Browse: H

WORKS 1041 – 1060 of 1561 IMAGES ONLY
Artist: COLEING, Tony | Title: Hollywood | Date: 1983 | Technique: etching, printed in black ink, from one plate

Tony Coleing (1942–)

Hollywood

(1983)

etching

Artist: Dyson, Will. | Title: Hollywood no.2: The Higher literate: But understand Miss Hollywood, only with reluctance, with marked reluctance. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood no.2: The Higher literate: "But understand Miss Hollywood, only with reluctance, with marked reluctance".

(c.1929)

etching

Artist: Dyson, Will. | Title: Hollywood: But surely Mr Shakespeare, you will admit two heads is better than one. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: "But surely Mr Shakespeare, you will admit two heads is better than one".

(c.1929)

etching

Artist: Dyson, Will. | Title: Hollywood: The Executives: And gentlemen our policy shall ever continue to be that of giving the people what they like and if they dont like it, something else exactly like it. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Executives: "And gentlemen our policy shall ever continue to be that of giving the people what they like and if they dont like it, something else exactly like it".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Hollywood: The Magnates: No my dears, one thing I have never stood for and that is impurity in my films. | Date: c.1930 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Magnates: "No my dears, one thing I have never stood for and that is impurity in my films".

(c.1930)

drypoint

Artist: Dyson, Will. | Title: Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal.

(c.1929)

etching

Artist: Clutterbuck, Bob. | Title: Holmes à Court: making money with money. | Date: 1987 | Technique: screenprint, printed in colour, from two stencils

Bob Clutterbuck (1951–)

Holmes à Court: making money with money.

(1987)

screenprint

Artist: Harley, Ross. | Title: Holy catfish it's O week. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

Ross Harley (1981–)

Holy catfish it's O week.

(1981)

screenprint

Artist: Walsh, Peter. | Title: Holy cow | Date: 1988 | Technique: lithograph, printed in black ink, from one stone [or plate]

Peter Walsh (1958–2009)

Holy cow

(1988)

lithograph

Artist: Aldor, Christine. | Title: Holy family. | Date: c.1953 | Technique: linocut, printed in colour, from multiple blocks

Christine Aldor (1913–1970)

Holy family.

(c.1953)

linocut

Artist: de Kesler, Thomas. | Title: Holy Family. | Date: 1961 | Technique: linocut, printed in colour, from four blocks | Copyright: © Thomas de Kessler

Thomas De Kesler (1925–2008)

Holy Family.

(1961)

linocut

Artist: TIPPING, Richard | Title: Holy shit. | Date: 1992 | Technique: screenprint, printed in colour, from three stencils

Richard Tipping (1949–)

Holy shit.

(1992)

screenprint

Artist: Beatty, Margaret. | Title: Holy Stone, Joseph Conrad. | Date: 1936 | Technique: linocut, printed in black ink, from one block

Margaret Beatty (1916–1979)

Holy Stone, Joseph Conrad.

(1936)

linocut

Eirene Mort (1879–1977)

Holy Thorn, Glastonbury.

etching

Gladys Owen (1889–1960)

Holy Thursday in Spain.

(1932 (exhibited))

wood-engraving

John Edward (1929–)

Holy Trinity.

Allan Glover (1900–1984)

Holy Trinity Church.

Holy Week.

(1994-1999)

woodcut

Salvatore Zofrea (1946–)

Holy Week

(1994-1999)

woodcut

Malcolm Osborne (1880–1963)

Holyrood Palace.

etching