Browse: T

WORKS 2181 – 2200 of 4116 IMAGES ONLY
Artist: Cant, James. | Title: The reptile | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate

James Cant (1911–1982)

The reptile

(1948)

cliche-verre

Artist: Cant, James. | Title: The reptile. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one paper plate

James Cant (1911–1982)

The reptile.

(1948)

cliche-verre

Artist: STONE, T.M. (Bauxhau) | Title: The Republic | Date: 1986 | Technique: aquatint, etching printed in black ink, from one plate

T.M. (Bauxhau) Stone

The Republic

(1986)

aquatint

Artist: EWINS, Rod | Title: The Residence.. | Date: 1983 | Technique: screenprint

Rod Ewins (1940–)

The Residence..

(1983)

screenprint

Artist: EWINS, Rod | Title: The Residence (The Residence I). | Date: 1983, January | Technique: photo-etching and aquatint, printed in black ink, from one plate

Rod Ewins (1940–)

The Residence (The Residence I).

(1983, January)

photo-etching and aquatint

Artist: Lycett, Joseph. | Title: The residence of Edward Riley Esq., Woolloomooloo, near Sydney, N.S.W. | Date: 1 June 1825 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The residence of Edward Riley Esq., Woolloomooloo, near Sydney, N.S.W.

(1 June 1825 (imprint))

etching

Artist: Lycett, Joseph. | Title: The residence of John McArthur [sic] Esq. near Parramatta, New South Wales. | Date: 1 April 1825 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The residence of John McArthur [sic] Esq. near Parramatta, New South Wales.

(1 April 1825 (imprint))

etching

Title: The residence of W. Wilson esq. J.P. | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

The residence of W. Wilson esq. J.P.

(1834)

lithograph

Artist: Werner, Baynard. | Title: The rest is silence | Date: 1976 | Technique: screenprint, printed in colour, from multiple stencils

Baynard Werner (1930–1984)

The rest is silence

(1976)

screenprint

Artist: MUSEUM CURATORS CLASS | Title: The restoration of the 'Deposition from the Cross' by Raphael. A photographic exhibition. | Date: 1976 | Technique: screenprint, printed in purple ink, from one stencil

MUSEUM CURATORS CLASS

The restoration of the 'Deposition from the Cross' by Raphael. A photographic exhibition.

(1976)

screenprint

Artist: MUSEUM CURATORS CLASS | Title: The restoration of the 'Deposition from the Cross' by Raphael. A photographic exhibition. | Date: 1976 | Technique: screenprint, printed in purple ink, from one stencil

MUSEUM CURATORS CLASS

The restoration of the 'Deposition from the Cross' by Raphael. A photographic exhibition.

(1976)

screenprint

Artist: GRIFFITH, Pamela | Title: The restored Mint | Date: 1982 | Technique: hard ground, aquatint, spray resist, burnishing, on one zinc | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The restored Mint

(1982)

hard ground

Artist: Stewart, Jeff. | Title: The Retch -The Boreroom St.Kilda. | Date: 1980 | Technique: screenprint, printed in black ink, from one stencil

Jeff Stewart (1950–)

The Retch -The Boreroom St.Kilda.

(1980)

screenprint

Artist: White, Susan Dorothea. | Title: The retired mechanic | Date: 1978 | Technique: lithograph, printed in colour, from one stone

Susan Dorothea White (1941–)

The retired mechanic

(1978)

lithograph

Artist: SIDMAN, William | Title: The retriever with pheasant | Date: 1912, October | Technique: etching, printed in black ink with plate-tone, from one copper plate

William Sidman (1847–1918)

The retriever with pheasant

(1912, October)

etching

Artist: Penso, Gianna | Title: The return | Date: 1986 | Technique: screenprint, printed in colour, from multiple stencils

Gianna Penso (1986–)

The return

(1986)

screenprint

Artist: LINDSAY, Lionel | Title: The return | Date: c.1950 | Technique: mezzotint and etching, in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The return

(c.1950)

mezzotint and etching

Artist: Daws, Lawrence. | Title: The return of R.K.[Rudy Komon] to Sydney after a long absence. | Date: 1978 | Technique: aquatint and etching, printed in black ink, from one plate | Copyright: © Lawrence Daws

Lawrence Daws (1927–2025)

The return of R.K.[Rudy Komon] to Sydney after a long absence.

(1978)

aquatint and etching

Artist: AMOR, Rick | Title: The returning storm. | Date: 1999 | Technique: etching, printed in black ink with plate-tone, from one plate

Rick Amor (1948–)

The returning storm.

(1999)

etching

Artist: Edwards, Annette. | Title: The reunion | Date: 1984 | Technique: lithograph, printed in black ink, from one stone

Annette Edwards (1948–2009)

The reunion

(1984)

lithograph