Browse: P

WORKS 2781 – 2800 of 2980 IMAGES ONLY
Title: Prospecting | Date: 1865 | Technique: lithograph, printed in colour, from multiple stones

Prospecting

(1865)

lithograph

Title: Prospecting for gold. | Date: c.1865 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Prospecting for gold.

(c.1865)

lithograph

Reginald Russom (1877–1952)

Prospectors.

Lionel Lindsay (1874–1961)

Prospectors

(1938)

drypoint

Artist: RUSSOM, Reg | Title: Prospectors | Date: c.1937 | Technique: etching, printed in brown ink, from one plate

Reg Russom (1877–1952)

Prospectors

(c.1937)

etching

Artist: Adams, Tate. | Title: Prospectus for The Soul Cages. | Date: 1958 | Technique: wood-engraving and letterpress

Tate Adams (1922–2018)

Prospectus for "The Soul Cages".

(1958)

wood-engraving and letterpress

Artist: Adams, Tate. | Title: Prospectus for The Soul Cages. | Date: 1958 | Technique: wood-engraving and letterpress printed in black ink (from one block)

Tate Adams (1922–2018)

Prospectus for "The Soul Cages".

(1958)

wood-engraving and letterpress printed in black ink (from one block)

Title: Prospectus for 'The great breath' | Date: c.1932 | Technique: linocut, printed in black ink, from one block

Prospectus for 'The great breath'

(c.1932)

linocut

Prospectus for Art - Being, Notebook One, Sydney.

Artist: Coleman, Constance. | Title: Prospectus for Bellbirds and other poems. | Date: 1982 | Technique: linocut, printed in black ink, from one block

Constance Coleman (1903–1990)

Prospectus for Bellbirds and other poems.

(1982)

linocut

Artist: Annand, Douglas. | Title: Prospectus. Sydney, Australian Limited Editions Society, 1936. | Date: 1936 | Technique: wood-engraving, printed in colour, from multiple blocks; letterpress text | Copyright: Courtesy the Estate of Adrian Feint

Douglas Annand (1903–1976)

Prospectus. Sydney, Australian Limited Editions Society, 1936.

(1936)

wood-engraving

John Goodchild (1898–1980)

Prosperity.

etching

Title: Prostitution is the rental of the body, marriage is the sale! | Date: 1979-80 | Technique: screenprint, printed in colour, from five stencils

Prostitution is the rental of the body, marriage is the sale!

(1979-80)

screenprint

Artist: Preston, Margaret. | Title: Protea | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Protea | Waratahs

(1925)

woodcut

Artist: Money, John. | Title: Proteas | Date: 1995, October | Technique: lithograph, printed in black ink, from one stone

John Money (1953–)

Proteas

(1995, October)

lithograph

Artist: Irvine, Greg. | Title: Proteas. | Date: 1988 | Technique: screenprint, printed in colour, from 17 stencils

Greg Irvine (1946–)

Proteas.

(1988)

screenprint

Artist: Robertson, Toni. | Title: Protect and survive | Date: 1981 | Technique: screenprint, printed in colour, from four hand-cut and three photo-stencils | Copyright: © Toni Robertson

Toni Robertson (1953–)

Protect and survive

(1981)

screenprint

Artist: Robertson, Toni. | Title: Protect and survive | Date: 1981 | Technique: screenprint, printed in colour, from four hand-cut and three photo-stencils

Toni Robertson (1953–)

Protect and survive

(1981)

screenprint

Artist: MEYER, Bill | Title: Protect the remnant | Date: 1992 | Technique: etching, printed in colour a la poupée, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Protect the remnant

(1992)

etching

Artist: UNKNOWN | Title: Protect wildlife (use a condom) | Date: 1988 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

Protect wildlife (use a condom)

(1988)

screenprint