Browse: A

WORKS 1061 – 1080 of 3331 IMAGES ONLY

Lionel Lindsay (1874–1961)

A. The Timber Belt.

Petr Herel (1943–2022)

a.[recto]; b:ignorance[verso]

(1993)

etching

Artist: UNKNOWN | Title: A.A.A.F. Conference, organic alternative, Hobart | Date: 1979 | Technique: screenprint,

UNKNOWN

A.A.A.F. Conference, organic alternative, Hobart

(1979)

screenprint

Artist: Finnane, Gabrielle | Title: A.F.C. projects sexist image ... in Cannes | Date: 1978 | Technique: screenprint, printed in colour, from two stencils | Copyright: © Leonie Lane

Gabrielle Finnane (1978–)

A.F.C. projects sexist image ... in Cannes

(1978)

screenprint

Artist: UNKNOWN | Title: A.I.F. Race Meeting. To be held at the New Flemington Track Barbara near Gaza. | Date: 1940 | Technique: letterpress, printed in black ink, from type

UNKNOWN

A.I.F. Race Meeting. To be held at the New Flemington Track Barbara near Gaza.

(1940)

letterpress

Artist: UNKNOWN | Title: A.M.S.A. 1980: Dare you risk not coming? | Date: 1980 | Technique: screenprint, printed in blue ink, from one stencil

UNKNOWN

A.M.S.A. 1980: Dare you risk not coming?

(1980)

screenprint

Robert Cooney (1953–)

A.O.U.I.T.S. #1.

((1977))

photographic reproductions

Robert Cooney (1953–)

A.O.U.I.T.S. #1.

((1977))

Artist: Lane, Leonie. | Title: A.R.U. guessing competition. | Date: (1980) | Technique: screenprint, printed in colour, from two stencils | Copyright: © Leonie Lane

Leonie Lane (1955–)

A.R.U. guessing competition.

((1980))

screenprint

Artist: STOTT, Chris | Title: A.T. | Technique: screenprint, printed in colour, from multiple stencils

Chris Stott (1970s)

A.T.

screenprint

Artist: STOTT, Chris | Title: A.T. | Technique: screenprint, printed in colour, from multiple stencils

Chris Stott (1970s)

A.T.

screenprint

Artist: MACKINOLTY, Chips | Title: A.U.S. gives a raw deal! [Australian Union of Students legalization of grass campaign] | Date: 1974 | Technique: screenprint, printed in colour inks, from multiple stencils

Chips Mackinolty (1954–)

A.U.S. gives a raw deal! [Australian Union of Students legalization of grass campaign]

(1974)

screenprint

Artist: Dodd, James. | Title: A3 study of Amrozi. | Date: 2003 | Technique: stencil, printed in black and grey, from two stencils

James Dodd (1977–)

A3 study of Amrozi.

(2003)

stencil

Artist: Dodd, James. | Title: A3 study of Peter Hoare (Shock). | Date: 2003 | Technique: stencil, printed in black and grey, from three stencils

James Dodd (1977–)

A3 study of Peter Hoare (Shock).

(2003)

stencil

Petr Herel (1943–2022)

a: ordre alphabetique[recto]; aaa[verso]

(1993)

etching

Artist: LINDSAY, Lionel | Title: Abandoned abattoir | Date: 1918 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Abandoned abattoir | Deserted abattoir | Glebe abattoir

(1918)

etching

Artist: Davies, L. Roy. | Title: Abandoned selection. | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

Abandoned selection.

(1922)

wood-engraving

Graeme Peebles (1955–)

Abandoned workings.

(1975)

mezzotint

Jules Sébastien César Dumont-D'Urville (1790–1842)

(Abatz, Nohor-holo).

(1842-47)

lithograph

Eirene Mort (1879–1977)

Abbaye de S. Bavon, Ghent. | Abbaye de S'Bavon.

(1913)