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WORKS 3521 – 3540 of 7759 IMAGES ONLY
Artist: Adams, Mae. | Title: The monoliths | Date: 1986 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Mae Adams. Licensed by VISCOPY, Australia

Mae Adams (1952–)

The monoliths

(1986)

lithograph

Artist: BOYD, Arthur | Title: The monster. | Date: 1970 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The monster.

(1970)

etching

Artist: Tulloch, David. | Title: The monster meeting [text] | Date: 1852 | Technique: letterpress, printed in black ink

David Tulloch (1829–1869)

The monster meeting [text]

(1852)

letterpress

Malcolm Helsby (1888–)

The Monument.

Len French (1928–2017)

The monument.

(1970)

screenprint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Band, David. | Title: The mood that passes through you | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you

(1996)

screenprint

Artist: Band, David. | Title: The mood that passes through you II | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you II

(1996)

screenprint

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moor's gate, Granada | The gate of the Moors

(1919)

etching

John Goodchild (1898–1980)

The mooring.

(1924)

Allan Glover (1900–1984)

The mooring post.

May Marsden (1876–1968)

The moorings, Berry's Bay.

etching

Artist: LINDSAY, Lionel | Title: The Moorish market, Granada | Date: 1926 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moorish market, Granada

(1926)

drypoint

W.P. Robins (1882–1959)

The Moorland farm.

etching

May Marsden (1876–1968)

The Mopoke.

etching

Artist: Boynes, Robert. | Title: The morals of money. | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Robert Boynes (1942–)

The morals of money.

(1974)

screenprint

Bim Hilder (1909–1990)

The Moreton Bay Fig pencil drawing.

Artist: Harding, Richard. | Title: The morning after the night before | Date: 1991 | Technique: etching, printed in black ink, from one plate

Richard Harding (1959–2025)

The morning after the night before

(1991)

etching