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WORKS 241 – 260 of 3315 IMAGES ONLY
Artist: UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP) | Title: A daring desert date with destiny ....Sheik, rattle 'n' roll. La Boite Theatre... begins Jan 1 '81 | Date: 1980 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP)

A daring desert date with destiny ....Sheik, rattle 'n' roll. La Boite Theatre... begins Jan 1 '81

(1980)

screenprint

Artist: Kelly, John. | Title: A dark night | Date: 2002 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © John Kelly. Licensed by VISCOPY, Australia.

John Kelly (1965–)

A dark night

(2002)

etching and aquatint

Artist: Wall, Edith. | Title: (A day in the city) | Date: 1957 | Technique: lithograph, printed in black ink, from one stone | Copyright: Courtesy of the artist

Edith Wall (1904–2021)

(A day in the city)

(1957)

lithograph

Salvatore Zofrea (1946–)

A day in Venice

(1994-1999)

woodcut

Artist: LINDSAY, Lionel | Title: A derelict, Kent Street, Sydney | Date: 1912 | Technique: etching and aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A derelict, Kent Street, Sydney | Derelict, Kent Street | Old Kent Street derelict

(1912)

etching and aquatint

Charles William Cain (1893–1962)

A Desert Caravan dry point.

John A. Gardner (1906–1987)

A deserted cottage.

(1940s)

linocut

Title: A deserted Indian village in King George III Sound, New Holland. | Date: 1 May 1798 (imprint) | Technique: engraving, printed in black ink, from one copper plate

A deserted Indian village in King George III Sound, New Holland.

(1 May 1798 (imprint))

engraving

Lionel Lindsay (1874–1961)

A Deserted Shrine.

Victor Cobb (1876–1945)

A deserted shrine, Ivanhoe. | Ruined shrine, Ivanhoe.

(1925)

etching

Artist: WALKER, Murray | Title: A design for my Canberra catalogue. | Date: 1969 | Technique: etching, printed in black ink, from one plate

Murray Walker (1937–)

A design for my Canberra catalogue.

(1969)

etching

Artist: WALKER, Murray | Title: A design for my Canberra catalogue. | Date: 1969 | Technique: etching and aquatint, printed in black ink, from one plate

Murray Walker (1937–)

A design for my Canberra catalogue.

(1969)

etching and aquatint

Title: A dictionary of the English language | Date: 1983 | Technique: offset-lithographs, printed in black ink, from multiple plates; collaged additions

A dictionary of the English language

(1983)

offset-lithographs

Artist: Buckley, Sue. | Title: A different kind of bird. | Date: 1980 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

A different kind of bird.

(1980)

woodcut

Artist: REDBACK GRAPHIX | Title: A different perspective. | Date: 1983, before 17 February | Technique: screenprint, printed in colour, from five stencils

REDBACK GRAPHIX (1980–1994)

A different perspective.

(1983, before 17 February)

screenprint

Elaine E. Coghlan (1897–1989)

A Digger.

Artist: Streeton, Arthur. | Title: A dinner, Sir Henry Parkes G.C.M.G., on entering his 80th year | Date: 1894 | Technique: lithograph, printed in green ink, from one stone; hand-coloured

Arthur Streeton (1867–1943)

A dinner, Sir Henry Parkes G.C.M.G., on entering his 80th year

(1894)

lithograph

James Heath (1757–1834)

A direct south view of the town of Sydney taken from the brow of the hill leading to the flagstaff.

(1798)

engraving

Mortimer Menpes (1855–1938)

A Distant View London.

etching

Artist: Menpes, Mortimer. | Title: (A domed church with boats in the foreground) | Date: c.1920 | Technique: etching and drypoint, printed in black ink, from one plate

Mortimer Menpes (1855–1938)

(A domed church with boats in the foreground)

(c.1920)

etching and drypoint