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WORKS 2381 – 2400 of 7759 IMAGES ONLY

Muriel Cornish (1893–1945)

The Furnace House.

The future surrounds us now.

(1999)

spit bite etching and stencilling

Artist: Giblin, Caryn. | Title: The future surrounds us now | Date: 1999, October | Technique: spit bite etching and stencilling, printed in colour, from multiple plates; hand-colouring

Caryn Giblin (1999–)

The future surrounds us now

(1999, October)

spit bite etching and stencilling

Artist: Giblin, Caryn. | Title: The future surrounds us now | Date: 1999 | Technique: spit bite etching and stencilling, printed in colour, from multiple plates; hand-colouring

Caryn Giblin (1999–)

The future surrounds us now

(1999)

spit bite etching and stencilling

John Goodchild (1898–1980)

The G.P.O., Adelaide.

A.H. Fullwood (1863–1930)

The G.P.O., Sydney (proof from the London Graphic, March 18, 1893).

Ben Taylor (1960–)

The Gallery [Nolan, Tucker, de Kooning, and others]

etching

Artist: Angas, George French. | Title: The galop for gold. Dedicated to everybody. [Sheet music cover] | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

George French Angas (1822–1886)

The galop for gold. Dedicated to everybody. [Sheet music cover] | The galop [sic] for gold [sheet music cover]

(1852)

lithograph

J. Ward (1920–)

The Gamblers.

etching

Ian Armstrong (1923–2005)

The game.

Artist: Shearer, Mitzi. | Title: The Game | Date: 1978 | Technique: linocut, printed in black ink, from one block

Mitzi Shearer (1909–1995)

The Game

(1978)

linocut

Artist: Allen, Joyce. | Title: The game. | Date: 1985 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The game.

(1985)

linocut

Artist: Proctor, Thea. | Title: The game | Date: 1926 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The game

(1926)

woodcut

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

James Crisp (1879–1962)

The gander.

(1924)

etching

Artist: Taylor, John H. | Title: The gander | Date: 1952 | Technique: linocut, printed in colour as monotype, from one block

John H. Taylor (1921–)

The gander

(1952)

linocut

Jessie Traill (1881–1967)

The Gap in the Trees.

Artist: MEYER, Bill | Title: The Gap sings wordlessly | Date: 1981 | Technique: screenprint, printed in black, green and grey ink, from six stencils (photo-indirect) | Copyright: © Bill Meyer

Bill Meyer (1942–)

The Gap sings wordlessly

(1981)

screenprint

Henri Van Raalte (1881–1929)

The gap thro' the trees. | The gap.

(1920)

F.C. Terry (1825–1869)

The Gap, South Head. | Australian Keepsake 1855

(1855)

engraving

Edmund Thomas (1827–1867)

The Gap, South Head [lithograph by Edmund Thomas].

(29 September 1857 [first noted])