Browse: T

WORKS 1141 – 1160 of 4128 IMAGES ONLY
Artist: Lightbody, Graham. | Title: The end of environment protection in five acts | Date: 1978 | Technique: screenprint, printed in colour, from two stencils | Copyright: Courtesy Graham Lightbody

Graham Lightbody (1979–)

The end of environment protection in five acts

(1978)

screenprint

Artist: Caffin, Neil. | Title: The end of summer. | Date: 1976 | Technique: etching, printed in red ink, from one plate; hand-coloured

Neil Caffin (1915–2005)

The end of summer.

(1976)

etching

Artist: McDonald, Robyn. | Title: The end of the Joh era. | Date: 1987 | Technique: screenprint, printed in colour, from five stencils

Robyn Mcdonald (1958–)

The end of the Joh era.

(1987)

screenprint

Artist: HANRAHAN, Barbara | Title: The engagement | Date: 1979 | Technique: relief-etching, printed in colour with plate-tone, from two plates

Barbara Hanrahan (1939–1991)

The engagement

(1979)

relief-etching

Artist: WILLIAMS, Fred | Title: The engagement ring. Number 1 | Date: 1955-56 | Technique: etching, deep etch and aquatint, printed in black ink, from one brass plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The engagement ring. Number 1

(1955-56)

etching

Artist: WILLIAMS, Fred | Title: The engagement ring. Number 2 | Date: 1955-56 | Technique: etching and aquatint, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The engagement ring. Number 2

(1955-56)

etching and aquatint

Artist: WILLIAMS, Fred | Title: The engagement ring. Number 2 | Date: 1955-56 | Technique: etching, aquatint, printed in black ink with plate-tone, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The engagement ring. Number 2

(1955-56)

etching

Artist: Wienholt, Anne. | Title: The English child | Date: 1947 | Technique: engraving, etching and aquatint, printed in black ink, from one copper plate

Anne Wienholt (1920–2018)

The English child

(1947)

engraving

Artist: Black, Dorrit. | Title: The eruption. | Date: c.1929 | Technique: linocut, printed in colour, from four blocks (black, blue, green, red)

Dorrit Black (1891–1951)

The eruption.

(c.1929)

linocut

Artist: Gough, Craig. | Title: The Esplanade - St Kilda | Date: 1997 | Technique: linocut, printed in black ink, from one block

Craig Gough (1938–)

The Esplanade - St Kilda

(1997)

linocut

Artist: GOODCHILD, John | Title: The estuary | Date: c.1925 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

The estuary

(c.1925)

etching

Artist: Rayner, Henry. | Title: The eternal stream | Date: 1938 | Technique: etching, printed in black ink, from one plate

Henry Rayner (1902–1957)

The eternal stream

(1938)

etching

Title: The Eucumbene suite - title page | Date: 1987 | Technique: letterpress text

The Eucumbene suite - title page

(1987)

letterpress text

Artist: Boulanger, Edouard Desiree. | Title: The European march. [view of Sydney Heads and harbour.] | Date: (1857) | Technique: lithograph, printed in black ink, from one stone

Edouard Desiree Boulanger (1829–)

The European march. [view of Sydney Heads and harbour.]

((1857))

lithograph

Artist: Buckley, Sue. | Title: The evening shades prevail. | Date: 1966 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

The evening shades prevail.

(1966)

lithograph

Artist: TIPPING, Richard | Title: The Everlasting Stone, Adelaide Festival Centre Gallery. | Date: 1978

Richard Tipping (1949–)

The Everlasting Stone, Adelaide Festival Centre Gallery.

(1978)

Artist: Deeaggadditt Phillips, Dennis. | Title: The evil man | Date: 1986 | Technique: linocut, printed in black ink, from one block

Dennis Deeaggadditt Phillips (1959–)

The evil man

(1986)

linocut

Artist: Bowen, Dean. | Title: The excavator | Date: 1989 | Technique: etching, printed in red ink, from one plate

Dean Bowen (1957–)

The excavator

(1989)

etching

Artist: The Sydney Mail | Title: The Exchange, Sydney. Bridge and Gresham Streets. | Date: 3 November 1877 (Advertisment) | Technique: chalk-lithograph, printed in black ink, from one stone

The Sydney Mail (1860–1838)

The Exchange, Sydney. Bridge and Gresham Streets.

(3 November 1877 (Advertisment))

chalk-lithograph

Title: The Exchange, Sydney. Bridge and Gresham Streets | Date: c.1880s | Technique: lithograph, printed in black ink, from one stone [or plate]

The Exchange, Sydney. Bridge and Gresham Streets

(c.1880s)

lithograph