Browse: A

WORKS 401 – 420 of 1832 IMAGES ONLY
Artist: Durkin, Tom. | Title: A town clerk [Mr Edmund Gerald Fitzgibbon]. | Date: 9 January 1875 (imprint) | Technique: lithograph, printed in colour inks, from two (black image, buff tint)

Tom Durkin (1853–1900)

A town clerk [Mr Edmund Gerald Fitzgibbon].

(9 January 1875 (imprint))

lithograph

Artist: Preston, Margaret. | Title: A translation from Picasso | Date: 1933 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

A translation from Picasso

(1933)

woodcut

Artist: McKay, Brian. | Title: A tribute to Greek art. An evening of Greek music & poetry. Queen Elizabeth Hall, South Bank. | Date: c.1967 | Technique: screenprint, printed in colour inks, from two stencils

Brian Mckay (1926–2014)

A tribute to Greek art. An evening of Greek music & poetry. Queen Elizabeth Hall, South Bank.

(c.1967)

screenprint

Artist: BUNNY, Rupert | Title: (A triton's family). | Date: c.1898 | Technique: monotype, printed in colour, from one zinc plate

Rupert Bunny (1864–1947)

(A triton's family).

(c.1898)

monotype

Artist: Hotere, Ralph. | Title: A Union Jack ? | Date: 1990 | Technique: lithograph, printed in colour, from multiple stones

Ralph Hotere (1931–2013)

A Union Jack ?

(1990)

lithograph

Artist: Durkin, Tom. | Title: A vanquished knight [The Hon. John O'Shanassy, K.C.M.G.]. | Date: 9 May 1874 (imprint) | Technique: lithograph, printed in colour inks, from two (black image, buff tint)

Tom Durkin (1853–1900)

A vanquished knight [The Hon. John O'Shanassy, K.C.M.G.].

(9 May 1874 (imprint))

lithograph

Artist: Georgetti, Diena. | Title: A very common model. | Date: 1992 | Technique: screenprint, printed in black ink, from one stencil

Diena Georgetti (1966–)

A very common model.

(1992)

screenprint

Artist: WALKER, Murray | Title: A very modern girl | Date: 1973 | Technique: etching, printed in black ink, from one plate

Murray Walker (1937–)

A very modern girl

(1973)

etching

Artist: WALKER, Murray | Title: A very modern girl. | Date: 1973 | Technique: etching, printed in black ink, from one plate

Murray Walker (1937–)

A very modern girl.

(1973)

etching

Artist: Counihan, Noel. | Title: A very old woman. | Date: 1981 | Technique: lithograph, printed in black ink, from one zinc plate

Noel Counihan (1913–1986)

A very old woman.

(1981)

lithograph

Artist: Durkin, Tom. | Title: A Victorian knight [Sir James McCulloch K.C.M.G.]. | Date: 28 February 1874 (imprint) | Technique: lithograph, printed in colour, from multiple stones

Tom Durkin (1853–1900)

A Victorian knight [Sir James McCulloch K.C.M.G.].

(28 February 1874 (imprint))

lithograph

Artist: Rooney, Elizabeth. | Title: A view from Black Mountain | Date: 1971 | Technique: etching, printed in black ink with plate-tone, from one copper plate

Elizabeth Rooney (1929–2016)

A view from Black Mountain

(1971)

etching

Artist: SIDMAN, William | Title: A view from Watson's Bay | Date: 1890s | Technique: etching, printed in black ink with plate-tone, from one copper plate

William Sidman (1847–1918)

A view from Watson's Bay

(1890s)

etching

Artist: Engelmann, Graf, Coindet et Cie. | Title: A View in Western Australia, taken from a hill, the intended site of a Fort, on the left bank of the Swan River, a mile and a quarter from its mouth. | Date: 24 March 1830 (imprint) | Technique: lithograph, printed in black ink, from one stone

Graf Engelmann (1826–1830)

A View in Western Australia, taken from a hill, the intended site of a Fort, on the left bank of the Swan River, a mile and a quarter from its mouth.

(24 March 1830 (imprint))

lithograph

Artist: Mason, Walter George. | Title: A view of Botany Bay, Cook's River from Norwood on the Parramatta railway. | Date: 1857 | Technique: wood-engraving, printed in black ink, from one block

Walter George Mason (1820–1866)

A view of Botany Bay, Cook's River from Norwood on the Parramatta railway.

(1857)

wood-engraving

Artist: Slager, Philip. | Title: A view of Campbell and Co. Mercantile House, Sydney in New South Wales. | Date: 1810 (about) | Technique: etching and engraving, printed in black ink, from one copper plate; hand-coloured

Philip Slager (1755–1815)

A view of Campbell and Co. Mercantile House, Sydney in New South Wales.

(1810 (about))

etching and engraving

Title: A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales. | Date: 1817-1819 | Technique: engraving, printed in black ink, from one copper plate

A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales.

(1817-1819)

engraving

Title: A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales. | Date: 1817-1819 | Technique: engraving, printed in black ink, from one copper plate

A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales.

(1817-1819)

engraving

Artist: Wallis, James. | Title: A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales. | Date: 1821 | Technique: engraving, printed in black ink, from one copper plate

James Wallis (1785–1858)

A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales.

(1821)

engraving

Artist: Wallis, James. | Title: A view of Hawkesbury and the Blue Mountains. New South Wales. | Date: 1821 | Technique: engraving, printed in black ink, from one copper plate

James Wallis (1785–1858)

A view of Hawkesbury and the Blue Mountains. New South Wales.

(1821)

engraving