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WORKS 801 – 820 of 3318 IMAGES ONLY

Lionel Lindsay (1874–1961)

A Sicilian Goatherd 45 5 gns Just published and now exhibited for the first time.

Artist: LINDSAY, Lionel | Title: A Sicilian goatherd near Syracuse | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Sicilian goatherd near Syracuse

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: A Sicilian goatherd near Syracuse | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Sicilian goatherd near Syracuse

(1927)

drypoint

Artist: Kennedy, Roy. | Title: A simple life on a mission | Date: 2001 | Technique: etching, printed in black ink, from one plate

Roy Kennedy (1934–2021)

A simple life on a mission

(2001)

etching

Artist: WALKER, Murray | Title: A single Cleopatra | Date: 1973 | Technique: etching, printed in black ink, from one plate

Murray Walker (1937–)

A single Cleopatra

(1973)

etching

Artist: WALKER, Murray | Title: A single nice little unit. | Date: 1970 | Technique: linocut, printed in colour, from multiple blocks

Murray Walker (1937–)

A single nice little unit.

(1970)

linocut

A singular animal called kangaroo found on the coast of New Holland

(1808)

engraving

Title: A singular rock off the south end of Brune Island. | Date: 1830 | Technique: engraving, printed in black ink, from one plate

A singular rock off the south end of Brune Island.

(1830)

engraving

Artist: Clarkson, Jean. | Title: A Singular Woman, Marie Byles 1900-1979. A film by Gillian Coote | Date: 1984 | Technique: screenprint, printed in colour, from four stencils

Jean Clarkson (1970–)

A Singular Woman, Marie Byles 1900-1979. A film by Gillian Coote

(1984)

screenprint

Cullen

A sketch [Leaf 100].

((1885))

drypoint

Lloyd Rees (1895–1988)

A Sketch in Rome.

A sledge of Kamtschatka.

(1784)

engraving

Artist: Gillray, James. | Title: A slice of Gloucester cheese [verso]; For improving the breed [verso] | Date: 1795-96 | Technique: etching, printed in black ink, from one copper plate

James Gillray (1757–1815)

A slice of Gloucester cheese [verso]; For improving the breed [verso]

(1795-96)

etching

Artist: Latimer, Bruce. | Title: A slow sculpture | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils; glass and metal thermometer | Copyright: © Bruce Latimer

Bruce Latimer (1951–)

A slow sculpture

(1974)

screenprint

Artist: LINDSAY, Lionel | Title: A smithy, Avila, Spain | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A smithy, Avila, Spain

(1926)

drypoint

Artist: Scrivener, Julian. | Title: A Source Book of Organic form compiled by Julian Scrivener. | Technique: screenprint, printed in colour, from multiple stencils

Julian Scrivener (1991–)

A Source Book of Organic form compiled by Julian Scrivener.

screenprint

F. Millward Grey (1899–1957)

A South African Scot.

John Barclay Godson (1882–1957)

A South Coast Farm.

John Barclay Godson (1882–1957)

A South Coast Farm*.

Frank Short (1857–1945)

A South Coast Road.

(by 1925)

etching