 IMAGES ONLY

Harold Byrne (1899–1966)

The Pilgrim (Dry Point).

Harold Byrne (1899–1966)

The Pilgrim dry point.

Christopher Coveny (1846–1941)

The Pilgrim Fathers ).

Artist: AMOR, Rick | Title: The pillar. | Date: 1991 | Technique: etching, printed in colour, from two plates

Rick Amor (1948–)

The pillar.

(1991)

etching

Anders Zorn (1860–1920)

The Pilot.

Elioth Gruner (1882–1939)

The Pines.

drypoint

Artist: Gruner, Elioth. | Title: The pines. | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The pines.

(1919)

drypoint

Artist: AMOR, Rick | Title: The pines Baxter. | Date: 1984 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The pines Baxter.

(1984)

woodcut

Charles Blackman (1928–2018)

The pink Alice.

screenprint

Patricia Wilson-Adams (1944–)

The pink hill.

(1974)

engraving

Artist: Jeffcoat, Kirsten. | Title: The Pink Palace | Date: 1983 | Technique: lithograph, printed in black ink, from one stone [or plate]

Kirsten Jeffcoat (1961–)

The Pink Palace

(1983)

lithograph

Artist: Davies, L. Roy. | Title: The Pioneer. | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

The Pioneer.

(1930)

wood-engraving

William Bustard (1894–1973)

The Pioneer (Pencil Drawing).

Artist: LINDSAY, Lionel | Title: The pipe of baccy | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pipe of baccy

(1924)

etching

James Flett (1906–1986)

The Pirate.

Will Mahoney (1905–1989)

The pitch.

Sidney Nolan (1917–1992)

The pitiless wastes.

photo-lithograph

Ethel Carrick (1872–1952)

The Place, St. Medard, Paris.

Yvonne Gooding (1926–)

The plain country.

(1979)

lithograph

Artist: Nixon, F.R. | Title: The plains from Glen Osmond Mine, Adelaide. | Date: 1845 | Technique: etching, printed in black ink, from one plate

F.R. Nixon (1817–1860)

The plains from Glen Osmond Mine, Adelaide.

(1845)

etching