Browse: P

WORKS 921 – 940 of 2992 IMAGES ONLY

Henri Van Raalte (1881–1929)

Perth Town Hall.

(1916)

etching

Henri Van Raalte (1881–1929)

Perth Town Hall, Morning.

(1918)

Title: Perth, the capital of Western Australia | Date: 1840-49 | Technique: engraving, printed in black ink, from one stone; hand-coloured

Perth, the capital of Western Australia

(1840-49)

engraving

Title: Perth, Western Australia, from Mount Eliza | Date: 1856 | Technique: wood-engraving, printed in black ink, from one block; hand-coloured

Perth, Western Australia, from Mount Eliza

(1856)

wood-engraving

Will Ashton (1881–1963)

Perugia.

Artist: MEYER, Bill | Title: Perusha. | Date: 1979-1983 | Technique: photo-etching and drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Perusha.

(1979-1983)

photo-etching and drypoint

Artist: MEYER, Bill | Title: Perusha | Date: 1979-83 | Technique: etching, aquatint and drypoint, printed in black ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Perusha

(1979-83)

etching

Artist: MACQUEEN, Mary | Title: Peter | Date: 1957 | Technique: lithograph, printed in ochre ink, from one plate | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

Peter

(1957)

lithograph

Artist: MACQUEEN, Mary | Title: Peter | Date: c.1960 | Technique: drypoint, printed in black ink with plate-tone, from one aluminium plate | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

Peter

(c.1960)

drypoint

Artist: Hood, Cherry | Title: Peter. | Date: 2002 | Technique: etching and spit-bite aquatint, printed in colour, from three plates

Cherry Hood

Peter.

(2002)

etching and spit-bite aquatint

Walter George Mason (1820–1866)

Peter 'Possum's portfolio

(1858)

wood-engravings

Artist: Mason, Walter George. | Title: Peter 'Possum's portfolio | Date: 1858 | Technique: wood-engraving, printed in black ink, from one block

Walter George Mason (1820–1866)

Peter 'Possum's portfolio

(1858)

wood-engraving

Artist: Randell, Fleur. | Title: Peter and flowers | Date: 1993 | Technique: woodblock, printed in black ink, from one block

Fleur Randell (1984–)

Peter and flowers

(1993)

woodblock

Artist: HANRAHAN, Barbara | Title: Peter and the seven deadly sins | Date: 1965 | Technique: linocut, printed in colour, from two blocks

Barbara Hanrahan (1939–1991)

Peter and the seven deadly sins

(1965)

linocut

Artist: WENBAN, Raymond | Title: Peter Lalor. | Date: 1954 | Technique: screenprint, printed in black ink, from one screen

Raymond Wenban (1893–1990)

Peter Lalor.

(1954)

screenprint

Artist: AMOR, Rick | Title: Peter Levi Oxford Professor of Poetry. | Date: 1990 | Technique: woodcut, printed in black and grey ink, from two blocks

Rick Amor (1948–)

Peter Levi Oxford Professor of Poetry.

(1990)

woodcut

Artist: AMOR, Rick | Title: Peter Levi Oxford Professor of poetry reading. | Date: 1987 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

Peter Levi Oxford Professor of poetry reading.

(1987)

woodcut

Artist: Miller, Lewis. | Title: Peter Martin | Date: 1994 | Technique: etching, hardground, softground, printed in black ink with plate-tone, from one plate | Copyright: © Lewis Miller. Licensed by VISCOPY, Australia

Lewis Miller (1959–)

Peter Martin

(1994)

etching

Artist: Olsen, John. | Title: Peter Mathers in Carlton | Date: 1973 | Technique: lithograph, printed in colour, from two stones | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Peter Mathers in Carlton

(1973)

lithograph

Artist: Olsen, John. | Title: Peter O'Shaunnessy | Date: 1968 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Peter O'Shaunnessy

(1968)

etching and drypoint