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WORKS 3841 – 3860 of 4679 IMAGES ONLY
Artist: Senbergs, Jan. | Title: Study for 'Inside a machine' [2]. | Date: 1963, July | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–2024)

Study for 'Inside a machine' [2].

(1963, July)

screenprint

Artist: Senbergs, Jan. | Title: Study for 'Inside a machine' [3]. | Date: 1963 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–2024)

Study for 'Inside a machine' [3].

(1963)

screenprint

Artist: Platt, Austin. | Title: Study for aquatint | Date: 1978 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Study for aquatint

(1978)

etching

Artist: Robinson, Sally. | Title: (Study for beach scene) | Date: 1976 | Technique: photo-screenprint, printed in brown ink, from one stencil | Copyright: Represented by Robin Gibson, Sydney, AGOG in Canberra & Editions Gallery, Melbourne

Sally Robinson (1952–)

(Study for beach scene)

(1976)

photo-screenprint

Artist: WICKS, Arthur | Title: Study for blue scream | Date: 1967 | Technique: photo-etching, printed in black ink, from one plate

Arthur Wicks (1937–)

Study for blue scream

(1967)

photo-etching

Jan Senbergs (1939–2024)

Study for builders.

(1963)

screenprint

Cedric Emanuel (1906–1995)

Study for etching.

pen drawing

James Crisp (1879–1962)

Study for etching.

pencil drawing

Cedric Emanuel (1906–1995)

Study for etching.

pen and ink

John Barclay Godson (1882–1957)

Study for etching.

pencil drawing

John Barclay Godson (1882–1957)

Study for etching [pencil drawing].

pencil drawing

Artist: MEYER, Bill | Title: Study for Holcombe Forest | Date: 1988 | Technique: screenprint, printed in six colours, from one direct emulsion reduction screen and one hand drawn with charcoal on acetate for indirect photo screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

Study for Holcombe Forest

(1988)

screenprint

Artist: WICKS, Arthur | Title: Study for homage to the bullet | Date: 1967 | Technique: line-engraving, printed in black ink, from one copper plate

Arthur Wicks (1937–)

Study for homage to the bullet

(1967)

line-engraving

Artist: Rose, David. | Title: Study for large mulberry tree vase | Date: 1980 | Technique: etching and aquatint, printed in black ink, from one plate

David Rose (1936–2006)

Study for large mulberry tree vase

(1980)

etching and aquatint

Artist: Tritton-Young, Maxienne. | Title: Study for Leda and the swan | Date: 1986 | Technique: lithograph, printed in black ink, from one stone

Maxienne Tritton-Young (1948–)

Study for Leda and the swan

(1986)

lithograph

Geoff Hogg (1950–)

Study for office north wall mural and security area west wall mural

((1980-81))

Artist: EWINS, Rod | Title: Study for painting. | Date: 1967 | Technique: screenprint

Rod Ewins (1940–)

Study for painting.

(1967)

screenprint

Artist: Larwill, David. | Title: Study for Rigoletto | Date: 1989 | Technique: lithograph, printed in black ink, from one stone

David Larwill (1956–2011)

Study for Rigoletto

(1989)

lithograph

Adelaide Perry (1891–1973)

Study for the linocut "The Bridge"

((1929))

ink and brush

Geoff Hogg (1950–)

Study for unidentified wall of the mural [gumnuts and gumleaves, two birds and lizard]

((1980-81))