Browse: C

WORKS 2301 – 2320 of 3337 IMAGES ONLY
Artist: REDBACK GRAPHIX | Title: Conservation and contemporary art. What's wrong with this picture? | Date: 1984 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Michael Callaghan

REDBACK GRAPHIX (1980–1994)

Conservation and contemporary art. What's wrong with this picture? | What's wrong with this picture?

(1984)

screenprint

REDBACK GRAPHIX (1980–1994)

Conservation and contemporary art. What's wrong with this picture?

(1984)

screenprint

A.H. Fullwood (1863–1930)

Conservatorium of Music, Sydney.

(1923)

Artist: Sandor, Eva. | Title: Consider the lilies. | Date: 1953 | Technique: wood engravings, printed in black ink, each from one block; letterpress text

Eva Sandor (1924–)

Consider the lilies.

(1953)

wood engravings

Artist: Dickerson, Robert. | Title: Consideration | Date: 1990 | Technique: lithograph, printed in black ink, from one stone

Robert Dickerson (1924–2015)

Consideration

(1990)

lithograph

Murray Griffin (1903–1992)

Considering Pelican.

(1950-1951)

linocut

A.H. Fullwood (1863–1930)

Constable's valley farm.

John Coburn (1925–2006)

Constellation.

Artist: Brash, Barbara. | Title: Constellation. | Date: 1971 | Technique: screenprint, printed in colour, from five stencils

Barbara Brash (1925–1998)

Constellation.

(1971)

screenprint

Constellation [exhibition invitation]

(1990s)

photocopy

John Coburn (1925–2006)

Constellation I.

Artist: Coburn, John. | Title: Constellation I. | Date: 1978 | Technique: aquatint, printed in colour, from two zinc plates

John Coburn (1925–2006)

Constellation I.

(1978)

aquatint

John Coburn (1925–2006)

Constellation II.

John Coburn (1925–2006)

Constellation II.

Artist: Klose, Simon. | Title: Constellation table | Date: c 1985 | Technique: etching and aquatint, printed in black ink, from one plate

Simon Klose (1951–)

Constellation table

(c 1985)

etching and aquatint

Artist: Sharp, James. | Title: Constriction | Date: 1975 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © Estate of James Sharp

James Sharp (1905–1985)

Constriction

(1975)

lithograph

LARRY RAWLING FINE ART PRINTS (1984–)

Constructing Paris.

(1996)

screenprint

Construction

(1965)

relief print

Artist: Taylor, James. | Title: Construction in a void | Date: 1971 | Technique: etching and aquatint, printed in colour

James Taylor (1941–)

Construction in a void

(1971)

etching and aquatint

Fred Britton (1889–1931)

Construction, Sydney Harbor Bridge.

(1927 (exhibited))

etching