Browse: T

WORKS 881 – 900 of 4115 IMAGES ONLY
Artist: Counihan, Noel. | Title: The chopper and the child. | Date: 1967, October | Technique: linocut, printed in black ink, from one block

Noel Counihan (1913–1986)

The chopper and the child.

(1967, October)

linocut

Artist: Olsen, John. | Title: The Christ bird arrives | Date: 1975 | Technique: sugarlift etching, engraving and aquatint, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

The Christ bird arrives

(1975)

sugarlift etching

Artist: Carmichael, John. | Title: The christening party | Date: 1847 | Technique: etching, printed in black ink, from one plate

John Carmichael (1811–1857)

The christening party

(1847)

etching

Artist: Coveny, Christopher. | Title: The Chuzzlewit family at the Blue Dragon. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The Chuzzlewit family at the Blue Dragon.

(1882)

etching

Artist: Wallace-Crabbe, Kenneth. | Title: The Cimbri bull. | Date: 1968 | Technique: wood-engravings, lineblocks, letterpress, printed in black ink | Copyright: Courtesy the estate of Kenneth Wallace-Crabbe

Kenneth Wallace-Crabbe (1900–1984)

The Cimbri bull.

(1968)

wood-engravings

Artist: REDBACK GRAPHIX | Title: The circus of tomorrow. | Date: 1985 | Technique: screenprint, printed in colour, from five stencils

REDBACK GRAPHIX (1980–1994)

The circus of tomorrow. | The Flying Fruit Fly Circus

(1985)

screenprint

Artist: AMOR, Rick | Title: The city. | Date: 1991 | Technique: woodcut, printed in colour, from four blocks

Rick Amor (1948–)

The city.

(1991)

woodcut

Artist: Nixon, F.R. | Title: The city mill, S.view. | Date: 1845 | Technique: etching, printed in black ink, from one plate

F.R. Nixon (1817–1860)

The city mill, S.view.

(1845)

etching

Artist: Angas, George French. | Title: The city of Adelaide from the Torrens near the reed beds. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

The city of Adelaide from the Torrens near the reed beds.

(1846-47)

lithograph

Artist: Prout, John Skinner | Title: The city of Sydney, N.S.W. from behind Lavender's Bay, North Shore. | Date: 1844 | Technique: lithograph, printed in colour inks, from two stones (black image, light buff tint); additional hand-colouring in watercolour and body colour

John Skinner Prout (1805–1876)

The city of Sydney, N.S.W. from behind Lavender's Bay, North Shore. | Panorama of Sydney, from the Government Paddock, Parramatta

(1844)

lithograph

Artist: Nicholas, William. | Title: The city rate collector (John Rowley). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The city rate collector (John Rowley).

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The city rate collector (John Rowley) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The city rate collector (John Rowley)

(1847)

pen-lithograph

Artist: Syme, Eveline | Title: The city skyline | Date: about 1928 | Technique: linocut, printed in colour inks, from five blocks (pink yellow, light blue, cobalt green, burnt Sienna, black)

Eveline Syme (1888–1961)

The city skyline

(about 1928)

linocut

Artist: Gill, S.T. | Title: The city terminus of the M. & H.B railway company. | Date: 1855-56 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The city terminus of the M. & H.B railway company.

(1855-56)

lithograph

Title: The claim disputed. | Date: c. 1889 | Technique: lithograph, printed in colour, from two stones (black and buff); additional hand-colouring

The claim disputed.

(c. 1889)

lithograph

Artist: Gill, S.T. | Title: The claim disputed. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The claim disputed.

(1852)

lithograph

Artist: Grieve, Robert. | Title: (The clarinet player) | Date: 1958 | Technique: lithograph, printed in blue/black ink, from one stone

Robert Grieve (1924–2006)

(The clarinet player)

(1958)

lithograph

Artist: Ashton, Julian. | Title: The class room. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

Julian Ashton (1851–1942)

The class room.

(1893)

etching

Artist: Dickerson, Robert. | Title: The client | Date: 1990 | Technique: lithograph, printed in black ink, from one stone [or plate]

Robert Dickerson (1924–2015)

The client

(1990)

lithograph

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint