Browse: B

WORKS 1001 – 1020 of 3695 IMAGES ONLY
Title: Billhead: James Robb, Importer and manufacturer of all kinds of saddlery. Hobart Town and Launceston. | Date: c.1870 | Technique: lithograph, printed in black ink, from one stone with pen and ink

Billhead: James Robb, Importer and manufacturer of all kinds of saddlery. Hobart Town and Launceston.

(c.1870)

lithograph

Artist: Robinson, T.E. | Title: Billhead: John Tozer, Chronometer, watch and clock maker, Launceston. | Date: 1851 | Technique: line-engraving, printed in black ink, from one copper plate

T.E. Robinson (1817–1858)

Billhead: John Tozer, Chronometer, watch and clock maker, Launceston.

(1851)

line-engraving

Artist: UNKNOWN ENGRAVER, | Title: Billhead: Robert Bell, Cabinet and chairmaker, upholsterer and undertaker, Launceston. | Date: May 1835 (new address) | Technique: engraving, printed in black ink, from one copper plate

UNKNOWN ENGRAVER,

Billhead: Robert Bell, Cabinet and chairmaker, upholsterer and undertaker, Launceston.

(May 1835 (new address))

engraving

Artist: Bock, Thomas. | Title: Billhead: Stodart's Hotel, Macquarie Street, Hobart Town. | Date: c.1825 | Technique: line-engraving, printed in black ink, from one copper plate

Thomas Bock (1790–1855)

Billhead: Stodart's Hotel, Macquarie Street, Hobart Town.

(c.1825)

line-engraving

Artist: UNKNOWN | Title: Billhead: Tasmanian Seed stores, 66 Liverpool St., Hobart Town | Date: c.1864 | Technique: wood-engraving, printed in black ink, from one block; with pen and ink

UNKNOWN

Billhead: Tasmanian Seed stores, 66 Liverpool St., Hobart Town | Billhead: C.F. Creswell, grain merchant

(c.1864)

wood-engraving

Title: Billhead: Thomas Corbett, Launceston | Date: c.1863 | Technique: line-engraving, printed in black ink, from one copper plate pen and ink inscriptions

Billhead: Thomas Corbett, Launceston

(c.1863)

line-engraving

Artist: Nolan, Sidney. | Title: Billiard players | Date: c.1946 | Technique: monotype

Sidney Nolan (1917–1992)

Billiard players

(c.1946)

monotype

Hans Heysen (1877–1968)

Billy | The billygoat

(1918)

etching

Geoffrey Harvey (1954–)

Billy and me '62

(1977)

photo-screenprint

Charles Rodius (1802–1860)

Billy Blue 'The old Commodore'.

(26 July 1834 (first noted))

pen-lithograph

Billy Blue [J.G.Austin 1835]

William Moffitt (1802–1873)

Billy Blue's Cottage and the Harbour.

(15 December 1837 (published))

Norman Lindsay (1879–1969)

Billy Bluegum; or back to the bush, by Edward Dyson. Sydney: Shepherd Press, 1947

(1947)

Artist: OGILVIE, Helen | Title: (Billy over a campfire) | Date: 1950 | Technique: wood-engraving, printed in black ink, from one block

Helen Ogilvie (1902–1993)

(Billy over a campfire)

(1950)

wood-engraving

Artist: LINDSAY, Lionel | Title: Billy tea. | Date: 1931 | Technique: aquatint,etching, burnishing and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Billy tea.

(1931)

aquatint

Artist: LITTLE, Colin | Title: Billy Thorpe and the Aztecs farewell performance | Date: 1976 | Technique: screenprint, printed in colour, from three stencils

Colin Little (1952–1982)

Billy Thorpe and the Aztecs farewell performance

(1976)

screenprint

Geoffrey Harvey (1954–)

Billy wants to be a rock and roll star #2

(1978)

photo-screenprint

Billynya

(2009)

screenprint

Artist: Bates, Badger | Title: Bilyara witalana marnti (Eaglehawk looking after his country) | Date: 1993 | Technique: linocut, printed in black ink, from one block,

Badger Bates (1947–)

Bilyara witalana marnti (Eaglehawk looking after his country)

(1993)

linocut

Artist: MUNGATOPI, Maryanne | Title: Bima | Date: 2001, February - March | Technique: etching and aquatint, printed in black ink, from one plate

Maryanne Mungatopi (1966–2003)

Bima

(2001, February - March)

etching and aquatint