Browse: C

WORKS 2141 – 2160 of 3339 IMAGES ONLY
Artist: Earle, Augustus. | Title: Coming to an anchor off Sydney Cove. | Date: 10 August 1830 (imprint) | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Augustus Earle (1793–1838)

Coming to an anchor off Sydney Cove. | Coming to an anchor off Sydney Cove

(10 August 1830 (imprint))

lithograph

Artist: Jesse, Joan. | Title: Coming up fir air; Gippsland forests are pining away. (Poster for Environment Protest Street Exhibition and Street Theatre, | Date: (1976) | Technique: linocut, printed in black ink, from one block

Joan Jesse (1955–1978)

Coming up fir air; Gippsland forests are pining away. (Poster for Environment Protest Street Exhibition and Street Theatre,

((1976))

linocut

Victor Cobb (1876–1945)

Commandant Steinhoffer's farm. DeVillier's Drop. O.F. State S.A. 1902.

(1902)

etching

Artist: MEYER, Bill | Title: Comme un bétail pensif. | Date: 1970 | Technique: screenprint, printed in eleven colours, from one hand cut indirect screen, one open block out screen , and multiple ortho and halftone screens | Copyright: © Bill Meyer

Bill Meyer (1942–)

Comme un bétail pensif.

(1970)

screenprint

Artist: Haxton, Elaine | Title: Commedia del arte | Date: 1967 | Technique: open-bite etching and aquatint, printed in blue ink

Elaine Haxton (1909–1999)

Commedia del arte

(1967)

open-bite etching and aquatint

Artist: Haxton, Elaine | Title: Commedia del arte | Date: 1968 | Technique: open-bite etching and aquatint printed in grey ink; sprinkled with gold dust

Elaine Haxton (1909–1999)

Commedia del arte

(1968)

open-bite etching and aquatint printed in grey ink; sprinkled with gold dust

Artist: Haxton, Elaine | Title: Commedia del arte | Date: 1968 | Technique: open-bite etching and aquatint

Elaine Haxton (1909–1999)

Commedia del arte

(1968)

open-bite etching and aquatint

Artist: Haxton, Elaine | Title: Commedia del Arte | Date: 1967 | Technique: open-bite etching and aquatint, printed in colour

Elaine Haxton (1909–1999)

Commedia del Arte

(1967)

open-bite etching and aquatint

Elaine Haxton (1909–1999)

Commedia Dell'Arte.

etching and open bite

Elaine Haxton (1909–1999)

Commedia Dell'arte.

Artist: Bienstock, Sam. | Title: Commemoration Masked Ball | Date: 1972 | Technique: screenprint, printed in colour, from multiple stencils

Sam Bienstock (1951–)

Commemoration Masked Ball

(1972)

screenprint

Artist: LITTLE, Colin | Title: Commemoration Masked Ball | Date: 1972 | Technique: screenprint, printed in colour, from multiple stencils

Colin Little (1952–1982)

Commemoration Masked Ball

(1972)

screenprint

Commemorative $10 note

(1987)

lithograph

Ann Newmarch (1945–2022)

Commemorative Print Portfolio: Picture Women. The Flinders University of South Australia. Women's Suffrage Centenary.

(1994)

Artist: LITTLE, Colin | Title: Commen Day | Technique: screenprint, printed in colour, from multiple stencils

Colin Little (1952–1982)

Commen Day

screenprint

Artist: LITTLE, Colin | Title: Commen Day | Technique: screenprint, printed in colour, from multiple stencils

Colin Little (1952–1982)

Commen Day

screenprint

Artist: UNKNOWN | Title: Commercial architecture. | Technique: lithograph

UNKNOWN

Commercial architecture.

lithograph

Title: Commercial Bank and Bank of New South Wales, George Street, Sydney | Date: c.1880s | Technique: lithograph, printed in black ink, from one stone [or plate]

Commercial Bank and Bank of New South Wales, George Street, Sydney

(c.1880s)

lithograph

Title: Commercial Hotel, Wharf. | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

Commercial Hotel, Wharf.

(1834)

lithograph

Lloyd Rees (1895–1988)

Comming storm.

(1980)

lithograph