Browse: T

WORKS 2501 – 2520 of 7750 IMAGES ONLY
Artist: Wood, Rex. | Title: The good samaritan. | Date: c.1934 | Technique: linocut, printed in black ink, from one block

Rex Wood (1908–1970)

The good samaritan.

(c.1934)

linocut

Artist: Henigan, Patrick. | Title: The good samaritan | Date: 1987 | Technique: lithograph, printed in black ink, from one stone

Patrick Henigan (1925–2018)

The good samaritan

(1987)

lithograph

Artist: Angas, George French. | Title: The Goolwa with part of Hindmarsh Island. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

The Goolwa with part of Hindmarsh Island. | The Golwa [sic] with part of Hindmarsh Island

(1846-47)

lithograph

George French Angas (1822–1886)

The Goolwa with part of Hindmarsh Island. | The Golwa [sic] with part of Hindmarsh Island

(1846-47)

lithograph

Henri Van Raalte (1881–1929)

The gorge, sunrise (Yankalilla).

(1923)

drypoint

Guy Warren (1921–2024)

The gossip tree

(1999, June)

linocut

John Shirlow (1869–1936)

The gothic spire.

John Shirlow (1869–1936)

The Gothic Spire.

D.G. Reid (1862–1933)

The Gothic Spire.

etching

Artist: Shirlow, John. | Title: The Gothic Spire in Collins Street. An evening effect. | Date: 1915 | Technique: etching, printed in warm black ink with plate-tone, from one copper plate

John Shirlow (1869–1936)

The Gothic Spire in Collins Street. An evening effect.

(1915)

etching

John Shirlow (1869–1936)

The Gothic Spire, Scots Church.

Artist: ARNOLD, Raymond | Title: The gothic, perversity and its pleasure, Chameleon Gallery, Hobart. | Date: 1987 | Technique: screenprint, printed in colour, from four stencils

Raymond Arnold (1950–)

The gothic, perversity and its pleasure, Chameleon Gallery, Hobart.

(1987)

screenprint

Kenneth Jack (1924–2006)

The Goulburn River

(1960)

lithograph

Artist: Speirs, Andrew. | Title: The Government is growing, Sunshine State | Date: (1978-81?) | Technique: offset-lithograph, printed in colour, from multiple plates

Andrew Speirs (1957–)

The Government is growing, Sunshine State

((1978-81?))

offset-lithograph

Title: The government offices, Melbourne. | Date: 1845 | Technique: lithograph, printed in black ink, from one stone

The government offices, Melbourne.

(1845)

lithograph

Artist: Nicholas, William. | Title: The Governor (Sir Charles Augustus Fitzroy). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The Governor (Sir Charles Augustus Fitzroy).

(1847)

pen-lithograph

Artist: GRIFFITH, Pamela | Title: The Governor's Stables | Date: 1982 | Technique: hardground-etching, aquatint and burnishing, printed in black ink, from one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Governor's Stables

(1982)

hardground-etching

Frank E. Johnstone (1903–)

The Grace Tower, Sydney.

Artist: Northfield, James. | Title: The Grampians | Date: (1930-39) | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © James Northfield Heritage Art Trust

James Northfield (1887–1973)

The Grampians

((1930-39))

lithograph

Allan Glover (1900–1984)

The Grampians at Dunkeld.