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WORKS 3441 – 3460 of 7750 IMAGES ONLY

J.E. Alphege Brewer (1881–1946)

The Meuse.

Title: The Mewstone, bearing S.E., as seen from the vessel between the rock and the land. | Date: 1831 | Technique: engraving, printed in black ink, from one copper plate

The Mewstone, bearing S.E., as seen from the vessel between the rock and the land.

(1831)

engraving

Vic O'Connor (1918–2010)

The midday Penrod, Paris.

(1980)

linocut

Ellis St John (1874–1949)

The Milking Shed.

etching

Raymond Wallis (1900–1983)

The Milking Shed.

etching

Raymond Wallis (1900–1983)

The Milking Shed.

etching

Ellis St John (1874–1949)

The Milking Shed.

Rover [Joolama]. Thomas (1926–1998)

The milky way

(Easter 1994)

etching and sugar-lift

Artist: Trenfield, Wells. | Title: The Milky Way on the Murray River | Date: 1982, June | Technique: lithograph, printed in colour from multiple stones

Wells Trenfield (1949–)

The Milky Way on the Murray River

(1982, June)

lithograph

Sydney Long (1871–1955)

The Mill.

John Goodchild (1898–1980)

The mill.

(c.1925)

woodcut

A.H. Fullwood (1863–1930)

The Mill.

F. Sidney Walker (1888–1972)

The Mill.

etching

William Hunter (1899–1963)

The Mill.

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mill Bridge, Bridgewater, South Australia

(1920)

etching

Artist: Garrett, Tom. | Title: (The mill by moonlight) | Date: 1930s | Technique: monotype, printed in colour

Tom Garrett (1879–1952)

(The mill by moonlight)

(1930s)

monotype

Sydney Long (1871–1955)

The Mill by the River.

(1930?)

line-etching

William Strang (1859–1921)

The Mill Ford.

Gayfield Shaw (1885–1961)

The Mill Hut, Menangle.

Fred Burridge (1869–1945)

The Mill in the Wirral.