Browse: T

WORKS 2521 – 2540 of 4116 IMAGES ONLY
Artist: SELLBACH, Udo | Title: The target is man (to ignore) | Date: 1965-66 | Technique: etching and aquatint, printed in black ink, from one plate

Udo Sellbach (1927–2006)

The target is man (to ignore)

(1965-66)

etching and aquatint

Artist: SELLBACH, Udo | Title: The Target is man (to use) | Technique: etching and aquatint, printed in black ink, from one plate

Udo Sellbach (1927–2006)

The Target is man (to use)

etching and aquatint

Title: The Tasmanian tiger. Thylacinus Cynocephalus | Date: 1869 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

The Tasmanian tiger. Thylacinus Cynocephalus

(1869)

lithograph

Artist: BALDESSIN, George | Title: The tea cup. | Date: 1967 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

The tea cup.

(1967)

etching and aquatint

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

The teamster.

(1923)

etching and rocker

Artist: LINDSAY, Lionel | Title: The teamsters | Date: 1923 | Technique: roulette and aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The teamsters

(1923)

roulette and aquatint

Artist: Debenham, Pam. | Title: The Teenage Roadshow presents Azman and the Azmatix. Light show and disco, live rock 'n' roll. | Date: 1983 | Technique: screenprint, printed in colour, from three stencils

Pam Debenham (1955–)

The Teenage Roadshow presents Azman and the Azmatix. Light show and disco, live rock 'n' roll.

(1983)

screenprint

Title: The teeth and underjaw of the platypus. | Date: 1835 | Technique: engraving, printed in blue/black ink, from one copper plate

The teeth and underjaw of the platypus.

(1835)

engraving

Artist: Gittoes, George. | Title: The telephone. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The telephone.

(1971)

etching

Artist: AMOR, Rick | Title: The telephones. | Date: 1995 | Technique: etching, printed in black ink, from one plate

Rick Amor (1948–)

The telephones.

(1995)

etching

Title: The tempest | Date: 1992 | Technique: screenprint, printed in colour, from five stencils

The tempest

(1992)

screenprint

Title: The temple of the winds at Athens / The system of the winds according to Aristotle. | Date: 1843 | Technique: lithograph, printed in black ink, from one stone

The temple of the winds at Athens / The system of the winds according to Aristotle.

(1843)

lithograph

Artist: Coventry, Frederick. | Title: The temporary stairway. | Date: 1929-30 | Technique: engraving, printed in black ink, from one copper plate

Frederick Coventry (1905–1997)

The temporary stairway.

(1929-30)

engraving

Artist: Shead, Garry. | Title: The temptress | Date: c. 1984 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The temptress

(c. 1984)

etching and aquatint

Artist: Mather, John. | Title: The terrace | Date: 1910 | Technique: etching, printed in green ink with plate-tone, from one plate

John Mather (1848–1916)

The terrace

(1910)

etching

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The terrace by the sea

(1921)

aquatint and burnishing

Artist: Bell, George.. | Title: (The Thames). | Date: c.1912 | Technique: etching, printed in black ink, from one plate

George.. Bell (1878–1966)

(The Thames).

(c.1912)

etching

Artist: Bell, George.. | Title: (The Thames). | Date: c.1912 | Technique: etching, printed in black ink with plate-tone, from one plate

George.. Bell (1878–1966)

(The Thames).

(c.1912)

etching

Artist: Long, Sydney. | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Thames from Waterloo Bridge

((1919))

line-etching

Artist: Owen, Gladys. | Title: The thatched barns | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The thatched barns

(1932 (exhibited))

wood-engraving