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WORKS 3721 – 3740 of 7842 IMAGES ONLY
Artist: GRIFFITH, Pamela | Title: The noble horse | Date: 1981 | Technique: etching, soft ground, splatter printed in brown ink, from one magnesium plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The noble horse

(1981)

etching

Title: The Noh mask | Date: 1996 | Technique: linocut, printed in black ink, from one block

The Noh mask

(1996)

linocut

Ethel Spowers (1890–1947)

The Noisy Parrot.

(1926)

linocut

Artist: Gilbert, Kevin. | Title: The nomad | Date: 1967 | Technique: linocut, printed in black ink, from one block

Kevin Gilbert (1933–1993)

The nomad

(1967)

linocut

Lionel Lindsay (1874–1961)

The Nook, Berry's Bay.

etching

Artist: Boyd, Hermia. | Title: The noon has gone down. | Date: 1978 | Technique: etching and aquatint, printed in blue ink, from one plate

Hermia Boyd (1931–2000)

The noon has gone down.

(1978)

etching and aquatint

Jessie Traill (1881–1967)

The Noosa at Tewantin.

(1921 (exhibited))

Artist: Earle, Augustus. | Title: The North Head of Port Jackson, New South Wales. | Date: 10 August 1830 (imprint) | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Augustus Earle (1793–1838)

The North Head of Port Jackson, New South Wales.

(10 August 1830 (imprint))

lithograph

Artist: Earle, Augustus. | Title: The North Head of Port Jackson, New South Wales. | Date: 10 August 1830 (imprint) | Technique: lithograph, printed in black ink, from one stone; hand coloured

Augustus Earle (1793–1838)

The North Head of Port Jackson, New South Wales.

(10 August 1830 (imprint))

lithograph

Artist: Curtis, Robert Emerson. | Title: The North Shore approach. | Date: 1932 | Technique: lithograph, printed in black ink, from one plate

Robert Emerson Curtis (1898–1996)

The North Shore approach.

(1932)

lithograph

Cyril Dillon (1883–1974)

The North Tower, Wesley College.

(1922)

etching

Artist: Burdett, Frank. | Title: The North-West: Tasmania for your next holiday. | Date: 1950s | Technique: lithograph, printed in colour, from multiple stones | Copyright: © James Northfield Heritage Art Trust

Frank Burdett (1897–1971)

The North-West: Tasmania for your next holiday.

(1950s)

lithograph

Robert Emerson Curtis (1898–1996)

The Northern Approaches, Sydney Harbour Bridge.

John Goodchild (1898–1980)

The Northern Group.

Artist: GRIFFITH, Pamela | Title: The NSW Barracks | Date: 1981 | Technique: hardground-etching, aquatint and burnishing, printed in brown ink, from one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The NSW Barracks

(1981)

hardground-etching

Artist: Stejskal, Josef Lada. | Title: The NSW Theatre for the Death presents The unheard world of Jasper Lawson. Writted by Ingle Knight. Directed by Ian Watson. | Date: 1981 | Technique: screenprint

Josef Lada Stejskal (1945–)

The NSW Theatre for the Death presents The unheard world of Jasper Lawson. Writted by Ingle Knight. Directed by Ian Watson.

(1981)

screenprint

Artist: Stejskal, Josef Lada. | Title: The NSW Theatre for the Death presents Theodore. Writted by Ingle Knight. Directed by Ian Watson. | Date: 1981 | Technique: screenprint

Josef Lada Stejskal (1945–)

The NSW Theatre for the Death presents Theodore. Writted by Ingle Knight. Directed by Ian Watson.

(1981)

screenprint

Artist: Lovett, Mildred. | Title: The nude. | Date: 1932 | Technique: lithograph, printed in black ink, from one stone

Mildred Lovett (1880–1955)

The nude. | (Reclining nude - Dorothy Stoner).

(1932)

lithograph

William Strang (1859–1921)

The Nymph.

etching

Lionel Lindsay (1874–1961)

The Nymphs.