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WORKS 3481 – 3500 of 7750 IMAGES ONLY
Artist: GRIFFITH, Pamela | Title: The Mint, 1982 | Date: 1982 | Technique: hardground-etching, aquatint, and burnishing, printed in black ink, from one on one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Mint, 1982

(1982)

hardground-etching

Artist: MADDOCK, Bea | Title: The miracle | Date: 1964 | Technique: monotype, printed in oil paint, from one glass plate

Bea Maddock (1934–2016)

The miracle

(1964)

monotype

Diana Hughes (1960–)

The Miraculous Draft of Fishes.

Artist: Lanceley, Colin. | Title: The Miraculous Mandarin Suite. | Date: 1966 | Technique: screenprint, printed in black ink, from one stencil | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

The Miraculous Mandarin Suite.

(1966)

screenprint

Diana Hughes (1960–)

The Miroculons Draft of Fishes.

Artist: Flett, James. | Title: The mirror. | Date: c.1930 | Technique: linocut, printed in colour, from multiple blocks

James Flett (1906–1986)

The mirror.

(c.1930)

linocut

Artist: Blackman, Charles. | Title: The mirror. | Date: (1976) | Technique: etching, printed in black ink, from one plate

Charles Blackman (1928–2018)

The mirror.

((1976))

etching

Artist: BALDESSIN, George | Title: The mirror. | Date: 1965 | Technique: colour etching and aquatint printed in intaglio and in relief [the co applied to the plate...]

George Baldessin (1939–1978)

The mirror.

(1965)

colour etching and aquatint printed in intaglio and in relief [the co applied to the plate...]

Norman Lindsay (1879–1969)

The mirror.

(1920)

etching

Artist: Green, Mike. | Title: The mirror. | Date: 1989 | Technique: screenprint, printed in colour, from 15 stencils

Mike Green (1941–)

The mirror.

(1989)

screenprint

Artist: Dyson, Will. | Title: The misery of rest camps. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

The misery of rest camps.

(1918)

lithograph

A.H. Fullwood (1863–1930)

The Missenden Valley.

Artist: LINDSAY, Lionel | Title: The Mitchell Library, Sydney | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mitchell Library, Sydney

(1925)

drypoint

John Goodchild (1898–1980)

The Mitre Tavern, Melbourne.

A.H. Fullwood (1863–1930)

'The Mitre', Hampton Court .

Ailsa [1]. Allan (1899–1943)

The model.

Alan Douglas Baker (1914–1987)

The model.

Elaine E. Coghlan (1897–1989)

The model.

Normand H. Baker (1908–1955)

The model.

Mabel Pye (1894–1982)

The model...

(1933)