Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: M

WORKS 21 – 40 of 1600 IMAGES ONLY

Sort By:

Results per page:

Artist: Charsley, Fanny Anne. | Title: Macdonaldia antennifera, diuris elongata, diuris oculata, glossodia major, caladenia alata, utricularia lilacina and caladenia pulcherrima. | Date: 1867 | Technique: lithograph, printed in black ink, from one stone; handcoloured

Artist: Sumner, Alan. | Title: Macedon church | Date: 1947 | Technique: screenprint, printed in colour, from five stencils

Artist: Jack, Kenneth. | Title: Macedonia House, Lancefield | Date: 1954 | Technique: linocut, printed in black ink, from one block | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Artist: MEYER, Bill | Title: Machines | Date: 1969 | Technique: linocut, printed in four colours, by reduction block process | Copyright: © Bill Meyer

Artist: MEYER, Bill | Title: Machines | Date: 1969 | Technique: linocut, printed in two colours, by reduction block process | Copyright: © Bill Meyer

Artist: GRIFFITH, Pamela | Title: Macquarie Obelisk | Date: 1982 | Technique: hardground-etching and aquatint, printed in brown ink, from one zinc plate | Copyright: © Pamela Griffith

Artist: FULLWOOD, A.H. | Title: Macquarie Place, Sydney. | Date: c.1923 | Technique: etching, printed in blue/black ink with plate-tone, from one plate

Artist: PRESTON, Margaret | Title: Macquarie Street | Date: c.1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: Atkinson, Charles. | Title: Macquarie street. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Artist: Rooney, Elizabeth. | Title: Macquarie Street 1988 | Date: 1988-89 | Technique: etching, printed in black ink, from one plate

Artist: Sherwood, Maud. | Title: Macquarie Street from the Gardens. | Date: 1934 | Technique: wood-engraving, printed in black ink, from one block

Artist: HALL, Fiona | Title: Macranga peltata (Indian currency) | Date: 2000 - 2002 | Technique: gouache | Copyright: © Fiona Hall

Artist: Haxton, Elaine | Title: Maculata | Date: 1967 | Technique: open-bite etching and aquatint, printed in blue ink, from one plate

Artist: Soeterboek, Will. | Title: Mad African Wax disco. | Date: 1983-84 | Technique: screenprint, printed in colour, from four stencils

Artist: Cummings, Elizabeth. | Title: Mad hatters tea party. | Date: 2005 | Technique: etching, aquatint and scraping, printed in colour, from four plates

Artist: Morgan, Glenn. | Title: Mad man attempting suicide [1]. | Date: 1980 | Technique: etching and aquatint, printed in black ink, from one plate

Artist: Morgan, Glenn. | Title: Mad man attempting suicide [2]. | Date: 1989 | Technique: lithograph

Artist: WILLIAMS, Fred | Title: Mad pianist | Date: 1955-56 | Technique: etching and engraving, printed in black ink, from one copper plate | Copyright: © Fred Williams Estate

Artist: Optic. | Title: Mad Prof. | Date: 2004 | Technique: stencil, printed in black ink, from one stencil

Artist: BOYD, Arthur | Title: Mad woman. | Date: 1970 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login