Browse: E

WORKS 541 – 560 of 1328 IMAGES ONLY
Title: Entanglement | Date: 2007 | Technique: hardground etching, sugarlift and graduated aquatint, printed in colour, from two copper plates; inked a-la-poupee; hand-tinted by artist

Entanglement

(2007)

hardground etching

Norman Lindsay (1879–1969)

Enter the Duke.

Norman Lindsay (1879–1969)

Enter the Magicians.

(1927)

Artist: Jordan, Teresa. | Title: Enter through the side door (Our forefathers had the vision... And their daughters still bear the pain) | Date: 1991 | Technique: screenprint, printed in colour, from four stencils

Teresa Jordan (1953–)

Enter through the side door (Our forefathers had the vision... And their daughters still bear the pain)

(1991)

screenprint

Artist: Malm, Wayne. | Title: Entering the debate | Date: 1992 | Technique: etching and aquatint, printed in black ink, from one copper plate

Wayne Malm (1958–)

Entering the debate

(1992)

etching and aquatint

Title: Enterrement des naturels de l'Australie [Burial of natives of Australia] | Date: 1835 | Technique: engraving, printed in black ink, from one steel plate

Enterrement des naturels de l'Australie [Burial of natives of Australia]

(1835)

engraving

Title: Enterrement des naturels de l'Australie, Naturel de L'Australie and Femme de la Tasmanie [Burial of natives of Australia, Native of Australia and Woman of Tasmania] | Date: 1835 | Technique: engraving, printed in black ink, from one steel plate

Enterrement des naturels de l'Australie, Naturel de L'Australie and Femme de la Tasmanie [Burial of natives of Australia, Native of Australia and Woman of Tasmania]

(1835)

engraving

Enterrement des naturels de l'Australie; Naturel de l'Australie; Femme de la Tasmanie.

(1830s?)

engravings

Artist: Armstrong, Ian. | Title: (Enthroned figure). | Date: 1977 | Technique: woodcut, printed in black ink, from one block

Ian Armstrong (1923–2005)

(Enthroned figure). | (Oriental figure)

(1977)

woodcut

Artist: BOYD, Arthur | Title: Entombment. | Date: (1962-63) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

Entombment.

((1962-63))

etching and aquatint

Artist: Angas, George French. | Title: Entomology. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Entomology.

(1846-47)

lithograph

Artist: Angas, George French. | Title: Entomology: coleoptera. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Entomology: coleoptera.

(1846-47)

lithograph

Josef Lada Stejskal (1945–)

Entr'acte presents works inspired by the Bauhaus in Refractions ... The Performance Space.

(1983)

offset-lithograph

Sydney Ure Smith (1887–1949)

Entrance First Colonial Treasury.

Cyril Dillon (1883–1974)

Entrance gates.

(1922)

etching

A.H. Fullwood (1863–1930)

Entrance Government House, Melbourne.

Artist: BOT, G.W. | Title: Entrance I. | Date: 2000 | Technique: linocut, printed in colour, from multiple blocks

G.W. Bot (1954–)

Entrance I.

(2000)

linocut

Sydney Ure Smith (1887–1949)

Entrance of Bank of N.S.W.

Title: Entrance of Port Lincoln, taken from behind Memory Cove. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

Entrance of Port Lincoln, taken from behind Memory Cove.

(1814)

engraving

Entrance of the Paramatta River.

(1803, March 25)

engraving